{"id":2495,"date":"2023-07-07T04:00:57","date_gmt":"2023-07-06T20:00:57","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/?p=2495"},"modified":"2024-10-14T15:41:51","modified_gmt":"2024-10-14T07:41:51","slug":"tang-ke","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/tang-ke\/","title":{"rendered":"Tang Ke"},"content":{"rendered":"

Tang Ke<\/h1><\/div><\/div><\/div>
\"\u7f8e\u4e3d<\/span><\/div>

Beautiful Beautiful Series<\/em>, 2005, Acrylic on Film, 180cm x 150cm<\/p>\n<\/div><\/div><\/div><\/div><\/div>

\"\u5510\u53ef<\/span><\/div>

Tang Ke<\/p>\n

Details
\n1972
\nBorn in Chengdu, China<\/p>\n

1994
\nGraduated from the Sichuan Academy of Fine Arts<\/p>\n<\/div>

<\/div><\/div><\/div><\/div>

A Journey from Traditional Art to Material Exploration<\/h3>\n

Tang Ke, born in 1972 in Chengdu, graduated from the Sichuan Academy of Fine Arts<\/a> in 1994. After graduation, he questioned the heaviness of traditional art, leading him to temporarily shift towards interior design, which served as a foundation for exploration and practice. Through this phase of engagement with materials and media, he laid the groundwork for his future artistic endeavours. Although he developed an interest in transparent materials in 1996, early experiments were unsuccessful, causing this exploration to be shelved for nearly nine years.<\/p>\n

Capturing the Chaos of Urban Life<\/h4>\n

In 1997, Tang Ke officially dedicated himself to artistic creation, focusing his early works on the dynamics and blurriness of street crowds. He employed vibrant colours and elements such as neon lights and billboards to vividly portray the hustle and bustle of urban life. His painting technique combined the rough layering of oil paint with the delicacy of airbrush techniques, reflecting a strong pursuit of visual effects. As his creations progressed, his compositions gradually shifted towards softer and more personal expressions, exploring the fleeting nature of life.<\/p>\n

Transforming Urban Culture with Transparent Film<\/h4>\n

Starting in 2001, Tang Ke’s artistic journey took a transformative turn, concentrating on the representation of urban culture. In late 2005, he began creating oil and acrylic works directly on transparent film, gradually shaping his personal style. In 2006, his series depicting parrots on film, along with subsequent large-scale landscape works (repainting) on film, were exhibited in various international art institutions. These works not only showcase his unique understanding of the characteristics of transparent film media, but also represent his subversion and reconstruction of traditional art forms. The use of transparent materials allowed Tang Ke’s paintings to present an illusory, dreamy effect under the refraction of light. His technique of simultaneously depicting on both sides of the film further disentangled the relationship between image and brushstroke, allowing them to exist as independent organic combinations.<\/p>\n

Still Life and the Art of Observation<\/h4>\n

In 2011, Tang Ke shifted his focus to still life genre, particularly creating a series centred around winter melons. From 2014 to 2017, he produced numerous sketches, delving deeper into the meaning and forms of painting language. The works from this phase emphasised the meticulous depiction of branches and leaves, revealing complex spatial correlations.<\/p>\n

The Profound Symbolism of Winter Melons<\/h4>\n

In 2018, Tang Ke returned to painting with themes of winter melons and other vegetables. His works not only presented full of life plant forms but also transcended the boundaries of the ordinary. He remarked, \u201cWhen you gaze at something, everything will come.\u201d<\/em> Through his deep observation of winter melons, the artist sensed the connection between these plants and existential emotions, endowing his works with profound significance.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

Translucent Series Pig Head<\/h4>\n

2007
\nArylic on Film
\n110cm x 80cm<\/p>\n<\/div><\/div><\/div>

\"\u534a\u900f\u660e\u7cfb\u5217<\/span><\/div><\/div><\/div><\/div><\/div>

Translucent Series Insect<\/h4>\n

2007
\nAcrylic on Film
\n40cm x 55cm<\/p>\n<\/div><\/div><\/div>

\"\u534a\u900f\u660e\u7cfb\u5217<\/span><\/div><\/div><\/div><\/div><\/div>

Fruit Series<\/h4>\n

2021
\nOil on Canvas
\n60cm x 80cm<\/p>\n<\/div><\/div><\/div>

\"\u6c34\u679c\u7cfb\u5217<\/span><\/div><\/div><\/div><\/div><\/div>

Winter Melon Series<\/h4>\n

2013
\nOil on Canvas
\n60cm x 80cm<\/p>\n<\/div><\/div><\/div>

\"\u51ac\u74dc\u7cfb\u5217<\/span><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/span>

International Acclaim and a Legacy of Artistic Innovation<\/h4><\/span>
<\/div><\/div><\/div>

Tang Ke’s artistic exploration and expression reflect the diversity and possibilities of contemporary art, presenting a deep contemplation of visual art and life. Tang Ke’s art has been exhibited and collected by numerous international institutions, including<\/p>\n<\/div>

2017<\/h4>\n

Wenxuan Museum of Fine Arts, China<\/p>\n

\n

2012<\/h4>\n

ARKO Museum, Seoul<\/p>\n

\n

2011<\/h4>\n

Asian Art Museum<\/a>, San Francisco, USA<\/p>\n

\n

2010<\/h4>\n

Louis Foundation Museum, London, UK<\/p>\n

\n

National Convention Center<\/a>, Beijing, China<\/p>\n

\n

Today Art Museum<\/a>, China<\/p>\n

\n<\/div>
<\/p>\n

2009<\/h4>\n

Modern Art Museum<\/a>, Shanghai, China<\/p>\n

\n

2004<\/h4>\n

Blue Roof Art Museum<\/p>\n

\n

2002<\/h4>\n

Chengdu University Art Museum<\/p>\n

\n

<\/div><\/div>+<\/a>\n<\/div><\/div><\/div><\/div><\/div>

<\/div><\/div><\/span>

Solo Exhibitions<\/h4><\/span>
<\/div><\/div><\/div>

2024<\/h4>\n

Parrots Unleashed<\/a><\/em>, Prestige Art Gallery, Singapore<\/p>\n

\n

2018<\/h4>\n

Fruits<\/em>, Tang Ke Solo Exhibition, Qiumeng Gallery, New York, USA<\/p>\n

\n

2009<\/h4>\n

Repainting<\/em>, Tang Ke Solo Exhibition, Alar Gallery, Beijing, China<\/p>\n

\n

2008<\/h4>\n

Repainting<\/em>, Tang Ke Solo Exhibition, J & Z Gallery, Shenzhen, China<\/p>\n

\n

2006<\/h4>\n

Beauty, Beauty<\/em>, Tang Ke Solo Exhibition, Simin Art Space, Singapore<\/p>\n

\n

Translucent<\/em>, Tang Ke Solo Exhibition, Shengling Gallery, Shanghai, China<\/p>\n

\n<\/div>
<\/p>\n

2005<\/h4>\n

Beauty, Beauty<\/em>, Tang Ke Solo Exhibition, Spring Ink Art Gallery, Shanghai, China<\/p>\n

\n

2003<\/h4>\n

Secular Beauty<\/em>, Chen Fan Gallery, Shanghai, China<\/p>\n

\n

<\/div><\/div>+<\/a>\n<\/div><\/div><\/div>

<\/div><\/div><\/span>

Group Exhibitions<\/h4><\/span>
<\/div><\/div><\/div>

2022<\/h4>\n

Subtlety of Zen<\/em>, United Nations Secretariat Building, New York, USA<\/p>\n

\n

2021<\/h4>\n

Time \u00b7 Clear Sky<\/em>, Joint Retrospective, Bund No. 3 Hu-Shen Gallery (SGA), Shanghai, China<\/p>\n

\n

2018<\/h4>\n

Back to Back: Four-Person Exhibition<\/em>, Jing Art, Chengdu, China<\/p>\n

\n

2017<\/h4>\n

Wenxuan New Appearance: Alongside He Duo-Ling<\/em>, Wenxuan Museum, Chengdu, China<\/p>\n

\n

The Non-Gray Tree<\/em>, Yan Ji You Gallery, Chengdu, China<\/p>\n

\n<\/div>
<\/p>\n

2014<\/h4>\n

Living in Chengdu<\/em>, Kuandu Museum<\/a>, Taipei, Taiwan, China<\/p>\n

\n

He Gong and My Friends<\/em>, Qian Plateau Art Space, Chengdu, China<\/p>\n

\n

Tunnel of Inspiration – New Works by Several Artists<\/em>, Chengdu A4 Contemporary Art Center<\/a>, Chengdu, China<\/p>\n

\n

2012<\/h4>\n

Drifting<\/em>, ARKO Museum, Seoul, South Korea<\/p>\n

\n

Painting 2012<\/em>, Qian Plateau Art Space, Chengdu, China<\/p>\n

\n

Original \u201cPainting\u201d Intentions<\/em>, K Gallery, Chengdu, China<\/p>\n

\n

2011<\/h4>\n

Clear and Distant Streams and Mountains<\/em>, East District Music Park, Chengdu, China<\/p>\n

\n

Clear and Distant Streams and Mountains – New Chinese Painting<\/em>, Asian Art Museum<\/a>, San Francisco, USA<\/p>\n

\n

Starting Point – Contemporary Art Exhibition<\/em>, Chengdu Shangri-La Hotel, Chengdu, China<\/p>\n

\n

2010<\/h4>\n

Clear and Distant Streams and Mountains – New Chinese Painting<\/em>, Louis Foundation Museum, London, UK<\/p>\n

\n

Visible Parts – Works by Ji Lei, Tang Ke, Tu Hongtao, Wu Jianjun, Zheng Delong<\/em>, Liangqiao Contemporary Art Center, Chengdu, China<\/p>\n

\n

Transforming History: New Art in China 2000-2009<\/em>, National Convention Center, Beijing, China<\/p>\n

\n

Transforming History: New Art in China 2000-2009<\/em>, Alar Art Space, Beijing, China<\/p>\n

\n

Transforming History: New Art in China 2000-2009<\/em>, Today Art Museum<\/a>, Beijing, China<\/p>\n

\n

Blue Roof Diary – About Blue Roof Artists’ Manuscripts and Small Works Exhibition<\/em>, Ming Liu Art Collection Club, Shanghai, China<\/p>\n

\n

2009<\/h4>\n

Evolution<\/em>, Zhen Da Art Museum, Shanghai, China<\/p>\n

\n

Spirit of Image III – Contemporary Art Invitation Exhibition<\/em>, K Gallery, Chengdu, China<\/p>\n

\n

\u201cLight as a Feather\u201d Art Exhibitionl<\/em>, Heng Contemporary Art Space, Nanjing, China<\/p>\n

\n

\u201cEvolution?\u201d Guangfa Contemporary Art Exhibition<\/em>, Shanghai Duolun Modern Art Museum, Shanghai, China<\/p>\n

\n

2008<\/h4>\n

K Gallery Display Series II<\/em>, K Gallery, Chengdu, China<\/p>\n

\n

\u201c99 Art Network\u201d Academic Nomination Exhibition<\/em>, Shanghai World Trade Mall, Shanghai, China<\/p>\n

\n

\u201c2008 Blue Roof Four-Year\u201d Chengdu Contemporary Art Charity Exhibition<\/em>, K Gallery, Chengdu, China<\/p>\n

\n

2007<\/h4>\n

Late Summer New Flames<\/em>, Duyate Gallery, Beijing, China<\/p>\n

\n

Contemporary New Landmark – Shanghai No. 800 Art Museum Debut<\/em>, Wujiaochang 800 Art Space, Shanghai, China<\/p>\n

\n

Another Attitude<\/em>, Hu-Shen Gallery, Shanghai, China<\/p>\n

\n

A Date with Spring – Joint Exhibition of Famous Artists<\/em>, Spring Gallery, Shanghai, China<\/p>\n

\n

New Journey – Contemporary Art Exhibition<\/em>, Yuqingtang Gallery, Nantong, China<\/p>\n

\n

New Southwest Contemporary Painting Exhibition<\/em>, K Gallery, Chengdu, China<\/p>\n

\n

2006<\/h4>\n

Translucent<\/em>, Chengdu, China<\/p>\n

\n

2005<\/h4>\n

Living in Chengdu<\/em>, Simin Art Space, Singapore<\/p>\n

\n

\u201cColorful World\u201d New Forces of Chinese Oil Painting 2005 Exhibition<\/em>, Beijing 798 Art District, Beijing, China<\/p>\n

\n

2004<\/h4>\n

Youth New Vision<\/em>, CITIC Plaza, Shanghai, China<\/p>\n

\n

Ethereal and Noisy<\/em>, Art Landscape Gallery, Shanghai, China<\/p>\n

\n

Colorful World<\/em>, Spring Ink Art Gallery, Shanghai, China<\/p>\n

\n

2004 in Chengdu<\/em>, Chengdu Blue Roof Art Museum, Chengdu, China<\/p>\n

\n

2003<\/h4>\n

Indeterminate New Painting: Tang Ke and Shu Hao Two-Person Exhibition<\/em>, Chengdu, China<\/p>\n

\n

The Third China Petroleum Exhibition<\/em>, National Art Museum of China<\/a>, Beijing, China<\/p>\n

\n

Indeterminate New Painting Three-Person Exhibition<\/em>, Shanghai, China<\/p>\n

\n

Power of Personality<\/em>, New Emerging Artists Touring Exhibition, Beijing, Guangzhou, China<\/p>\n

\n

Secular Beauty<\/em>, Chengdu, China<\/p>\n

\n

2002<\/h4>\n

Searching<\/em>, College Touring Exhibition (Chengdu), Chengdu University, Chengdu, China<\/p>\n

\n

Indeterminate<\/em>, Tang Ke and Shu Hao Two-Person Exhibition, Chengdu, China<\/p>\n

\n

<\/div><\/div>+<\/a>\n<\/div><\/div><\/div><\/div><\/div>

<\/div><\/div><\/span>

Exhibition<\/h4><\/span>
<\/div><\/div><\/div>