Ng Yak Whee<\/h1><\/div><\/div><\/div>![\"\u65e9\u9910](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2023\/10\/Ng-Yak-Whee-Breakefast-\u9ec4\u610f\u4f1a-\u65e9\u9910-Prestige-Art-Gallery.jpg\" "\\"Ng")
<\/span><\/div>Breakfast, 1987, Oil on Canvas, 110cm x 80cm<\/p>\n<\/div><\/div><\/div><\/div><\/div>
![\"Ng](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2023\/10\/Ng-Yak-Whee-Profile-Photo-\u9ec4\u610f\u4f1a.jpg\" "\\"Ng")
<\/span><\/div>Ng Yak Whee<\/p>\n
Details
\n1954
\nBorn in Singapore
\nResiding in Singapore<\/p>\n
1979
\nB.Sc (Hons), Nanyang University<\/p>\n<\/div>
<\/div><\/div><\/div><\/div>Ng Yak Whee: Masterfully Weaving Poetic Dreamscapes in Colour and Abstraction<\/h3>\nEarly Years and Artistic Calling<\/h4>\n
Born in Singapore and holding an honours bachelor\u2019s degree in biology from Nanyang University, Singapore (1979), Ng Yak Whee had a lifelong passion for creativity. After completing his academic journey, he heeded his inner calling and embarked on a career as a professional artist.<\/p>\n
Artistic Style and Mediums<\/h4>\n
Ng Yak Whee’s artistic style is notably influenced by the Russian-French artist Marc Chagall, offering a departure from traditional art movements like Impressionism, Cubism, and Abstract Expressionism. He demonstrates versatility across various mediums, including oil, acrylic, ink painting, Cartogravures, and photography. His artwork breaks away from conventional single-perspective depictions, embracing multiple viewpoints within a single image. This approach yields dream-like imagery imbued with his distinctive style and a keen sense of colour. Ng creates without preliminary drafts, a process akin to what art critic Umberto Eco describes as “L’oeuvre Ouverte” or open work, characterised by informality and the incorporation of disorder, chance, and indeterminacy. This dynamic tension between control and chance is evident in the shapes and subjects of Ng’s paintings, which often undergo disruption and transformation through the interplay of colour and visual elements. The open-ended nature of his work allows him to infuse his own subjective experiences while triggering associations and memories in viewers.<\/p>\n
Freedom and Fluidity in Art<\/h4>\n
Freedom holds a central place in Ng Yak Whee\u2019s artistic expression. His works defy fixed themes and symbols, seamlessly blending figuration and abstraction. Whether depicting the real or the imagined, Ng’s art transcends tangible expressions, communicating on a level beyond objects and images, inviting viewers to explore their own realms of imagination. His poetic language emerges through the interplay of colour and abstraction, woven together with masterful brushstrokes and schemas. Each of his paintings resembles a poem, embracing ever-evolving forms and meanings, exuding a soft, dreamlike beauty.<\/p>\n
Life as a Dream and Artistic Commitment<\/h4>\n
Ng’s journey in life, much like his art, carries the essence of a dream. Following his university education, he fearlessly pursued his dreams, dedicating over four decades to freely expressing his inner world through painting. Despite the swift passage of time, he remained true to his heart’s desires, avoiding the allure of trends or indulgence. Instead, he steadfastly pursued his unique artistic language with unwavering commitment, sincerity, and persistence amid the intricate and tumultuous landscape of contemporary art.<\/p>\n<\/div><\/div><\/div><\/div><\/div>
Colours of Spring<\/h4>\n
2021
\nOil on canvas
\n80cm x 70cm<\/p>\n<\/div><\/div><\/div>
![\"\u6625\u8272](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2023\/10\/Ng-Yak-Whee-Spring-Scenery-\u9ec4\u610f\u4f1a-\u6625\u8272-Prestige-Art-Gallery.jpg\" "\\"Ng")
<\/span><\/div><\/div><\/div><\/div><\/div>Destiny<\/h4>\n
2006
\nMixed media oil on canvas
\n130cm x 100cm<\/p>\n<\/div><\/div><\/div>
![\"\u547d\u8fd0\uff0c2006\u5e74\uff0c\u6df7\u5408\u6750\u6599\u753b\u5e03\uff0c130cm](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2023\/10\/Ng-Yak-Whee-Destiny-Oil-on-Canvas-2006-Prestige-Art-Gallery-\u9ec4\u610f\u4f1a-\u547d\u8fd0-\u6cb9\u753b-\u54c1\u827a\u753b\u5eca.jpg\" "\\"Ng")
<\/span><\/div><\/div><\/div><\/div><\/div>Dancing in the Moonlight<\/h4>\n
2020
\nOil on canvas
\n120cm x 150cm<\/p>\n<\/div><\/div><\/div>
![\"\u5728\u6708\u5149\u4e0b\u8df3\u821e](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2023\/10\/Ng-Yak-Whee-Dancing-in-the-Moonlinght-\u9ec4\u610f\u4f1a-\u6708\u5149\u4e0b\u8df3\u821e-Prestige-Art-Gallery.jpg\" "\\"Ng")
<\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Solo Exhibitions<\/h4><\/span><\/div><\/div><\/div>2023<\/h4>\n
13th Solo Exhibition\u300a\u7ed8\u5883\u300b, Taichung city seaport art Center<\/p>\n
\n2021<\/h4>\n
Bosom Friends SanMao and I<\/em>, Singapore<\/p>\n
\n2019<\/h4>\n
12th Solo Exhibition SanMao and I – Those Days<\/em>, Shenzhen<\/p>\n
\nChingay Bicentennial 270m Painting, Singapore<\/p>\n
\n11th Solo Photography Exhibition Transform<\/em>, Singapore<\/p>\n
\n2018<\/h4>\n
10th Solo Exhibition Timeless<\/em>, Singapore<\/p>\n
\n<\/div>
<\/span><\/div>Breakfast, 1987, Oil on Canvas, 110cm x 80cm<\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/span><\/div>Ng Yak Whee<\/p>\n
Details
\n1954
\nBorn in Singapore
\nResiding in Singapore<\/p>\n
1979
\nB.Sc (Hons), Nanyang University<\/p>\n<\/div>
Ng Yak Whee: Masterfully Weaving Poetic Dreamscapes in Colour and Abstraction<\/h3>\nEarly Years and Artistic Calling<\/h4>\n
Born in Singapore and holding an honours bachelor\u2019s degree in biology from Nanyang University, Singapore (1979), Ng Yak Whee had a lifelong passion for creativity. After completing his academic journey, he heeded his inner calling and embarked on a career as a professional artist.<\/p>\n
Artistic Style and Mediums<\/h4>\n
Ng Yak Whee’s artistic style is notably influenced by the Russian-French artist Marc Chagall, offering a departure from traditional art movements like Impressionism, Cubism, and Abstract Expressionism. He demonstrates versatility across various mediums, including oil, acrylic, ink painting, Cartogravures, and photography. His artwork breaks away from conventional single-perspective depictions, embracing multiple viewpoints within a single image. This approach yields dream-like imagery imbued with his distinctive style and a keen sense of colour. Ng creates without preliminary drafts, a process akin to what art critic Umberto Eco describes as “L’oeuvre Ouverte” or open work, characterised by informality and the incorporation of disorder, chance, and indeterminacy. This dynamic tension between control and chance is evident in the shapes and subjects of Ng’s paintings, which often undergo disruption and transformation through the interplay of colour and visual elements. The open-ended nature of his work allows him to infuse his own subjective experiences while triggering associations and memories in viewers.<\/p>\n
Freedom and Fluidity in Art<\/h4>\n
Freedom holds a central place in Ng Yak Whee\u2019s artistic expression. His works defy fixed themes and symbols, seamlessly blending figuration and abstraction. Whether depicting the real or the imagined, Ng’s art transcends tangible expressions, communicating on a level beyond objects and images, inviting viewers to explore their own realms of imagination. His poetic language emerges through the interplay of colour and abstraction, woven together with masterful brushstrokes and schemas. Each of his paintings resembles a poem, embracing ever-evolving forms and meanings, exuding a soft, dreamlike beauty.<\/p>\n
Life as a Dream and Artistic Commitment<\/h4>\n
Ng’s journey in life, much like his art, carries the essence of a dream. Following his university education, he fearlessly pursued his dreams, dedicating over four decades to freely expressing his inner world through painting. Despite the swift passage of time, he remained true to his heart’s desires, avoiding the allure of trends or indulgence. Instead, he steadfastly pursued his unique artistic language with unwavering commitment, sincerity, and persistence amid the intricate and tumultuous landscape of contemporary art.<\/p>\n<\/div><\/div><\/div><\/div><\/div>
Colours of Spring<\/h4>\n
2021
\nOil on canvas
\n80cm x 70cm<\/p>\n<\/div><\/div><\/div>
<\/span><\/div><\/div><\/div><\/div><\/div>Destiny<\/h4>\n
2006
\nMixed media oil on canvas
\n130cm x 100cm<\/p>\n<\/div><\/div><\/div>
<\/span><\/div><\/div><\/div><\/div><\/div>Dancing in the Moonlight<\/h4>\n
2020
\nOil on canvas
\n120cm x 150cm<\/p>\n<\/div><\/div><\/div>
<\/span><\/div><\/div><\/div><\/div><\/div>Solo Exhibitions<\/h4><\/span><\/div><\/div><\/div>2023<\/h4>\n
13th Solo Exhibition\u300a\u7ed8\u5883\u300b, Taichung city seaport art Center<\/p>\n
\n2021<\/h4>\n
Bosom Friends SanMao and I<\/em>, Singapore<\/p>\n
\n2019<\/h4>\n
12th Solo Exhibition SanMao and I – Those Days<\/em>, Shenzhen<\/p>\n
\nChingay Bicentennial 270m Painting, Singapore<\/p>\n
\n11th Solo Photography Exhibition Transform<\/em>, Singapore<\/p>\n
\n2018<\/h4>\n
10th Solo Exhibition Timeless<\/em>, Singapore<\/p>\n
\n<\/div>
2023<\/h4>\n
13th Solo Exhibition\u300a\u7ed8\u5883\u300b, Taichung city seaport art Center<\/p>\n
\n
2021<\/h4>\n
Bosom Friends SanMao and I<\/em>, Singapore<\/p>\n 12th Solo Exhibition SanMao and I – Those Days<\/em>, Shenzhen<\/p>\n Chingay Bicentennial 270m Painting, Singapore<\/p>\n 11th Solo Photography Exhibition Transform<\/em>, Singapore<\/p>\n 10th Solo Exhibition Timeless<\/em>, Singapore<\/p>\n
\n2019<\/h4>\n
\n
\n
\n2018<\/h4>\n
\n<\/div>