Wang Chongxue<\/h1><\/div><\/div><\/div>![\"\u300a\u6e38\u5b50\u4e91\u300b\u7cfb\u5217](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2023\/10\/Wang-Chong-Xue-Transparent-07.07.2017-\u738b\u5d07\u5b66-\u900f.07.07.2017-Prestige-Art-Gallery.jpg\" "\\"\u738b\u5d07\u5b66")
<\/span><\/div>Translucency.10.09.2016<\/em>, 2016, Oil on linen canvas, 120 x 120 cm<\/p>\n<\/div><\/div><\/div><\/div><\/div>![\"\u5218\u8f69\u9f50\"](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2023\/10\/Wang-Congxue-Profile-Photo-\u738b\u5d07\u5b66.jpg\" "\\"Wang")
<\/span><\/div>Wang Chongxue<\/p>\n
Details
\n1975
\nBorn in Meishan, Sichuan
\nWorks and lives in Chengdu, Sichuan<\/p>\n
1999
\nB.A, Academy of Fine Arts of Sichuan Normal University<\/p>\n
2006
\nM.A, Academy of Art of Sichuan University
\nunder the tutelage of Cheng Cong Lin<\/p>\n<\/div>
<\/div><\/div><\/div><\/div>Wang Chongxue \u2013 A Journey Through Art and Influence<\/h3>\n
Wang Chongxue was born in Meishan, Sichuan in 1975. MA Academy of Art of Sichuan University. He studied under the prolific Cheng Cong Lin, a leader and veteran in Chinese contemporary art. He is currently a distinguished professor in Sichuan Film and Television Academy. His works have held solo exhibitions and joint exhibitions with world-renowned galleries for many times, and participated in major art fairs. His works are mainly collected by Art Museum, professional art institutions and private collectors in Chengdu, Germany, Shanghai, Taiwan, the United States and other places.<\/p>\n
Innovative Artistry: Wang Chongxue’s ‘Transparency’ Technique<\/h4>\n
After nearly twenty painstaking years refining his practice, Wang developed an entirely new artistic language – the technique of \u201ctransparency\u201d which subtly combines three kinds of postmodern concepts: mechanical reproduction, collage, and appropriation. The brilliance of Wang lies in his application of a highly contemporary technique of \u201ctransparency\u201d to revive traditional Chinese visual imagery in the contemporary cultural context of mass consumption.<\/p>\n
Layered Symbolism: The Artistic Journey in ‘Transparent’ Series<\/h4>\n
In the \u201cTransparent\u201d series, Wang makes reference to The Night Revels of Han Xizai<\/em>, by the Southern Tang painter Gu Hongzhong of the Five Dynasties (907-960A.D.). Birds and flowers have become necessary symbols in Wang\u2019s works. These motifs either appear on the surface of the painting or intersect with the subjects, partly concealing scenes of merriment. Within the complex web, viewers are forced to observe and look conscientiously at the layers of images that were woven into the painting to vaguely see the \u201cfloating world\u201d once existed.<\/p>\nMarking Time in the Dots: The Unwavering Dedication<\/h4>\n
The central imagery of his painting is slowly formed through the layering of thousands of \u201cdots\u201d over the years. In that regard, each \u201cdot\u201d marks a point in a certain time. The visual imagery captures time and the attendant experience entrapped within – the emotions, state of being, the painter\u2019s touch. More importantly, the \u201cdots\u201d are also marks of the labour, focus, and determination of Wang, intricately intersecting his moments of inspiration and loneliness. Among the different techniques of painting, Wang has developed his style using \u201cdots\u201d, which may seem like a foolish choice. Yet behind the laborious technique and practice is a relentless single-mindedness and a belief to never compromise oneself in favour of trends.<\/p>\n<\/div><\/div><\/div><\/div><\/div>
Translucency.28.07.2013<\/em><\/h4>\n2013
\nOil on linen canvas
\n120 x 120 cm<\/p>\n<\/div><\/div><\/div>
![\"\u900f.28.07.2013](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2023\/10\/Wang-Chong-Xue-Transparent-28.07.2013-\u738b\u5d07\u5b66-\u900f.28.07.2013-Prestige-Art-Gallery.jpg\" "\\"\u738b\u5d07\u5b66")
<\/span><\/div><\/div><\/div><\/div><\/div>Translucency.15.07.2020<\/em><\/h4>\n2020
\nOil on linen canvas
\n128 x 128 cm<\/span><\/p>\n<\/div><\/div><\/div>![\"\u900f.15.07.2020](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2023\/10\/Wang-Chong-Xue-Transparent-15.07.2020-\u738b\u5d07\u5b66-\u900f.15.07.2020-Prestige-Art-Gallery.jpg\" "\\"\u738b\u5d07\u5b66")
<\/span><\/div><\/div><\/div><\/div><\/div>Veiling.07.07.2025<\/em><\/h4>\n2025
\nAcrylic on paper
\n41 x 31.5 cm<\/span><\/p>\n<\/div><\/div><\/div>![](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2025\/10\/hua1487-\u62f7\u8d1da-Large-1.jpeg\")
<\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Solo Exhibitions<\/h4><\/span><\/div><\/div><\/div>2025<\/h4>\n
Extraction \u00b7 Reconstruction<\/em>, Prestige Gallery, Singapore<\/p>\n
\n2019<\/h4>\n
Inner Landscapes: History. Meditation and Remembrance<\/em>, Nangu Art Centre, Chengdu<\/p>\n
\n2018<\/h4>\n
Hidden Messages<\/em>, Update Gallery, Bonn, Germany<\/p>\n
\n2017<\/h4>\n
Floating Life<\/em>, Nangu Art Centre, Chengdu, Sichuan<\/p>\n
\n2016<\/h4>\n
Solo exhibition at Rainbow Art Centre, Shanghai<\/p>\n
\n2015<\/h4>\n
Dust<\/em>, Five Thousands Years Art Gallery, Kaohsiung, Taiwan<\/p>\n
\nDust<\/em>, Rainbow Art Centre, Shanghai<\/p>\n
\n<\/div>
<\/span><\/div>Translucency.10.09.2016<\/em>, 2016, Oil on linen canvas, 120 x 120 cm<\/p>\n<\/div><\/div><\/div><\/div><\/div> Wang Chongxue<\/p>\n Details 1999 2006 Wang Chongxue was born in Meishan, Sichuan in 1975. MA Academy of Art of Sichuan University. He studied under the prolific Cheng Cong Lin, a leader and veteran in Chinese contemporary art. He is currently a distinguished professor in Sichuan Film and Television Academy. His works have held solo exhibitions and joint exhibitions with world-renowned galleries for many times, and participated in major art fairs. His works are mainly collected by Art Museum, professional art institutions and private collectors in Chengdu, Germany, Shanghai, Taiwan, the United States and other places.<\/p>\n After nearly twenty painstaking years refining his practice, Wang developed an entirely new artistic language – the technique of \u201ctransparency\u201d which subtly combines three kinds of postmodern concepts: mechanical reproduction, collage, and appropriation. The brilliance of Wang lies in his application of a highly contemporary technique of \u201ctransparency\u201d to revive traditional Chinese visual imagery in the contemporary cultural context of mass consumption.<\/p>\n In the \u201cTransparent\u201d series, Wang makes reference to The Night Revels of Han Xizai<\/em>, by the Southern Tang painter Gu Hongzhong of the Five Dynasties (907-960A.D.). Birds and flowers have become necessary symbols in Wang\u2019s works. These motifs either appear on the surface of the painting or intersect with the subjects, partly concealing scenes of merriment. Within the complex web, viewers are forced to observe and look conscientiously at the layers of images that were woven into the painting to vaguely see the \u201cfloating world\u201d once existed.<\/p>\n The central imagery of his painting is slowly formed through the layering of thousands of \u201cdots\u201d over the years. In that regard, each \u201cdot\u201d marks a point in a certain time. The visual imagery captures time and the attendant experience entrapped within – the emotions, state of being, the painter\u2019s touch. More importantly, the \u201cdots\u201d are also marks of the labour, focus, and determination of Wang, intricately intersecting his moments of inspiration and loneliness. Among the different techniques of painting, Wang has developed his style using \u201cdots\u201d, which may seem like a foolish choice. Yet behind the laborious technique and practice is a relentless single-mindedness and a belief to never compromise oneself in favour of trends.<\/p>\n<\/div><\/div><\/div><\/div><\/div> 2013 2020 2025 Extraction \u00b7 Reconstruction<\/em>, Prestige Gallery, Singapore<\/p>\n Inner Landscapes: History. Meditation and Remembrance<\/em>, Nangu Art Centre, Chengdu<\/p>\n Hidden Messages<\/em>, Update Gallery, Bonn, Germany<\/p>\n Floating Life<\/em>, Nangu Art Centre, Chengdu, Sichuan<\/p>\n Solo exhibition at Rainbow Art Centre, Shanghai<\/p>\n Dust<\/em>, Five Thousands Years Art Gallery, Kaohsiung, Taiwan<\/p>\n Dust<\/em>, Rainbow Art Centre, Shanghai<\/p>\n<\/span><\/div>
\n1975
\nBorn in Meishan, Sichuan
\nWorks and lives in Chengdu, Sichuan<\/p>\n
\nB.A, Academy of Fine Arts of Sichuan Normal University<\/p>\n
\nM.A, Academy of Art of Sichuan University
\nunder the tutelage of Cheng Cong Lin<\/p>\n<\/div>Wang Chongxue \u2013 A Journey Through Art and Influence<\/h3>\n
Innovative Artistry: Wang Chongxue’s ‘Transparency’ Technique<\/h4>\n
Layered Symbolism: The Artistic Journey in ‘Transparent’ Series<\/h4>\n
Marking Time in the Dots: The Unwavering Dedication<\/h4>\n
Translucency.28.07.2013<\/em><\/h4>\n
\nOil on linen canvas
\n120 x 120 cm<\/p>\n<\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/div>Translucency.15.07.2020<\/em><\/h4>\n
\nOil on linen canvas
\n128 x 128 cm<\/span><\/p>\n<\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/div>Veiling.07.07.2025<\/em><\/h4>\n
\nAcrylic on paper
\n41 x 31.5 cm<\/span><\/p>\n<\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/div>Solo Exhibitions<\/h4><\/span>
2025<\/h4>\n
\n2019<\/h4>\n
\n2018<\/h4>\n
\n2017<\/h4>\n
\n2016<\/h4>\n
\n2015<\/h4>\n
\n
\n<\/div>
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