{"id":4207,"date":"2026-03-29T18:19:11","date_gmt":"2026-03-29T10:19:11","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/?p=4207"},"modified":"2026-07-30T16:03:19","modified_gmt":"2026-07-30T08:03:19","slug":"nest-neighbours-solitude-and-coexistence-in-high-density-cities","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/nest-neighbours-solitude-and-coexistence-in-high-density-cities\/","title":{"rendered":"Nest & Neighbours: Solitude and Coexistence in High-Density Cities"},"content":{"rendered":"

<\/div>

Nest & Neighbours:<\/b><\/i> Solitude and Coexistence in High-Density Cities<\/span><\/span><\/h4><\/h1><\/div>

Solo Exhibition<\/h3>\n

Ceet Fouad<\/p>\n

04 April – 03 May 2026
\nTue – Sun: 11am – 7pm<\/p>\n<\/div><\/div><\/div>

\"Poster\"<\/span><\/div><\/div><\/div><\/div><\/div>

Exhibition Details:<\/h4>\n

Nest & Neighbours: Solitude and Coexistence in High-Density Cities<\/i><\/b> <\/b><\/p>\n

Solo Exhibition by Ceet Fouad<\/p>\n

Curator: Rick Shi\/Amanda Wei<\/p>\n

Curatorial Team: Audrey Zhang, Yan Li, Kenneth Liu, Freya Zhang, Grace Shen<\/p>\n

Presented by <\/b><\/p>\n

Prestige Gallery x Wei Gallery<\/p>\n

Supported by <\/b><\/p>\n

Embassy of France in Singapore<\/p>\n

Official Programme<\/strong><\/p>\n

French Excellence Singapore Festival<\/p>\n

Exhibition Press Release | Download here<\/a><\/strong><\/h5>\n<\/div>

Opening Reception<\/h4>\n

Saturday, 04 April 2026<\/p>\n

15:00 – 19:00<\/p>\n

\u200bPrestige Gallery (39 Keppel Rd #03-01, Tanjong Pagar Distripark, Singapore 089065)<\/p>\n

Mr. Francois Lusteau, Cultural Counsellor of the French Consulate in Singapore, will attend the exhibition opening as the guest of honor.<\/span><\/p>\n

RSVP\u200b | Please click here<\/a><\/strong><\/h5>\n<\/div>
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\u00a0<\/span><\/p>\n

At a time when cities across the globe continue to expand vertically, high density is no longer merely a spatial condition. It has become a force that profoundly shapes psychological structures and social relations. The exhibition “<\/span>Nest and Neighbours<\/i><\/b>“, presented by Ceet Fouad, unfolds within this context as a form of visual inquiry. As a key figure in contemporary French graffiti art, CEET presents his first solo exhibition in Singapore, transforming his long-term observations of Asian cities into a body of contemporary visual allegories with broader resonance.<\/span><\/p>\n

Through his iconic <\/span>“chicano chickens”<\/b> figures, CEET constructs a visual system that is at once playful and complex. The seemingly repetitive forms generate a network of relations that oscillates between intimacy and detachment. These figures are at once “neighbours” and “strangers” \u2014 sharing space while maintaining subtle psychological distance. Beneath their humour and vibrant palette lies a sustained reflection on individual existence and collective structure.<\/span><\/p>\n

Artists have been wandering between Asian cities for a long time, from the vertical compression of Hong Kong to the orderly residential aesthetics presented by <\/span>Singapore’s HDB flats<\/b>. These specific experiences have been translated into a highly symbolic visual language. In CEET\u2019s work, architecture is no longer a backdrop but a structural metaphor. It organises collectivity while producing boundaries; it provides shelter while shaping the terms of connection.<\/span><\/p>\n

This exhibition does not try to make direct criticism, but guides the audience into a more complex level of perception through a gentle but continuous visual tension. In the highly organised and superimposed urban structure, we gradually adapt to the approach of each other, but we may also lose the real connection invisibly. <\/span><\/p>\n

When we are placed in the same structure, can we still truly reach one another?<\/b><\/p>\n<\/div><\/div><\/div><\/div><\/div>

Artist<\/h3><\/div><\/div><\/div><\/div><\/div>
\"Artist<\/span><\/div><\/div>

Ceet Fouad<\/strong><\/p>\n

\n
\n
\n
\n

1971 born in Oran, Algeria<\/p>\n

Moroccan French-Hong Kong Artist<\/p>\n

Currently lives and works in Shenzhen, China, Hong Kong, and France<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>

<\/div><\/div><\/div><\/div>

Ceet Fouad born in 1971 in Oran, Algeria. He spent his early childhood in Toulouse, France, where he began developing the imaginative visual language that would later define his practice. It was during this formative period that his now-iconic \u201cchicken\u201d motif first emerged\u2014playful in appearance yet conceptually layered.<\/p>\n

Ceet\u2019s signature characters, often referred to as \u201cChicanos,\u201d are small, vibrant, and expressive figures rendered in joyful, harmonious colours. Beneath their seemingly lighthearted surface lies a pointed reflection on contemporary society. Through these figures, Ceet explores themes of conformity, individuality, and the subtle pressures of modern life\u2014suggesting a world in which people are increasingly shaped into \u201cfollowers,\u201d hesitant to stand apart or embrace their uniqueness.<\/p>\n

At the same time, these characters function as personal avatars. Ceet uses them to convey his own experiences and observations, offering an ironic commentary on a social landscape where individuals often move with the tide, gradually losing distinctidentity. Since 2003, his practice has evolved into a visual language of communication\u2014one that reflects his lived experience within densely populated urban environments, where he describes feeling \u201clike one of the chickens in the crowd.\u201d<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/h4>\n<\/div>

\u00a0<\/span><\/p>\n

In contemporary high-density cities, coexistence is no longer something that emerges organically. It is a condition shaped by spatial structures, institutional frameworks, and systems of organisation. This condition can be understood as organised coexistence. Within this framework, \u201cnest\u201d, \u201cneighbour\u201d, and \u201cdensity\u201d are not separate ideas. They operate as three interrelated dimensions of the same system:<\/span><\/p>\n<\/div><\/div><\/div>

The Nest: Constructed Spatial Unit<\/b><\/span><\/h4>\n
\n

The \u201cnest\u201d is no longer simply a place of dwelling. It is the basic unit through which the city locates and distributes individuals by means of architecture and planning. Living spaces are standardised and modularised, placing individuals within a system that is<\/span> manageable <\/b>and <\/span>reproducible<\/b>. However, beneath this high level of order lies uncertainty. Individuals are accommodated, but not necessarily settled.<\/span><\/p>\n<\/blockquote>\n<\/div><\/div><\/div>

The Neighbour: Structured Social Relation<\/b><\/h4>\n
\n

The \u201cneighbour\u201d once implied a naturally formed social connection. In contemporary cities, however, it has increasingly become a relationship that is planned and configured. Within highly dense residential systems, individuals live in close proximity yet often lack meaningful interaction. Beneath similar external structures lie differences and divisions. Coexistence becomes routine, while understanding grows scarce. Moments of genuine connection are often limited to close friendships. In certain social contexts, such as Singapore\u2019s housing policies, neighbourly relations are partially shaped by institutional arrangements. In this sense, \u201cdiverse coexistence\u201d is not only a social reality, but also a designed outcome.<\/span><\/p>\n<\/blockquote>\n<\/div><\/div><\/div>

Density: Intensified Coexistence<\/b><\/h4>\n
\n

Density is not only the accumulation of space, but also the compression of relationships. Within high-density environments, the \u201cnest\u201d forms the physical basis of survival, while the \u201cneighbour\u201d defines the social condition of cohabitation. Together, they produce a state that appears stable, yet is charged with tension.<\/span> Individuals depend on one another, yet remain distant.<\/b> Density amplifies both the possibility of coexistence and the presence of loneliness.<\/span><\/p>\n<\/blockquote>\n<\/div><\/div><\/div><\/div><\/div>

\"Ceet,<\/span><\/div><\/div><\/div>

Walk Alone<\/em><\/h4>\n
2022<\/div>\n
Oil on canvas
\n100 x 70 cm<\/div>\n<\/div><\/div><\/div>
\"Ceet,<\/span><\/div><\/div><\/div>

OSLAS<\/em><\/h4>\n
2026<\/div>\n
Mixed media on canvas
\n60 x 80 cm<\/div>\n
<\/div>\n<\/div><\/div><\/div>
\"Ceet<\/span><\/div><\/div><\/div>

EXP<\/em><\/h4>\n
2025<\/div>\n
Mixed media on canvas
\n100 x 81 cm<\/div>\n<\/div><\/div><\/div>
\"Ceet,<\/span><\/div><\/div><\/div>

Blue Sky<\/em><\/h4>\n
2023<\/div>\n
Mixed media on canvas
\n150 x 180 cm<\/div>\n<\/div><\/div><\/div>
\"Ceet,<\/span><\/div><\/div><\/div>

Causeway Bay<\/em><\/h4>\n
2024<\/div>\n
Mixed media on canvas
\n100 x 100 cm<\/div>\n<\/div><\/div><\/div>
\"Ceet<\/span><\/div><\/div><\/div>

Marie Linos<\/em><\/h4>\n
2022<\/div>\n
Mixed media on canvas
\n150 x 100 cm<\/div>\n<\/div><\/div><\/div>
\"Ceet<\/span><\/div><\/div><\/div>

M Chikanos (white)<\/em><\/h4>\n
2022<\/div>\n
Resin
\n16 x 12 x 22 cm<\/div>\n<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/span>

Selected Exhibitions<\/h4><\/span>
<\/div><\/div><\/div>

2024<\/h4>\n

\u201cFree Vol<\/span>\u201d, Rose Studio Art Gallery, Paris, France<\/p>\n

\n

Affordable Art Fair, Step Creation Gallery, Hong Kong, China<\/p>\n

\n

Urban Art Fairs, Rose Studio Art Gallery, Paris, France<\/p>\n

\n

District 13 Art Fair, Paris, France<\/p>\n

\n

2023<\/h4>\n

\u201cAlben<\/span> & CEET Fouad<\/span>\u201d, In Arte Veritas art galleries, Valencia, Spain<\/p>\n

\n

\u201cChicanos Parade<\/span>\u201d, Idroom Gallery, Geneva, Switzerland<\/p>\n

\n

Art Jakarta, Jakarta, Indonesia<\/p>\n

\n

2022<\/h4>\n

\u201cLOSt<\/span> Chix<\/span>\u201d, Wei Gallery, Hong Kong, China<\/p>\n

\n

\u201cLos <\/span>Chokos<\/span> \/ CEET & <\/span>Cacaofages<\/span>\u201d, Galerie Alaindaudet, Toulouse, France<\/p>\n

\n

\u201cEgg Fiasco and <\/span>Ceet<\/span> Fouad<\/span>\u201d, Vinyl on Vinyl Gallery, Makati, Philippines<\/p>\n

\n

2021<\/h4>\n

\u201cCEET Fouad <\/span>Peinture<\/span> et ALBEN Sculpture<\/span>\u201d, Galerie Alaindaudet, Toulouse, France<\/p>\n

\n

2020<\/h4>\n

\u201cDu graffiti a la plume<\/span>\u201d, Rose Studio Art Gallery, Paris, France<\/p>\n

\n

2019<\/h4>\n

\u201cLos <\/span>chicanos<\/span> in Geneva<\/span>\u201d, Idroom Gallery, Geneva, Switzerland<\/p>\n

\n

Alain Daudet Gallery, Toulouse, France<\/p>\n

\n

BCK ART Gallery, Marrakech, Morocco<\/p>\n

\n

\u201cFly with Chicanos<\/span>\u201d, Wei Gallery, Hong Kong, China<\/p>\n

\n

\u201cMake the Chicanos Great Again<\/span>\u201d, Jardin Orange Art Space, Shenzhen, China<\/p>\n

\n

\u201cAbstract Chicanos<\/span>\u201d, Artyze Gallery, Hong Kong, China<\/p>\n

\n

2018<\/h4>\n

Gallery Very Yes, Reunion Island, France<\/p>\n

\n

Affordable Art Fair, Hong Kong, China<\/p>\n

\n

\u201cARTYZE Street & Wall<\/span>\u201d, Artyze Gallery, Hong Kong, China<\/p>\n

\n

Mister Freeze, Toulouse, France<\/p>\n

\n

OFF THE WALL, Jakarta, Indonesia<\/p>\n

\n

2017<\/h4>\n

\u201cThe Chicanos Revolution<\/span>\u201d, Jardin Orange Gallery, Shenzhen, China<\/p>\n

\n

\u201cRaining Colors<\/span>\u201d, Wei Gallery, Hong Kong, China<\/p>\n

\n

Art Stage (Off the Wall Fair), Jakarta, Indonesia<\/p>\n

\n

Affordable Art Fair, Hong Kong, China<\/p>\n

\n

2016<\/h4>\n

Wall works, New York, USA<\/p>\n

\n

International Art Fair, Shenzhen, China<\/p>\n

\n

Mister Freeze Exhibition, Toulouse, France<\/p>\n

\n

Pop up Show, Centre Pompidou, Paris, France<\/p>\n

\n

2015<\/h4>\n

Joyce Gallery, Beijing, China<\/p>\n

\n

Compton Gallery, Hong Kong, China<\/p>\n

\n

Urban Art Biennale, V\u00f6lklingen, Germany<\/p>\n

\n

\u201cRed Circle<\/span>\u201d, Jardin Rouge Montresso, Marrakech, Morocco<\/p>\n

\n

2007<\/h4>\n

Shenzhen \u2013 Hong Kong Biennale of Urbanism and Architecture<\/p>\n

\n

1999<\/h4>\n

Museum of Contemporary Art of Vienna, Vienna, Austria<\/p>\n

\n

1997<\/h4>\n

Biennale of Contemporary Art, Lyon, France<\/p>\n

\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

Ceet Fouad Solo Exhibition
\n10 Jan – 22 Feb 2026
\nTue – Sun: 11am – 7pm
\nPrestige Gallery X Wei Gallery
\nTanjong Pagar Distripark
\nSingapore<\/p>\n","protected":false},"author":10,"featured_media":4210,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-4207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past"],"yoast_head":"\nNest & Neighbours: Solitude and Coexistence in High-Density Cities | Prestige Gallery<\/title>\n<meta name=\"description\" content=\"Discover \u201cNest & Neighbours: Solitude and Coexistence in High-Density Cities\u201d, the first solo exhibition in Singapore by French graffiti artist Ceet Fouad at Prestige Gallery (4 April\u20133 May). Through his iconic \u201cChicano Chickens,\u201d Ceet explores urban intimacy, isolation, and coexistence across Asian cities.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/nest-neighbours-solitude-and-coexistence-in-high-density-cities\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nest & Neighbours: Solitude and Coexistence in High-Density Cities | Prestige Gallery\" \/>\n<meta property=\"og:description\" content=\"Discover \u201cNest & Neighbours: Solitude and Coexistence in High-Density Cities\u201d, the first solo exhibition in Singapore by French graffiti artist Ceet Fouad at Prestige Gallery (4 April\u20133 May). 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