Han Sai Por<\/h1><\/div><\/div><\/div>![\"Flora\u7cfb\u5217-P02](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2025\/02\/\u56fe\u72471_st3lsc-e1781759212424.jpeg\" "\\"\u56fe\u72471_st3lsc\\"")
<\/span><\/div>Flora series – P02<\/em>, 2025, Marble, 35 x 23 x 36 cm<\/p>\n<\/div><\/div><\/div><\/div><\/div>![\"Artist](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2025\/02\/image-177-e1740024274756.png\" "\\"Artist")
<\/span><\/div><\/div>Han Sai Por<\/p>\n
Details:<\/p>\n
\n\n\nHan Sai Por (b. 1943, Singapore) is a renowned sculptor known for her stone carvings. She has exhibited worldwide, with works in public spaces across Singapore and beyond. She received the Cultural Medallion in 1995.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\nEducation:<\/div>\n<\/div>\n\n\n\n\n\n\n\n\n\n\n\n1965 – 1968 Singapore Teachers\u2019 Training College, Singapore<\/div>\n1975 – 1977 Nanyang Academy of Fine Arts, Singapore
\n1979 \u2013 1980 East Ham College of Art, United Kingdom
\n1980 -1983 Wolverhampton University, United Kingdom
\n2004 – 2008 Lincoln University, New Zealand<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/h3>\nBreathing Life into Stone<\/h3>\n
Han Sai Por (b. 19 July 1943, Singapore) is a sculptor renowned for transforming raw granite into organic, evocative forms. Her mastery of stone carving has earned her international recognition, with exhibitions spanning Southeast Asia, China, South Korea, North America, and Europe. In Singapore, her sculptures grace public spaces such as hotels, libraries, and MRT stations, while her works have also found permanent homes in parks across Malaysia, Japan, the United States, and the United Kingdom. Honored with the Cultural Medallion in 1995, Han remains a defining figure in contemporary sculpture.<\/p>\n
A Childhood Shaped by Nature and Resilience<\/h3>\n
Born during the Japanese Occupation, Han was raised in humble circumstances, growing up in a makeshift home of cardboard and coconut leaves in Changi. Despite these hardships, she found joy in the outdoors, sculpting animals from sand at the nearby beach. Her connection to nature became a wellspring of inspiration, shaping the organic forms that define her later works. At ten, a book on Michelangelo’s sculptures introduced her to the expressive power of stone, planting the seed for a lifelong artistic journey.<\/p>\n
The Road to Becoming an Artist<\/h3>\n
Han\u2019s artistic aspirations were initially sidelined by financial realities. After graduating from the Teachers\u2019 Training College in 1968, she worked as a full-time teacher while taking evening classes at Nanyang Academy of Fine Arts (NAFA). Determined to deepen her craft, she saved up and moved to the United Kingdom in 1979, studying at East Ham College of Art before earning a BA (Hons) in Fine Art from Wolverhampton College of Art. It was here that her tutor, Anish Kapoor, recognised her talent for three-dimensional art and guided her towards sculpture and stone-carving. To support herself, she took on jobs as a waitress, hotel maid, and cook\u2014grit and perseverance that would later define her approach to sculpture.<\/p>\n
Returning to Singapore in 1983, Han helped launch the Arts Elective Programme at Nanyang Girls\u2019 High School. By 1987, she transitioned to part-time teaching at NAFA and LaSalle-SIA College of the Arts, balancing her responsibilities as an educator and artist.<\/p>\n
Shaping Stone, Shaping Spaces<\/h3>\n
Han’s sculptures are found in some of Singapore\u2019s most prominent landmarks, from the Esplanade and Suntec City to Capital Towers and Woodlands Regional Library. Internationally, her works have left their mark in the Portland Sculpture Park (UK), Kuala Lumpur Lake Garden (Malaysia), and Uchinomi-cho Town Hall Garden (Japan). Each piece reflects her fascination with contrast\u2014the interplay of strength and softness, permanence and fluidity.<\/p>\n
The Artist and Her Medium<\/h3>\n
For Han, stone is more than just a material\u2014it is a vessel for emotion and expression. She sources marble and granite from quarries across Singapore, Malaysia, China, Italy, and Japan, often investing tens of thousands of dollars into her solo exhibitions. Yet, for Han, artistic fulfillment outweighs financial concerns. What truly matters is how her sculptures connect with the audience.<\/p>\n
Her works embody a poetic tension: the unyielding nature of granite is softened by her touch, shaped into flowing, organic forms. Despite her petite stature, Han carves massive stone blocks with a strength and precision that defy expectations. Her sculptures are not merely static objects but breathing, emotional landscapes.<\/p>\n
A Life Carved with Purpose<\/h3>\n
From her early days in Seletar Airbase to her current home in Wessex Estate, Han has lived by a philosophy of simplicity and dedication. Hard work, an unshakable love for her craft, and an unwavering belief in the power of art define her life as much as her sculptures do.<\/p>\n
\nWords from the Artist<\/h3>\n
\u201cA sculpture is not a cold piece of stone, clay or metal. It has a life of its own. It\u2019s the sculptor\u2019s way of expression and it\u2019s his companion.\u201d \u2014 Singapore Artists Speak<\/em> (1998)<\/p>\n\u201cAll my discoveries will go into my art.\u201d \u2014 Living Stones<\/em> (The Straits Times, 2002)<\/p>\n<\/blockquote>\n<\/div><\/div><\/div><\/div><\/div>Void and Solid <\/em><\/h4>\n2000
\nGranite<\/p>\n<\/div><\/div><\/div>
![\"Void](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2025\/02\/6_go4icd-scaled-e1781429883251.jpeg\" "\\"6_go4icd\\"")
<\/span><\/div><\/div><\/div><\/div><\/div>Flora Series 17<\/em><\/h4>\n2017
\nMarble
\n37 x 12 x 27 cm<\/p>\n<\/div><\/div><\/div>
![\"\u82b1\u7cfb\u5217\u4e4b17](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2025\/02\/\u82b1\u7cfb\u5217\u4e4b17_Flora_Series_\u6c49\u767d\u7389\u96d5\u5851_Marble_sculpture_37_X_12_X_27cm_2017_a7jvtu.jpeg\" "\\"\u82b1\u7cfb\u5217\u4e4b17_Flora_Series_\u6c49\u767d\u7389\u96d5\u5851_Marble_sculpture_37_X_12_X_27cm_2017_a7jvtu\\"")
<\/span><\/div><\/div><\/div><\/div><\/div>Slope<\/em><\/h4>\n2009
\nGel pen on paper
\n38 x 56 cm<\/p>\n<\/div><\/div><\/div>
![\"Slope](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2025\/02\/Slope_2009_Ink_on_paper_38_x_56_cm_uncwfm-scaled.jpeg\" "\\"Slope_2009_Ink_on_paper_38_x_56_cm_uncwfm\\"")
<\/span><\/div><\/div><\/div><\/div><\/div>Tropical Flora Series No.6<\/em><\/h4>\n2024
\nMixed media on paper
\n50 x 70 cm<\/p>\n<\/div><\/div><\/div>
![\"Tropical](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2025\/02\/\u5fae\u4fe1\u56fe\u7247_20250131165032_m39ab9-scaled.jpeg\" "\\"\u5fae\u4fe1\u56fe\u7247_20250131165032_m39ab9\\"")
<\/span><\/div><\/div><\/div><\/div><\/div>Tropical Leaf Series M8<\/em><\/h4>\n2021
\nPulp and acrylic on canvas
\n91 x 61 cm<\/p>\n<\/div><\/div><\/div>
![\"Tropical](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2025\/02\/IMG_0791.jpg\" "\\"Tropical")
<\/span><\/div><\/div><\/div><\/div><\/div>Tropical Leaf Series M3<\/em><\/h4>\n2021
\nPulp and acrylic on canvas
\n76 x 76 cm<\/p>\n<\/div><\/div><\/div>
![\"Tropical](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2025\/02\/IMG_0784.jpg\" "\\"Tropical")
<\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Solo Exhibitions<\/h4><\/span><\/div><\/div><\/div>2022<\/h4>\n
Microorganisms Landscape<\/em> – Installation Exhibition at Esplanade Theatres on the Bay<\/p>\nThe Forest and Its Soul<\/em> – Print, paper sculptures, and paintings exhibited at STPI\u2019s Artist-in-Residency programme<\/p>\n
\n2019<\/h4>\n
Dance with the Wind<\/em> – Painting and sculpture exhibition at iPreciation gallery<\/p>\n
\n2016<\/h4>\n
Secret Landscapes<\/em> – Painting and sculpture exhibition at Private Museum, part of Bali Purnati Artist Residency<\/p>\n
\n2015<\/h4>\n
Harvest<\/em> – Installation exhibition connected with SG50 at Esplanade Theatres on the Bay<\/p>\n
\n2014<\/h4>\n
Moving Forest<\/em> – Artist-in-Residency project exhibited at Singapore Tyler Print Institute<\/p>\n
\n2013<\/h4>\n
Black Forest 2013<\/em> – Installation at Institution of Southeast Asian Gallery 1 & 2 (NAFA)<\/p>\n
\n2011<\/h4>\n
The Black Forest 2011<\/em> – Installation at Esplanade, Jendela<\/p>\n
\n2009<\/h4>\n
The Changing Landscape<\/em> – Sculpture and Drawing exhibition at Luxe\u00a0Museum<\/p>\n
\n2006<\/h4>\n
Oasis<\/em> – Installation at Sculpture Square<\/p>\n
\n2002<\/h4>\n
20 Tonnes<\/em> (Physical Consequences) – Installation at MICA building<\/p>\n
\n1999<\/h4>\n
Rain Forest<\/em> – Sculpture and drawing exhibition at Plastic Kinetic Worm Gallery<\/p>\n
\n1993<\/h4>\n
Four Dimensions<\/em> – Installation at Singapore National Museum<\/p>\n
\n<\/div><\/div><\/div><\/div><\/div><\/span>Group Exhibitions<\/h4><\/span><\/div><\/div><\/div>2026<\/h4>\n
AfterForms: Metaverse amid Climate Grief & Memory<\/em>, The Arts House, Singapore<\/p>\n
\n2025<\/h4>\n
Singapore Stories: Pathways and Detours in Art, National Gallery Singapore<\/em>, Singapore<\/p>\n
\nCollect:ED<\/em>, Prestige Gallery, Singapore<\/p>\n
\nMaterial Moves: Revisiting Print and Paper through Han Sai Por, Goh Beng Kwan, Ong Kim Seng and Chua Ek Kay<\/em>, Singapore Tyler Print Institute, Singapore<\/p>\n
\nLearning Gallery<\/em>, Singapore Art Museum, Singapore<\/p>\n
\nIn Her Hands<\/em>, Prestige Gallery, Singapore<\/p>\n
\nLight To Night<\/em>, Singapore National Gallery, Singapore<\/p>\n
\n2024<\/h4>\n
Rust: Echoes of Memory<\/i><\/em>, Prestige Art Gallery, Singapore<\/p>\n
\n2023<\/h4>\n
Participated in Kunming Dianchi Wetlands Park Sculpture Project<\/p>\n
\n2021<\/h4>\n
Strange Forms of Life<\/i><\/em> and talk at STPI, Singapore<\/p>\n
\nS.E.A. Focus with STPI, Singapore<\/p>\n
\n2018<\/h4>\n
Black Forest 2018<\/i><\/em> – Gangwon International Biennale, invited by South Korea in connection with PyeongChang Olympics<\/p>\n
\nNAFA 80th Celebration Exhibition at Liu Haisu Art Museum, Shanghai, China<\/p>\n
\n2017<\/h4>\n
The Belt and Road<\/i><\/em>\u00a0– Invited International Exhibition at Qingdao, China<\/p>\n
\nLondon Biennale 2017<\/p>\n
\n2016<\/h4>\n
Singapore Biennale 2016, SAM<\/p>\n
\n2015<\/h4>\n
Invited for Biennale of Art Museum of Chianciano, Italy<\/p>\n
\nInvited for London Art Biennale<\/p>\n
\n2014<\/h4>\n
Participated in Basel Exhibition, Hong Kong<\/p>\n
\nInvited to participate in Unearthed<\/i><\/em>\u00a0exhibition by Singapore Art Museum<\/p>\n
\nExhibited at Art Stage, Singapore<\/p>\n
\n2013<\/h4>\n
Artist-in-Residency programme at Singapore Tyler Print Institute<\/p>\n
\nSingapore Contemporary Art Exhibition at Suzhou Jinji Lake Art Museum<\/p>\n
\n2012<\/h4>\n
Contact<\/i><\/em> – The Three Singaporean Arts Exhibition at Yuan Xiao Cen Art Museum, Yunnan, China<\/p>\n
\n2010<\/h4>\n
In Family Unity \u2013 Unity Of The World<\/i><\/em>, International Exhibition of Sculptures and Photos in Yekaterinburg, Russia, by Yekaterinburg Art Foundation<\/p>\n
\n2008<\/h4>\n
Participated in 2008 Olympic Games Landscape Sculpture, Beijing<\/p>\n
\n2006<\/h4>\n
Invited to International City of Sculpture Events and Exhibition in Zhenzhou, China<\/p>\n
\n2005<\/h4>\n
The 11th Triennale \u2013 India<\/p>\n
\n2002<\/h4>\n
The 1st International Miniature Sculpture Exhibition<\/i><\/em>, Taiwan<\/p>\n
\nBorrow Landscape<\/i><\/em>\u00a0– Site-specific works in Indonesia<\/p>\n
\n1998<\/h4>\n
International Sculpture Exhibition, Quebec, Canada<\/p>\n
\n1991<\/h4>\n
Sculpture in Singapore<\/i><\/em>, National Museum Art Gallery, Singapore<\/p>\n
\n1989<\/h4>\n
Third Asian Art Show, Fukuoka Museum, Japan<\/p>\n
\n1986<\/h4>\n
Contemporary Asian Art Show, National Museum of Modern Art, Seoul, Korea<\/p>\n
\n1985<\/h4>\n
Second Asian Art Show, Fukuoka Museum, Japan<\/p>\n
\n1985<\/h4>\n
Singapore Sculpture Exhibition, National Museum Art Gallery<\/p>\n
\n<\/div><\/div><\/div><\/div><\/div><\/span>Awards<\/h4><\/span><\/div><\/div><\/div>2024<\/h4>\n
Forbes Asia listed 50 Over 50 Asia most outstanding women.<\/p>\n
\n2023<\/h4>\n
The Top 10 Contemporary Artists Who Shaped Southeast Asian Art.<\/p>\n
\n2021<\/h4>\n
Listed by Prestige \u201c10 of the most famous Asian contemporary artists of all time.\u201d<\/p>\n
\n2018<\/h4>\n
Selected by Aware (France) as Archives of Women Artists Research.<\/p>\n
\n2015<\/h4>\n
\u201cThe Leonardo Award for Sculpture\u201d Chianciano Biennale in Italy.<\/p>\n
\n2014<\/h4>\n
\u201cSingapore Women\u2019s Hall of Fame\u201d (SCWO).<\/p>\n
\n2011<\/h4>\n
\u201cNAFA Distinguished Alumni Awards,\u201d Singapore.<\/p>\n
\n2008<\/h4>\n
Finalist of Beijing Olympic International Tour Exhibition in Beijing, China.<\/p>\n
\n2006<\/h4>\n
\u201cOutstanding City Sculpture Award\u201d in China.<\/p>\n
\n2005<\/h4>\n
\u201cTop praise winner of 11th Triennale\u201d in India.<\/p>\n
\n1995<\/h4>\n
\u201cSingapore Cultural Medallion\u201d Award.<\/p>\n
\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Exhibition<\/h4><\/span><\/div><\/div><\/div>- \n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t
![\"In](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2025\/02\/IHH-POSTER2.png\")
\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>
<\/span><\/div>Flora series – P02<\/em>, 2025, Marble, 35 x 23 x 36 cm<\/p>\n<\/div><\/div><\/div><\/div><\/div> Han Sai Por<\/p>\n Details:<\/p>\n Han Sai Por (b. 19 July 1943, Singapore) is a sculptor renowned for transforming raw granite into organic, evocative forms. Her mastery of stone carving has earned her international recognition, with exhibitions spanning Southeast Asia, China, South Korea, North America, and Europe. In Singapore, her sculptures grace public spaces such as hotels, libraries, and MRT stations, while her works have also found permanent homes in parks across Malaysia, Japan, the United States, and the United Kingdom. Honored with the Cultural Medallion in 1995, Han remains a defining figure in contemporary sculpture.<\/p>\n Born during the Japanese Occupation, Han was raised in humble circumstances, growing up in a makeshift home of cardboard and coconut leaves in Changi. Despite these hardships, she found joy in the outdoors, sculpting animals from sand at the nearby beach. Her connection to nature became a wellspring of inspiration, shaping the organic forms that define her later works. At ten, a book on Michelangelo’s sculptures introduced her to the expressive power of stone, planting the seed for a lifelong artistic journey.<\/p>\n Han\u2019s artistic aspirations were initially sidelined by financial realities. After graduating from the Teachers\u2019 Training College in 1968, she worked as a full-time teacher while taking evening classes at Nanyang Academy of Fine Arts (NAFA). Determined to deepen her craft, she saved up and moved to the United Kingdom in 1979, studying at East Ham College of Art before earning a BA (Hons) in Fine Art from Wolverhampton College of Art. It was here that her tutor, Anish Kapoor, recognised her talent for three-dimensional art and guided her towards sculpture and stone-carving. To support herself, she took on jobs as a waitress, hotel maid, and cook\u2014grit and perseverance that would later define her approach to sculpture.<\/p>\n Returning to Singapore in 1983, Han helped launch the Arts Elective Programme at Nanyang Girls\u2019 High School. By 1987, she transitioned to part-time teaching at NAFA and LaSalle-SIA College of the Arts, balancing her responsibilities as an educator and artist.<\/p>\n Han’s sculptures are found in some of Singapore\u2019s most prominent landmarks, from the Esplanade and Suntec City to Capital Towers and Woodlands Regional Library. Internationally, her works have left their mark in the Portland Sculpture Park (UK), Kuala Lumpur Lake Garden (Malaysia), and Uchinomi-cho Town Hall Garden (Japan). Each piece reflects her fascination with contrast\u2014the interplay of strength and softness, permanence and fluidity.<\/p>\n For Han, stone is more than just a material\u2014it is a vessel for emotion and expression. She sources marble and granite from quarries across Singapore, Malaysia, China, Italy, and Japan, often investing tens of thousands of dollars into her solo exhibitions. Yet, for Han, artistic fulfillment outweighs financial concerns. What truly matters is how her sculptures connect with the audience.<\/p>\n Her works embody a poetic tension: the unyielding nature of granite is softened by her touch, shaped into flowing, organic forms. Despite her petite stature, Han carves massive stone blocks with a strength and precision that defy expectations. Her sculptures are not merely static objects but breathing, emotional landscapes.<\/p>\n From her early days in Seletar Airbase to her current home in Wessex Estate, Han has lived by a philosophy of simplicity and dedication. Hard work, an unshakable love for her craft, and an unwavering belief in the power of art define her life as much as her sculptures do.<\/p>\n \u201cA sculpture is not a cold piece of stone, clay or metal. It has a life of its own. It\u2019s the sculptor\u2019s way of expression and it\u2019s his companion.\u201d \u2014 Singapore Artists Speak<\/em> (1998)<\/p>\n \u201cAll my discoveries will go into my art.\u201d \u2014 Living Stones<\/em> (The Straits Times, 2002)<\/p>\n<\/blockquote>\n<\/div><\/div><\/div><\/div><\/div> 2000 2017 2009 2024 2021 2021 Microorganisms Landscape<\/em> – Installation Exhibition at Esplanade Theatres on the Bay<\/p>\n The Forest and Its Soul<\/em> – Print, paper sculptures, and paintings exhibited at STPI\u2019s Artist-in-Residency programme<\/p>\n Dance with the Wind<\/em> – Painting and sculpture exhibition at iPreciation gallery<\/p>\n Secret Landscapes<\/em> – Painting and sculpture exhibition at Private Museum, part of Bali Purnati Artist Residency<\/p>\n Harvest<\/em> – Installation exhibition connected with SG50 at Esplanade Theatres on the Bay<\/p>\n Moving Forest<\/em> – Artist-in-Residency project exhibited at Singapore Tyler Print Institute<\/p>\n Black Forest 2013<\/em> – Installation at Institution of Southeast Asian Gallery 1 & 2 (NAFA)<\/p>\n The Black Forest 2011<\/em> – Installation at Esplanade, Jendela<\/p>\n The Changing Landscape<\/em> – Sculpture and Drawing exhibition at Luxe\u00a0Museum<\/p>\n Oasis<\/em> – Installation at Sculpture Square<\/p>\n 20 Tonnes<\/em> (Physical Consequences) – Installation at MICA building<\/p>\n Rain Forest<\/em> – Sculpture and drawing exhibition at Plastic Kinetic Worm Gallery<\/p>\n Four Dimensions<\/em> – Installation at Singapore National Museum<\/p>\n AfterForms: Metaverse amid Climate Grief & Memory<\/em>, The Arts House, Singapore<\/p>\n Singapore Stories: Pathways and Detours in Art, National Gallery Singapore<\/em>, Singapore<\/p>\n Collect:ED<\/em>, Prestige Gallery, Singapore<\/p>\n Material Moves: Revisiting Print and Paper through Han Sai Por, Goh Beng Kwan, Ong Kim Seng and Chua Ek Kay<\/em>, Singapore Tyler Print Institute, Singapore<\/p>\n Learning Gallery<\/em>, Singapore Art Museum, Singapore<\/p>\n In Her Hands<\/em>, Prestige Gallery, Singapore<\/p>\n Light To Night<\/em>, Singapore National Gallery, Singapore<\/p>\n Rust: Echoes of Memory<\/i><\/em>, Prestige Art Gallery, Singapore<\/p>\n Participated in Kunming Dianchi Wetlands Park Sculpture Project<\/p>\n Strange Forms of Life<\/i><\/em> and talk at STPI, Singapore<\/p>\n S.E.A. Focus with STPI, Singapore<\/p>\n Black Forest 2018<\/i><\/em> – Gangwon International Biennale, invited by South Korea in connection with PyeongChang Olympics<\/p>\n NAFA 80th Celebration Exhibition at Liu Haisu Art Museum, Shanghai, China<\/p>\n The Belt and Road<\/i><\/em>\u00a0– Invited International Exhibition at Qingdao, China<\/p>\n London Biennale 2017<\/p>\n Singapore Biennale 2016, SAM<\/p>\n Invited for Biennale of Art Museum of Chianciano, Italy<\/p>\n Invited for London Art Biennale<\/p>\n Participated in Basel Exhibition, Hong Kong<\/p>\n Invited to participate in Unearthed<\/i><\/em>\u00a0exhibition by Singapore Art Museum<\/p>\n Exhibited at Art Stage, Singapore<\/p>\n Artist-in-Residency programme at Singapore Tyler Print Institute<\/p>\n Singapore Contemporary Art Exhibition at Suzhou Jinji Lake Art Museum<\/p>\n Contact<\/i><\/em> – The Three Singaporean Arts Exhibition at Yuan Xiao Cen Art Museum, Yunnan, China<\/p>\n In Family Unity \u2013 Unity Of The World<\/i><\/em>, International Exhibition of Sculptures and Photos in Yekaterinburg, Russia, by Yekaterinburg Art Foundation<\/p>\n Participated in 2008 Olympic Games Landscape Sculpture, Beijing<\/p>\n Invited to International City of Sculpture Events and Exhibition in Zhenzhou, China<\/p>\n The 11th Triennale \u2013 India<\/p>\n The 1st International Miniature Sculpture Exhibition<\/i><\/em>, Taiwan<\/p>\n Borrow Landscape<\/i><\/em>\u00a0– Site-specific works in Indonesia<\/p>\n International Sculpture Exhibition, Quebec, Canada<\/p>\n Sculpture in Singapore<\/i><\/em>, National Museum Art Gallery, Singapore<\/p>\n Third Asian Art Show, Fukuoka Museum, Japan<\/p>\n Contemporary Asian Art Show, National Museum of Modern Art, Seoul, Korea<\/p>\n Second Asian Art Show, Fukuoka Museum, Japan<\/p>\n Singapore Sculpture Exhibition, National Museum Art Gallery<\/p>\n Forbes Asia listed 50 Over 50 Asia most outstanding women.<\/p>\n The Top 10 Contemporary Artists Who Shaped Southeast Asian Art.<\/p>\n Listed by Prestige \u201c10 of the most famous Asian contemporary artists of all time.\u201d<\/p>\n Selected by Aware (France) as Archives of Women Artists Research.<\/p>\n \u201cThe Leonardo Award for Sculpture\u201d Chianciano Biennale in Italy.<\/p>\n \u201cSingapore Women\u2019s Hall of Fame\u201d (SCWO).<\/p>\n \u201cNAFA Distinguished Alumni Awards,\u201d Singapore.<\/p>\n Finalist of Beijing Olympic International Tour Exhibition in Beijing, China.<\/p>\n \u201cOutstanding City Sculpture Award\u201d in China.<\/p>\n \u201cTop praise winner of 11th Triennale\u201d in India.<\/p>\n \u201cSingapore Cultural Medallion\u201d Award.<\/p>\n<\/span><\/div><\/div>
\n1979 \u2013 1980 East Ham College of Art, United Kingdom
\n1980 -1983 Wolverhampton University, United Kingdom
\n2004 – 2008 Lincoln University, New Zealand<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/h3>\n
Breathing Life into Stone<\/h3>\n
A Childhood Shaped by Nature and Resilience<\/h3>\n
The Road to Becoming an Artist<\/h3>\n
Shaping Stone, Shaping Spaces<\/h3>\n
The Artist and Her Medium<\/h3>\n
A Life Carved with Purpose<\/h3>\n
\n
Words from the Artist<\/h3>\n
Void and Solid <\/em><\/h4>\n
\nGranite<\/p>\n<\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/div>Flora Series 17<\/em><\/h4>\n
\nMarble
\n37 x 12 x 27 cm<\/p>\n<\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/div>Slope<\/em><\/h4>\n
\nGel pen on paper
\n38 x 56 cm<\/p>\n<\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/div>Tropical Flora Series No.6<\/em><\/h4>\n
\nMixed media on paper
\n50 x 70 cm<\/p>\n<\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/div>Tropical Leaf Series M8<\/em><\/h4>\n
\nPulp and acrylic on canvas
\n91 x 61 cm<\/p>\n<\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/div>Tropical Leaf Series M3<\/em><\/h4>\n
\nPulp and acrylic on canvas
\n76 x 76 cm<\/p>\n<\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/div>Solo Exhibitions<\/h4><\/span>
2022<\/h4>\n
\n2019<\/h4>\n
\n2016<\/h4>\n
\n2015<\/h4>\n
\n2014<\/h4>\n
\n2013<\/h4>\n
\n2011<\/h4>\n
\n2009<\/h4>\n
\n2006<\/h4>\n
\n2002<\/h4>\n
\n1999<\/h4>\n
\n1993<\/h4>\n
\n<\/div><\/div><\/div>Group Exhibitions<\/h4><\/span>
2026<\/h4>\n
\n2025<\/h4>\n
\n
\n
\n
\n
\n
\n2024<\/h4>\n
\n2023<\/h4>\n
\n2021<\/h4>\n
\n
\n2018<\/h4>\n
\n
\n2017<\/h4>\n
\n
\n2016<\/h4>\n
\n2015<\/h4>\n
\n
\n2014<\/h4>\n
\n
\n
\n2013<\/h4>\n
\n
\n2012<\/h4>\n
\n2010<\/h4>\n
\n2008<\/h4>\n
\n2006<\/h4>\n
\n2005<\/h4>\n
\n2002<\/h4>\n
\n
\n1998<\/h4>\n
\n1991<\/h4>\n
\n1989<\/h4>\n
\n1986<\/h4>\n
\n1985<\/h4>\n
\n1985<\/h4>\n
\n<\/div><\/div><\/div>Awards<\/h4><\/span>
2024<\/h4>\n
\n2023<\/h4>\n
\n2021<\/h4>\n
\n2018<\/h4>\n
\n2015<\/h4>\n
\n2014<\/h4>\n
\n2011<\/h4>\n
\n2008<\/h4>\n
\n2006<\/h4>\n
\n2005<\/h4>\n
\n1995<\/h4>\n
\n<\/div><\/div><\/div><\/div><\/div>Exhibition<\/h4><\/span>
\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>
![\"North](\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/wp-content\/uploads\/2024\/11\/Tang-Da-Wu-North-Land-II-1990.jpg\")
\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/div>