{"id":2886,"date":"2025-02-27T12:57:30","date_gmt":"2025-02-27T04:57:30","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/?p=2886"},"modified":"2025-04-23T13:19:45","modified_gmt":"2025-04-23T05:19:45","slug":"in-her-hands","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/in-her-hands\/","title":{"rendered":"In Her Hands"},"content":{"rendered":"

<\/div>

In Her Hands<\/h1><\/div>

Female Artists Group Exhibition<\/p>\n

Han Sai Por \uff5c Kumari Nahappan \uff5c Kanoko Takaya
\no8 March – 20 April 2025
\nTue – Sat: 11am – 7pm
\nSun: 12pm – 5pm<\/p>\n<\/div><\/div><\/div>

\"Two<\/a><\/span><\/div>

Two To Tango: Unique 1\/5<\/em>, 2024, Bronze (High-polished), 49 x 18 x 10 cm<\/p>\n<\/div><\/div><\/div><\/div><\/div>

Exhibition Details:
\nIn Her Hands<\/em>
\nFemale Artists Group Exhibition
\n08 March – 20 April 2025<\/p>\n

Artists:
\nHan Sai Por<\/a>
\nKumari Nahappan<\/a>
\nKanoko Takaya<\/a><\/p>\n

Curators:
\nAudrey Zhang
\nRick Shi<\/p>\n

Curatorial Consultant:
\nTan Siuli<\/p>\n

Assistant Curators:
\nKenneth Liu
\nYan Li<\/p>\n

Prestige Art Gallery:
\n61 Stamford Road
\n#01-06 Stamford Court
\nSingapore 178892<\/p>\n<\/div>

Opening Reception + Artists Discussion Panel<\/strong><\/p>\n

8 March 2025
\n15:00 \u2013 18:00<\/p>\n

Artist Talks Schedule<\/strong><\/p>\n

Kanoko Takaya
\n9 Mar 14:00-16:30<\/p>\n

Han Sai Por
\n22 Mar 15:00-17:00<\/p>\n

Kumari Nahappan
\n25 Mar 18:30-21:00<\/p>\n

Free Admission, RSVP here<\/a><\/p>\n<\/div>

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WeChat ID: PrestigeArtGallery<\/span>WeChat ID: PrestigeArtGallery<\/span><\/div><\/a><\/div>
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Creativity \u2022 Identity Exploration \u2022 Ecological Coexistence<\/h3>\n

How do female artists use their creativity to explore identity and respond to the impact of societal development on the natural environment in the context of contemporary art?<\/p>\n

The exhibition In Her Hands<\/em><\/strong> delves into this theme through the works of Han Sai Por<\/a>, Kumari Nahappan<\/a>, and Kanoko Takaya<\/a>. Through sculpture, painting, installation and photography, these three artists present a dialogue between nature and culture, reflecting on the ecological impact of modern societal development while exploring the possibilities for harmonious coexistence between humanity and nature.<\/p>\n

The Transformation of Nature and Cultural Echoes<\/h4>\n

Driven by globalization and technological advancement, nature is no longer a static backdrop but a vibrant and fragile entity. The works in this exhibition reveal the impact of human activity on the ecological environment, expressing reverence and contemplation on the vitality of nature.<\/p>\n

Han Sai Por\u2019s stone sculptures embody the quiet, enduring power of creation, fusing stone with natural elements to reveal a life state where resilience and fragility coexist.<\/p>\n

Kumari Nahappan\u2019s art navigates between symbols and materiality, using bold colors and symbolic natural forms to explore the intersection of culture and ecology.<\/p>\n

Kanoko Takaya\u2019s painting and installation, with its delicate textures and layered compositions, presents the subtle dialogue between humans and their environment, investigating the complexities of self, memory, and perception.<\/p>\n

Ecological Consciousness and Identity Construction in Art<\/h4>\n

The creative practices of these three artists not only focus on the beauty of nature but also reflect their unique cultural backgrounds and identity formation.<\/p>\n

Han Sai Por (b.1943) studied in the UK in the 1970s under international sculptor Anish Kapoor and received the Singapore National Cultural Medallion in 1995. She served as the president of the Singapore Sculpture Society. Her works, based on natural elements, integrate stone and nature, creating organic forms that show both nature\u2019s resilience and its transient fragility. Her sculptures symbolize the cycle of life, inviting the viewer to reflect on the relationship between humanity and nature.<\/p>\n

Kumari Nahappan (b.1953), who is a Singaporean artist known for her large-scale sculptures and paintings inspired by nature, culture, and spirituality. Her iconic works, like Saga and Nutmeg & Mace, symbolize growth and transformation.<\/p>\n

Kanoko Takaya (b.1991), born in Kyoto, Japan, and now based in Bali, Indonesia, has developed a highly personal artistic language immersed in tropical culture. Her works blur the boundaries between the everyday and the surreal, exploring the possibilities of various media, with natural forms serving as carriers of perception and memory.<\/p>\n

Returning to Nature, Rebuilding the Path of Coexistence<\/h4>\n

In Her Hands<\/em><\/strong> aims to guide viewers in reconsidering the relationship between humanity and nature\u2014how can we reconnect with nature amidst rapid societal development? How can we maintain ecological respect while advancing technological progress? In the face of environmental issues, can art offer new perspectives that encourage deeper cultural and ecological awareness?<\/p>\n

The exhibition is not only a tribute to female creativity but also a reflection on the intersection of nature and humanity. In the hands of these artists, nature is not merely a subject to be depicted, but a vibrant storyteller, conveying the earth\u2019s memories while calling on humanity\u2019s responsibility and imagination for the ecological future.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

Han Sai Por<\/h3><\/div><\/div><\/div>
\"Han<\/a><\/span><\/div>
<\/div>

Breathing Life into Stone<\/h4>\n

Han Sai Por (b. 19 July 1943, Singapore) is a sculptor renowned for transforming raw granite into organic, evocative forms. Her mastery of stone carving has earned her international recognition, with exhibitions spanning Southeast Asia, China, South Korea, North America, and Europe. In Singapore, her sculptures grace public spaces such as hotels, libraries, and MRT stations, while her works have also found permanent homes in parks across Malaysia, Japan, the United States, and the United Kingdom. Honored with the Cultural Medallion in 1995, Han remains a defining figure in contemporary sculpture.<\/p>\n

A Childhood Shaped by Nature and Resilience<\/h4>\n

Born during the Japanese Occupation, Han was raised in humble circumstances, growing up in a makeshift home of cardboard and coconut leaves in Changi. Despite these hardships, she found joy in the outdoors, sculpting animals from sand at the nearby beach. Her connection to nature became a wellspring of inspiration, shaping the organic forms that define her later works. At ten, a book on Michelangelo\u2019s sculptures introduced her to the expressive power of stone, planting the seed for a lifelong artistic journey.<\/p>\n

The Road to Becoming an Artist<\/h4>\n

Han\u2019s artistic aspirations were initially sidelined by financial realities. After graduating from the Teachers\u2019 Training College in 1968, she worked as a full-time teacher while taking evening classes at Nanyang Academy of Fine Arts (NAFA). Determined to deepen her craft, she saved up and moved to the United Kingdom in 1979, studying at East Ham College of Art before earning a BA (Hons) in Fine Art from Wolverhampton College of Art. To support herself, she took on jobs as a waitress, hotel maid, and cook\u2014grit and perseverance that would later define her approach to sculpture.<\/p>\n

Returning to Singapore in 1983, Han helped launch the Arts Elective Programme at Nanyang Girls\u2019 High School. By 1987, she transitioned to part-time teaching at NAFA and LaSalle-SIA College of the Arts, balancing her responsibilities as an educator and artist.<\/p>\n

Shaping Stone, Shaping Spaces<\/h4>\n

Han\u2019s sculptures are found in some of Singapore\u2019s most prominent landmarks, from the Esplanade and Suntec City to Capital Towers and Woodlands Regional Library. Internationally, her works have left their mark in the Portland Sculpture Park (UK), Kuala Lumpur Lake Garden (Malaysia), and Uchinomi-cho Town Hall Garden (Japan). Each piece reflects her fascination with contrast\u2014the interplay of strength and softness, permanence and fluidity.<\/p>\n

The Artist and Her Medium<\/h4>\n

For Han, stone is more than just a material\u2014it is a vessel for emotion and expression. She sources marble and granite from quarries across Singapore, Malaysia, China, Italy, and Japan, often investing tens of thousands of dollars into her solo exhibitions. Yet, for Han, artistic fulfillment outweighs financial concerns. What truly matters is how her sculptures connect with the audience.<\/p>\n

Her works embody a poetic tension: the unyielding nature of granite is softened by her touch, shaped into flowing, organic forms. Despite her petite stature, Han carves massive stone blocks with a strength and precision that defy expectations. Her sculptures are not merely static objects but breathing, emotional landscapes.<\/p>\n

A Life Carved with Purpose<\/h4>\n

From her early days in Seletar Airbase to her current home in Wessex Estate, Han has lived by a philosophy of simplicity and dedication. Hard work, an unshakable love for her craft, and an unwavering belief in the power of art define her life as much as her sculptures do.<\/p>\n<\/div>

Discover Han Sai Por’s Enchanting Artistry<\/span><\/i><\/a><\/div><\/div><\/div>
\"Smashing<\/a><\/span><\/div>

Smashing<\/em>, 2009, Ink on paper, 29 x 46 cm<\/p>\n<\/div>

<\/div>
\"Waiting<\/a><\/span><\/div>

Waiting for Flight<\/em>, 2019, Marble, 36 x 46 x 17 cm<\/p>\n<\/div>

<\/div>
\"Tropical<\/a><\/span><\/div>

Tropical Leaf Series M6<\/em>, 2021, Pulp and acrylic on canvas, 76 x 76 cm<\/p>\n<\/div>

\"Flower<\/a><\/span><\/div>

Flower Series M3<\/em>, 2021, Pulp and acrylic on canvas, 46 x 46 cm<\/p>\n<\/div>

\"Flora<\/a><\/span><\/div>

Flora Series 2015<\/em>, 2015, Marble sculpture, 37 x 12 x 27 cm<\/p>\n<\/div><\/div><\/div><\/div><\/div>

Kumari Nahappan<\/h3><\/div><\/div><\/div>
\"Kumari<\/a><\/span><\/div>
<\/div>

Bridging Tradition and Contemporary Art<\/h4>\n

Born in 1953 in Klang, Selangor, Malaysia, Kumari Nahappan is a leading figure in Southeast Asian contemporary art. Now based in Singapore, she has built an illustrious career that spans painting, sculpture, and large-scale installations. Her work masterfully integrates the language of contemporary international art with a deeply personal visual identity shaped by her cultural heritage and philosophical beliefs.<\/p>\n

An Artist of International Acclaim<\/h4>\n

Kumari\u2019s artistic achievements have earned her numerous accolades, with exhibitions showcased both in Singapore and internationally. Her major exhibitions include the ANIMA MUNDI International Art Festival in Venice, the Tropen Museum in Amsterdam, the Mori Museum in Tokyo, the Museum der Kulturen in Basel, the Seoul Art Centre in Korea, and the Museum Rudana in Bali.<\/p>\n

Sculptures in Public Spaces<\/h4>\n

Beyond galleries and museums, Kumari\u2019s sculptures have become iconic landmarks in public spaces across the world. Notable works include her installation at the G Tower in Kuala Lumpur, Malaysia, and her striking pineapple sculpture at the J.Y. Campos Centre in Manila. Her presence extends to China as well, with a work installed at Zhongshan Park in Shanghai.<\/p>\n

Through her bold and evocative creations, Kumari Nahappan continues to shape the landscape of contemporary art while staying true to the cultural narratives that inspire her practice.<\/p>\n<\/div>

Discover Kumari’s Enchanting Artistry<\/span><\/i><\/a><\/div><\/div><\/div>
\"Let's<\/a><\/span><\/div>

Let’s Twist Again: Artist Edition 1<\/em>, 2015, Bronze, 90 x 180 x 150 cm<\/p>\n<\/div>

<\/div>
\"Erika:<\/a><\/span><\/div>

Erika: Unique 1\/5<\/em>, 2024, Bronze (High-polished), 20 x 25 x 15 cm<\/p>\n<\/div>

<\/div>
\"Present:<\/a><\/span><\/div>

Present: The Present 01-01, <\/i><\/em>2008, Acrylic on canvas, 107 x 61 cm<\/p>\n<\/div><\/div><\/div><\/div><\/div>

Kanoko Takaya<\/h3><\/div><\/div><\/div>
\"Kanoko<\/a><\/span><\/div>

About Kanoko Takaya<\/h4>\n

Kanoko Takaya is an artist from Kyoto, Japan, whose works explore the relationship between the human body, emotions, and self-discovery. She expresses these themes through the use of tactile and organic forms, as well as a vast exploration of materials.<\/p>\n

Journey to Self-Discovery<\/h4>\n

In 2016, Kanoko moved to Bali, where she began to focus on introspection and discovering her inner self as an individual. In the process, she began using a variety of materials in her practice as a medium of self-expression.<\/p>\n

Artistic Approach and Techniques<\/h4>\n

Her works attempt to transcend the boundaries of painting and sculpture through endless experiments and unconventional techniques. Kanoko\u2019s works are characterized by curves and textures that evoke associations with the human body, often offering a sense of familiarity and intimacy to the audience.<\/p>\n

Philosophy and Creative Process<\/h4>\n

At the core of her work is the pursuit of discovering the inner self through intuitive expression and conscious decisions. By engaging with shapes, symbols, and textures in habitual ways, she creates visual rhythms that convey her ever-changing state of mind. Kanoko\u2019s approach embraces her ability to be both emotional and rational in her artistic process.<\/p>\n<\/div>

Discover the Unique Journey and Artistic Expressions of Kanoko<\/span><\/i><\/a><\/div><\/div><\/div>
\"Un<\/a><\/span><\/div>

Un Deux Trois 02<\/em>, 2022, Acrylic on canvas, 110 x 140.5 cm<\/p>\n<\/div>

<\/div>
\"Piggyback<\/a><\/span><\/div>

Piggyback<\/em>, 2024, Mixed media on wood, 215 x 82 x 15 cm<\/p>\n<\/div>

<\/div>
\"Pangkas<\/a><\/span><\/div>

Pangkas Rambut (Barbershop)<\/em>, 2020, Acrylic on canvas, 125 x 125 cm<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

Han Sai Por \uff5c Kumari Nahappan \uff5c Kanoko Takaya
\n08 Mar – 20 Apr 2025
\nTue – Sat: 11am – 7pm
\nSun: 12pm – 5pm
\nSingapore<\/p>\n","protected":false},"author":9,"featured_media":2892,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[91,93,92],"class_list":["post-2886","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past","tag-exhibition-han-sai-por","tag-exhibition-kanoko-takaya","tag-exhibition-kumari-nahappan"],"yoast_head":"\nIn Her Hands | Prestige Gallery<\/title>\n<meta name=\"description\" content=\"Prestige Art Gallery Invites You to Experience the Power of Female Artists at "In Her Hands" Exhibition\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/in-her-hands\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" 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