{"id":10698,"date":"2025-09-23T20:17:23","date_gmt":"2025-09-23T12:17:23","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/staging.objectifs.com.sg\/?p=10698"},"modified":"2025-09-23T21:11:55","modified_gmt":"2025-09-23T13:11:55","slug":"objectifs-cinema-now-showing","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/objectifs-cinema-now-showing\/","title":{"rendered":"Objectifs Cinema: Now Showing"},"content":{"rendered":"\t\t
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Objectifs Cinema: Now Showing<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Celebrating the richness and diversity of Southeast Asian short films<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Welcome to Objectifs Cinema: Now Showing<\/b>, a celebration of the richness and diversity of Southeast Asian short films. It is an exhibition that hopes to gather film lovers of all backgrounds through screenings, talks, sharing sessions, and a film memorabilia showcase. It aims to set the stage for deeper discussions and a broader understanding of short films from the region.<\/p>\n

The short film format has long been a playground for alternative forms of expression, and has become one of the key ways in which filmmakers and artists in Southeast Asia have explored new visual languages and ways of sharing lived experience. It is cinema that resists and transcends geographical, historical, and artistic boundaries, that brings people together while beholding its uniqueness.<\/span><\/p>\n

As a space that champions Southeast Asian stories, programming, promoting and nurturing the development of short films is integral to Objectifs. Since the early years of its founding, it has been affiliated with the region\u2019s film scene as a producer, exhibitor and distributor. These shifts reflect the efforts of an independent arts centre to respond to the changes in how short films have been made and seen, and the importance of making space for this vital art form.<\/p>\n

Films from the Objectifs Film Library will be screened over the course of this exhibition. The specially curated line up will be refreshed regularly. More information below.<\/p>\n

The films screened at the exhibition and more can be rented for a small fee via above link. Your support goes a long way in championing filmmakers from Singapore and Southeast Asia!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Objectifs Chapel Gallery<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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14 Jul to 11 Sep 2022
Free Admission<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Share this!<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Programmes<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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I. ALTERNATIVE VOICES | 14 JUL to 27 JUL<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Programme Rating: PG 13 (Some Mature Content and Coarse Language)<\/em><\/p>\n

How are films shaped by socio-political forces, and how do they affect our sense of agency in return? The films in this programme showcase the myriad ways in which filmmakers in the region are commenting and reacting to national, societal and cultural phenomena. They are an invitation to think more deeply about the world around us, by generating empathy and inspiring change.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Films screened include<\/span>
Night Watch by Danaya Chulphuthiphong \/ 10 min \/ Thailand \/ 2015
How Green The Calabash Garden Was by Truong Minh Quy \/ 15 min \/ Vietnam \/ 2017
Vanishing Horizon of the Sea by Chulayarnnon Siriphol \/ 24 min \/ Thailand \/ 2014
Bura by Eden Junjung \/ 12 min \/ Indonesia \/ 2019
Katong Fugue by Boo Junfeng \/ 10 min \/ Singapore \/ 2007
Jodilerks Dela Cruz, Employee of the Month by Carlo Francisco Manatad \/ 13 min \/ Philippines \/ 2017<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Join us for a discussion<\/span>
Alternative Voices: A Conversation with Boo Junfeng and Phoebe Pua, Moderated by Vincent Quek\u00a0
Wed 20 Jul, 7.30pm to 8.30pm. Held at Objectifs.\u00a0Please click\u00a0here<\/a>\u00a0to register.<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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II. SOUTHEAST ASIA NOW | 28 JUL to 10 AUG<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Programme Rating: PG13 (Some Coarse Language)<\/em><\/p>\n

Southeast Asia might be easy to define geographically, but its borders contain a polyphony of stories and voices. This lineup of films is a brief survey of works by filmmakers both established and emerging, who touch on personal stories and wider issues, and whose approaches range from the comical to the bittersweet.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Films screened include<\/span>
Fonzi by Kirsten Tan \/ 24 min \/ Singapore \/ 2010
Three Wheels by Kavich Neang \/ 20 min \/ Cambodia \/ 2015
Quadrilaterals by Martika Ramirez Escobar \/ 17 min \/ Philippines \/ 2017
South of South by Tan Chui Mui \/ 11 min \/ Malaysia \/ 2005
Sweet, Salty by Linh Duong \/ 19 min \/ Vietnam \/ 2019
On Stopping the Rain by Aditya Ahmad \/ 14 min \/ Indonesia \/ 2013
A Million Threads by Thu Thu Shein \/ 16 min \/ Myanmar \/ 2006<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Join us for a discussion<\/span>
Southeast Asia Now: A Conversation with Thong Kay Wee and Nicole Midori Woodford, M<\/strong>oderated by Leong Puiyee |<\/strong>
Wed 3 Aug, 7.30pm to 8.30pm. Held at Objectifs.\u00a0<\/strong>Please click\u00a0here<\/strong><\/a>\u00a0to register.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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III. EXPERIMENTAL SHORTS | 11 AUG to 24 AUG<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Programme Rating: NC16 (Some Nudity)<\/em><\/p>\n

This selection showcases works by filmmakers and artists who frequently use formal explorations of texture, light, colour and rhythm amongst others to present a singular perspective. By playing with cinematic conventions, experimental films challenge preconceptions about the form and start conversations on the potentials of moving image works.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Films screened include<\/span>
He Was Once Here by Puangsoi Aksornsawang \/ 12 min \/ Thailand \/ 2016
Seeing Machines by Shireen Seno \/ 3 min \/ Philippines \/ 2006
Silent Dialogue of All Artworks by Russell Adam Morton \/ 11 min \/ Singapore \/ 2013
Prince of Sihanoukville by Davy Chou \/ 3 min \/ Cambodia \/ 2019
Lembusura by Wregas Bhanuteja \/ 10 min \/ Indonesia \/ 2015
short\/cut by Ostin Fam \/ 13 min \/ Vietnam \/ 2017
Schip by Tanatchai Bandasak \/ 2 min \/ Thailand \/ 2010
angibility by Toh Hun Ping \/ 7 min \/ Singapore \/ 2004<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Join us for a discussion<\/span>
Experimental Shorts: A Conversation with Toh Hun Ping and Daniel Hui, Moderated by Viknesh Kobinathan |<\/strong>
Wed 17 Aug, 7.30pm to 8.30pm. Held at Objectifs.\u00a0<\/strong>Please click\u00a0here<\/strong><\/a>\u00a0to register.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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IV. YOUNG GUNS PART I: Shorts from Film Schools | 25 AUG to 2 SEP<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Get a front row seat to these gems by the next generation of filmmakers in Singapore! These student films by up and coming talents from Singapore\u2019s film schools span a wide variety of genres that speak to cinematic excellence and innovation. Featuring works from Ngee Ann Polytechnic, Nanyang Technological University School of Art, Design and Media, LASALLE College of the Arts and School of the Arts.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Films screened include<\/span>
I Took A Nap and I Miss You by Shelby Kho \/ 12 min \/ NTU ADM \/ 2021
Tankboy by Novella \/ 6:40 min \/ LASALLE College of the Arts \/ 2021
Leading Lights by Angela Ananya Ramkumar \/ 9 min \/ School of The Arts \/ 2021
Home Planet by Maximilian Liang \/ 14:30 min \/ LASALLE College of the Arts \/ 2021<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Young Guns Part I: Filmmakers from Film Schools in Conversation, Moderated by Geraldine Cheng |<\/b>
Wed 31 Aug, 7.30pm \u2013 8.30pm.\u00a0<\/strong>Held at Objectifs.\u00a0<\/strong>Please click\u00a0here<\/strong><\/a>\u00a0to register.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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V: YOUNG GUNS PART II: Shorts from Film Schools | 3 SEP to 11 SEP<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Get a front row seat to these gems by the next generation of filmmakers in Singapore! These student films by up and coming talents from Singapore\u2019s film schools span a wide variety of genres that speak to cinematic excellence and innovation. Featuring works from Ngee Ann Polytechnic, Nanyang Technological University School of Art, Design and Media, LASALLE College of the Arts and School of the Arts.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Films screened include<\/span>
Yi Yi (Time Flows in Strange Ways on Sundays) by Giselle Lin \/ 17 min \/ LASALLE College of the Arts \/ 2021
In Good Times and In Bad by Alisa Yeo \/ 6:28 min \/ School of the Arts \/ 2020
Pillars of Salt by Hilman Haris Hor \/ 15 min \/ NTU ADM \/ 2021
Sweet Sixteen by Donna Chua \/ 7 min \/ School of The Arts \/ 2020
\nGirls by Tamara Tan \/ 15 min \/ Ngee Ann Polytechnic \/ 2020<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Young Guns Part II: Filmmakers from Film Schools in Conversation, Moderated by Leong Puiyee<\/b>
Wed 7 Sep, 7.30pm \u2013 8.30pm.\u00a0<\/strong>Held at Objectifs.\u00a0<\/strong>Please click\u00a0here<\/strong><\/a>\u00a0to register.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Objectifs Cinema: Now Showing Celebrating the richness and diversity of Southeast Asian short films Welcome to Objectifs Cinema: Now Showing, 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