{"id":10353,"date":"2025-09-18T19:27:42","date_gmt":"2025-09-18T11:27:42","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/staging.objectifs.com.sg\/?p=10353"},"modified":"2025-09-18T20:26:55","modified_gmt":"2025-09-18T12:26:55","slug":"film-club-archive","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/film-club-archive\/","title":{"rendered":"Objectifs Film Club – Past Sessions"},"content":{"rendered":"\t\t
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Archive \u2013 Objectifs Film Club<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Objectifs Film Club - Past Sessions<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Film Still from 'Conversations on Sago Lane' by Wong Chen-Hsi<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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OBJECTIFS FILM CLUB x WALTER BENJAMIN GROUP<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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JUN 2024<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Workshop Space<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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What does it mean to tell the story of our lives? Through the act of retelling and recounting, are we making and remaking myths about ourselves from the material of our circumstance? As we live in an age crowded with competing narratives, where do our stories live and go as we approach the inevitability of the end? Do they eventually die out like a gentle flame that completely consumes \u2018the wick\u2019 of one\u2019s life, as German-Jewish writer- and philosopher Walter Benjamin states?<\/p>\n

These are questions we explore in the session, where we screen Wong Chen-Hsi\u2019s short film Conversations on Sago Lane<\/a>, followed by a group discussion of the film alongside Walter Benjamin\u2019s 1936 essay, \u2018The Storyteller\u2019. The screening and discussion are an invitation to meditate on the polyvalent power of the story in forming posterity and social connection.<\/p>\n

The session will be led by Alicia Izharuddin<\/b>, with filmmaker Wong Chen-Hsi<\/b> in attendance.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Organised in collaboration with the NUS Malay Studies Department<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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OBJECTIFS FILM CLUB x WALTER BENJAMIN READING GROUP <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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JUN 2023<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Workshop Space<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Walter Benjamin was a German-Jewish writer and philosopher whose influential work on art, history, modernity, and capitalism has become a protean and prophetic lens for our collective past, present and future. Although he wrote mainly about the ruins and emerging cultures of Paris and Berlin, the essence of his arguments about how we write and experience the historical present, how we experience art, and how we must engage with the relentless onslaught of capitalism are relevant to us living at a time defined by both ruin and perpetual states of emergence.<\/p>

Key themes that animate Walter Benjamin\u2019s well-known writings can be appreciated in Southeast Asian filmmaking. The Objectifs Film Club x Walter Benjamin Reading Group is a space for re-reading Benjamin\u2019s work through Southeast Asian films about cultural memory, collective pasts and futures, post-colonialism legacies, and affect in an age of information overload.<\/p>

In this session, participants will watch a screening of Kasiterit by Riar Rizaldi before engaging in a discussion of the film alongside the ideas and arguments crafted by Walter Benjamin in ‘Theses on the Philosophy of History’. More information on Kasiterit can be found below.\u00a0The session is led by Alicia Izharuddin, with Riar Rizaldi in attendance.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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OBJECTIFS FILM CLUB: TENEBRAE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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MAR 2023<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Workshop Space<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The word \u2018renewal\u2019 is seldom distant from the collective Singaporean consciousness. Bringing to mind the age-old national narrative of constant progress and development, where our skills and environment are forever subjected to upgrading, the beginning of each new year also encloses the word within a more personal sphere as we contemplate changes to old habits and come up with new year resolutions.<\/p>

In this Film Club session, we feature a screening of\u00a0Tenebrae by Nicole Midori Woodford<\/b>.<\/a>\u00a0Gollowed by a conversation between the filmmaker herself and Singaporean poet,\u00a0Crispin Rodrigues<\/b><\/a>, who will be reading a poem in tandem with the screening. Besides looking at what is lost and gained when renewal takes place, the discussion will also examine other pertinent questions drawn out by the film \u2013 like what, for instance, irrevocably leaves its mark, and how moving images and poetry alike can capture both situational gravitas and the emotions that bubble beneath during processes of renewal.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Archive \u2013 Objectifs Film Club Objectifs Film Club – Past Sessions Film Still from ‘Conversations on Sago Lane’ by Wong […]<\/p>\n","protected":false},"author":3,"featured_media":10266,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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