{"id":4713,"date":"2026-06-27T19:02:10","date_gmt":"2026-06-27T11:02:10","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/?p=4713"},"modified":"2026-07-29T14:17:04","modified_gmt":"2026-07-29T06:17:04","slug":"ink-becoming","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/ink-becoming\/","title":{"rendered":"Ink Becoming"},"content":{"rendered":"

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Ink Becoming<\/h1><\/div>

Chen Hanqing\u2019s Solo Exhibition<\/h4>\n

10 July – 09 Aug 2026
\nTue – Sun: 11am – 7pm<\/p>\n<\/div><\/div><\/div>

\"Poster\"<\/a><\/span><\/div><\/div><\/div><\/div><\/div>

Exhibition<\/h4>\n

10 July – 09 Aug 2026<\/p>\n

Curator\uff1aRick Shi
\nCuratorial Team\uff1aAudrey Zhang, Yan Li, Freya Zhang, Keer Huang, Yi Zhang<\/p>\n

Prestige Gallery:
\n39 Keppel Rd, Lobby A #03-01
\nTanjong Pagar Distripark, Singapore 089065<\/p>\n<\/div>

Opening Reception<\/h4>\n

10 July 2026 (Friday\uff095:00 – 8:00 pm<\/p>\n

Free Registration<\/a><\/p>\n

Artist Talk<\/h5>\n

11 July 2026 (Saturday) 3:00 – 5:00 pm<\/p>\n

Free Registration<\/a><\/p>\n

Academic Talk<\/h5>\n

Speaker: Hong Zhao<\/span><\/p>\n

18 July 2026 (Saturday) 3:00 – 5:00 pm<\/span><\/p>\n

Free Registration<\/a><\/p>\n

Media Release Download Here<\/a><\/h5>\n
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WeChat ID: PrestigeArtGallery<\/span>WeChat ID: PrestigeArtGallery<\/span><\/div><\/a><\/div>
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facebook.com\/Prestige.Arts.Singapore\/<\/span>facebook.com\/Prestige.Arts.Singapore\/<\/span><\/div><\/a><\/div>
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instagram.com\/prestigeartssg<\/span>instagram.com\/prestigeartssg<\/span><\/div><\/a><\/div><\/div><\/div>

“Ink” stands as one of Asia\u2019s most representative visual languages, demonstrating a brand-new generative power within contemporary cross-cultural contexts. Prestige Gallery is deeply honoured to present young artist Chen Hanqing\u2019s inaugural international solo exhibition, Ink Becoming<\/i>, in Singapore. Servicing as a significant academic presentation of the Gallery’s dedicated research into the ink sector, this exhibition offers a concentrated survey of the artist’s pivotal creative achievements from recent years, encompassing multiple mediums including ink and colour on paper, ink and colour on silk, and Dehua white porcelain sculptures.<\/p>\n

The exhibition is structured around the core concept of “becoming”, which points not only to the diachronic evolution of traditional ink vernaculars, but also symbolises the creative transformation of contemporary individuals amidst cultural inheritance and global practices. Chen Hanqing\u2019s practice does not stop at a gentle reconciliation of classical symbols; rather, he sustains a highly tense dialogue between the rational spirit of literati painting and the critical consciousness of contemporary ink art. This trajectory spans from “Seeking the Realm of the Formless”, with its philosophical exploration of illusion and reality, to the “Sentiments Among Flowers” and “Song of the Great Wind” series, which blend the Song Dynasty xieyi<\/i> (freehand) spirit and the vast aura of Han Yuefu poems with modern Western visual experiences. It further extends from the “Hidden Mountain” series, which offers an academic translation of contemporary urban landscapes, to the “Like a Dream” Dehua white porcelain series\u2014a joint creation with his father Chen Rongchun that marks a contemporary breakthrough in classical poetic imagery. Chen\u2019s works allow landscapes, flowers, birds, and auspicious creatures to transcend mere natural representation, transforming them into contemporary visual vehicles that carry states of life and cultural memory.<\/p>\n

Curator Rick Shi notes that Chen\u2019s artistic practice forms a subtle yet profound cross-regional academic intertextuality with the innovative paths of early 20th-century Vietnamese modern art pioneers, such as L\u00ea Ph\u1ed5 and Mai Trung Th\u1ee9. These avant-gardes of Asian modernism once sought a modernist outlet for Eastern painting through a freer use of colour and open spatial structures. Similarly, Chen\u2019s works exhibit characteristics that are both gentle and restrained yet expressive and luminous, allowing classical sensibilities and contemporary aesthetics to resonate dynamically on the international stage.<\/p>\n

Prestige Gallery remains committed to forging multiple paths for international dialogue within contemporary ink art, navigating the space between continuity and transformation. Through Chen Hanqing\u2019s visual construction, we hope to present the active response of a new generation of artists to the future possibilities of the ink medium, whilst driving deep exchanges of Asian contemporary visual culture within a global context.<\/p>\n<\/div>

Installation View of the Exhibition Space<\/h4>\n<\/div>
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About the Artist Chen Hanqing<\/h3><\/div><\/div><\/div>
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Born in 1996 in Yongchun, Fujian, Chen Hanqing comes from a distinguished Dehua porcelain sculpture family and began his artistic training under his father, Chen Rongchun. He received both his Bachelor’s and Master’s degrees from the Academy of Chinese Painting at Tianjin Academy of Fine Arts, where he studied under Professors Liu Wanming and Wang Defang. He is currently pursuing a doctoral degree in Chinese painting at the Communication University of China under the supervision of the renowned artist Cao Jun. A National Green Seedling Painter and young artist of the Li Keran Painting Academy, Chen was awarded the Xu Qinsong Creative Award and received a nomination for Guardian Art\u2019s Young Art 100 Annual Ink Artist Award. His works are held in the collections of major institutions and private collectors in China and abroad, including the National Art Museum of China and the French Government. Chen\u2019s practice is rooted in the disciplined traditions of Song dynasty painting and the meticulous gongbi technique of \u201cthree alum washes and nine layers of dyeing\u201d, while embracing contemporary expression and subtle surrealist sensibilities. In recent years, Chen has been invited to exhibit in Singapore and other international contexts. Through a visual language that moves between reality and imagination, his work has attracted growing attention from collectors and the wider art community.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Discover Chen Hanqing<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div>

Selected Works<\/span><\/h4>\n<\/div>

Debut & Graduation Masterpiece\u300cSeeking the Realm of the Formless\u300d<\/h4>\n<\/div>
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Seeking the Realm of the Formless, <\/span><\/em>2020, Ink and colour on silk, 240 \u00d7 180 cm<\/span><\/p>\n<\/div>

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Born of a reflection on the spiritual disorientation of contemporary life, the work draws upon the philosophical thought of “Xi\u00e0ng W\u01ceng retrieving the pearl” from Zhuangzi to investigate the spatial consciousness of East and West. It fuses elements from Dong Yuan’s Riverbank and Raphael’s School of Athens, employing the bird’s-eye perspective characteristic of Ming-Qing illustrations and the vignetting technique of Hiroshi Sugimoto to seek the authentic truth of the spirit within the interplay of the real and the illusory.<\/span><\/p>\n<\/div>\n

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“Sentiments Among the Flowers” Series<\/b><\/h4>\n<\/div>
\"\u82b1\u95f4\u610f\u00b7\u9e3f\u8499Sentiments<\/div>

Sentiments among Flowers \u00b7 Hong Meng<\/h2>

2025, Ink and colour on silk, 127 x 187 cm<\/p><\/div><\/div><\/div><\/div>

\"\u82b1\u95f4\u610f\u00b7\u51dd\u6656<\/div>

Sentiments among Flowers \u00b7 Gathered Radiance<\/h2>

2025, Ink and colour on silk, 187 x 127 cm <\/p><\/div><\/div><\/div><\/div>

\"Chen<\/div>

Sentiments among Flowers \u00b7 Cen Fu<\/h2>

2026, Ink and colour on silk, 88 x 107 cm<\/p><\/div><\/div><\/div><\/div>

\"\u9648\u6c49\u9752\uff0c\u82b1\u95f4\u610f\u00b7\u6d6e\u5149_\u7ee2\u672c\u8bbe\u8272_67x87cm_2026.5\"<\/div>

Sentiments among Flowers \u00b7 Fleeting Glow<\/h2>

2026, Ink and colour on silk, 67 x 87 cm<\/p><\/div><\/div><\/div><\/div>

\"Sentiments<\/div>

Sentiments Among Flowers \u00b7 Carefree Dream<\/h2>

2025, Ink and colour on silk, 67 x 97 cm<\/p><\/div><\/div><\/div><\/div><\/div>

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The series takes the wild plants and grasses of mountain and field as its mirror, employing the rhythms of the natural ecology as a metaphorical reference for human society. The brushwork inherits the xie yi spirit of Song literati painting \u2014 in which every stroke carries its own life and momentum \u2014 while the colour borrows from the pure atmospheric quality of Mark Rothko’s colour-field painting, seeking the commonality between Chinese and Western art in the expression of individual spirit. Through the juxtaposition of cool and warm tones and the arrangement of plant communities, the work reveals the deeper relationships between the individual and the collective, between competition and co-flourishing, observing contemporary human nature and society within a scene of quiet stillness.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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“Song of the Great Wind” Series <\/b><\/h4>\n<\/div>
\"Qingping-Yue-\u5927\u98ce\u6b4c\u7cfb\u5217\u00b7\u6e05\u5e73\u4e50\uff5c\u7eb8\u672c\u6c34\u58a8\uff5c136x34cm\uff5c2026\"<\/div>

Song of Great Wind \u00b7 Qing Pingyue<\/h2>

2026, Ink on paper, 34 x 136 cm<\/p><\/div><\/div><\/div><\/div>

\"\u5927\u98ce\u6b4c\u7cfb\u5217\u00b7\u70df\u5858\u6708\uff5c\u7eb8\u672c\u6c34\u58a8\uff5c136x34cm\uff5c2026\"<\/div>

Song of Great Wind \u00b7 Moon in the Misty Pond<\/h2>

2026, Ink on paper, 34 x 136 cm<\/p><\/div><\/div><\/div><\/div><\/div>

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The series draws upon the vast and vigorous spirit of the Han yuefu poem “Song of the Great Wind”, paying homage to the spare, lofty, and solitary ink spirit of Bada Shanren. It integrates the landscape texture-stroke methods of Shitao and Kuncan into the construction of bird-and-flower imagery, while translating the feathers and fur of animals through Yi Yuanji’s scattered-brush silk-hair technique, continuing the limpid and luminous tenor of Song-Yuan ink painting. The swift wind serves as the invisible thread running through each composition. The tortoise’s deep composure, the cat’s sharp alertness, the waterfowl’s unhurried ease \u2014 each creature’s demeanour and expression is fully realised, and within the interplay of motion and stillness the inner nature of all things is revealed. Vigorous brushwork captures the turbulent momentum of rocks, clouds, and water; nimble silk-hair strokes render the texture and emotional state of living creatures. Within a realm of austere vastness and boundless distance, the resilient strength of life between heaven and earth, and its free and authentic essence, are fully manifested \u2014 completing the contemporary translation of the traditional literati ink system.<\/span><\/p>\n<\/div>\n

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Song of Great Wind \u00b7 Shang Pingxi<\/h2>

2026, Ink on paper, 68 x 34 cm<\/p><\/div><\/div><\/div><\/div>

\"\u5927\u98ce\u6b4c\u7cfb\u5217\u00b7\u6708\u82b1\u6e05\uff5c\u7eb8\u672c\u6c34\u58a8\uff5c34x68cm\uff5c2026\"<\/div>

Song of Great Wind \u00b7 Moonlit Bloom<\/h2>

2026, Ink on paper, 68 x 34 cm<\/p><\/div><\/div><\/div><\/div>

\"\u5927\u98ce\u6b4c\u7cfb\u5217\u00b7\u5fae\u5c18\u89c2_\u7eb8\u672c\u6c34\u58a8_34x68cm_2026\"<\/div>

Song of Great Wind \u00b7 Contemplating the Mote<\/h2>

2026, Ink on paper, 68 x 34 cm<\/p><\/div><\/div><\/div><\/div><\/div>

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“Hidden Mountain Collection” Series <\/b><\/h4>\n<\/div>
\"\u85cf\u5c71\u96c6\u00b7\u53ef\u5c45\uff5c\u7ee2\u672c\u8bbe\u8272_67x87cm_2026\"<\/div>

The Hidden Mountain \u00b7 To Dwell Within<\/h2>

2026, Ink and colour on silk, 87 x 67 cm<\/p><\/div><\/div><\/div><\/div>

\"\u85cf\u5c71\u96c6<\/div>

The Hidden Mountain \u00b7 To Be Sung<\/h2>

2026, Ink and colour on silk, 87 x 67 cm<\/p><\/div><\/div><\/div><\/div>

\"\u85cf\u5c71\u96c6\u00b7\u53ef\u6e38\uff5c\u7ee2\u672c\u8bbe\u8272_67x87cm_2026\"<\/div>

The Hidden Mountain \u00b7 To Wander Through<\/h2>

2026, Ink and colour on silk, 87 x 67 cm<\/p><\/div><\/div><\/div><\/div>

\"\u85cf\u5c71\u96c6\u00b7\u53ef\u884c\uff5c\u7ee2\u672c\u8bbe\u8272_67x87cm_2026\"<\/div>

The Hidden Mountain \u00b7 To Travel Through<\/h2>

2026, Ink and colour on silk, 67 x 87 cm<\/p><\/div><\/div><\/div><\/div>

\"\u85cf\u5c71\u96c6\u00b7\u53ef\u671b-\u7ee2\u672c\u8bbe\u8272-67x87cm-2026\"<\/div>

The Hidden Mountain \u00b7 To-Gaze-Upon<\/h2>

2026, Ink and colour on silk, 87 x 67 cm<\/p><\/div><\/div><\/div><\/div><\/div>

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The series takes as its core framework the five qualities of an ideal landscape articulated by the Song dynasty painter Guo Xi in Lofty Ambitions in Forests and Springs \u2014 “To Travel Through”, “To Gaze Upon”, “To Dwell Within”, “To Wander Through” \u2014 the series further integrates \u201cTo Be Sung\u201d, a realm of praise derived from The Analects. Together, these concepts are developed into five works, forming a creative system of \u201cconcealing the ancient within the contemporary\u201d. The works place the traditional symbols of the Mustard Seed Garden Manual of Painting in structural counterpoint with contemporary urban scenery such as cross-sea bridges and skyscrapers, continuing the dialectical logic of “concealment and revelation”: the lower stratum conceals the cultural lineage of Song painting, reconstructed through colour; the upper stratum contemplates the living conditions of the contemporary metropolis, completing a translation from “observing landscape” to “observing the human world”. Among the works, Ke Ge (“To Be Sung”) employs gold and ink to write a trans-historical “ode to spring” in dual registers, forming a three-layered intertextuality across time and space, transforming the classical spirit of landscape painting into a spiritual dwelling for contemporary humanity.<\/span><\/p>\n<\/div>\n

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<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

Chen Hanqing Solo Exhibition
\n10 July – 09 Aug 2026
\nTue – Sun: 11am – 7pm
\nTanjong Pagar Distripark
\nSingapore<\/p>\n","protected":false},"author":10,"featured_media":4716,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[119],"class_list":["post-4713","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-on-view","tag-exhibition-en-chen-hanqing"],"yoast_head":"\nInk Becoming | Prestige Gallery<\/title>\n<meta name=\"description\" content=\"Prestige Gallery cordially invites you to experience Ink Becoming, the inaugural international solo exhibition of young artist Chen Hanqing (10 July \u2013 9 August 2026, Singapore).\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/prestigearts.com.sg\/ink-becoming\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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