{"id":2510,"date":"2025-01-09T23:40:05","date_gmt":"2025-01-09T15:40:05","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/staging.objectifs.com.sg\/?p=2510"},"modified":"2025-09-17T19:45:25","modified_gmt":"2025-09-17T11:45:25","slug":"freshtake-screening-2024-special-programme","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/freshtake-screening-2024-special-programme\/","title":{"rendered":"Freshtake! Screening 2024 \u2013 Special Programme"},"content":{"rendered":"\t\t
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Freshtake! Screening 2024 \u2013 Special Programme<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A culmination of the 2024 Objectifs x Asian Film Archive Film Programmers' Lab, programmed by Daryl Cheong and Jolie Fan\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Held in conjunction with the Objectifs x Momo Film Co Short Film Incubator and FreshTake! 2024 Main Programme<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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This year,\u00a0FreshTake!<\/em> includes a Special Programme \u2013 Up\/Down Singapore Hill: Un-Mapping Our Perspectives of the Region on Screen<\/strong>. This screening is one of the culminating outcomes of the 2024\u00a0Objectifs x Asian Film Archive Film Programmers\u2019 Lab<\/a>, and was programmed by Daryl Cheong and Jolie Fan.<\/p>

Click\u00a0here<\/strong><\/a>\u00a0to find out more information about\u00a0FreshTake!<\/em>\u00a02024 \u2013 Main Programme<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Objectifs Chapel Gallery<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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24\/08\/2024
General ticket \u2013 $8
Concession ticket (student) \u2013 $5
(please note that ID may be verified at the door)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Share this!<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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More Information About Special Programme<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SPECIAL PROGRAMME \u2013 UP\/DOWN SINGAPORE HILL: UN-MAPPING OUR PERSPECTIVES OF THE REGION ON SCREEN | 24 AUG 2024, 4.30PM to 6.30PM<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Singapore has long been viewed as a dynamic nexus in the context of our larger region and especially Southeast Asia (SEA), often perceived as both a central hub and an observer of its neighbouring peripheries. This short-film programme, \u2018Up\/Down Singapore Hill: Un-mapping Our Perspectives of the Region on Screen\u2019 invites audiences to transcend conventional narratives and explore viewpoints that challenge how Singapore and SEA are interconnected yet distinct, delineated by our national narratives.<\/p>

The metaphorical reference to \u201cSingapore Hill\u201d in the title evokes the historical and colonial legacy of Fort Canning, a strategic military site during the colonial era, and aims to challenge and reframe traditional, often colonial-influenced worldviews outward to and of SEA. By invoking a site associated with war and conquest, the programme highlights the need to critically examine and transcend these imposed perspectives, fostering a deeper understanding of the region\u2019s diverse and interconnected identities, serving a powerful reminder of the historical contexts that have shaped current viewpoints, inviting audiences to explore new, more inclusive narratives that honour the plurality of voices within SEA.<\/p>

The films in this programme explore the localised vantage points with which we view the region and the world, mediated and governed through the perspectives of Land, State, and Body. The focus on Singaporean works is an opportune lens with which we can consider our standpoints and biases. Each film is a narrative thread, woven from the fabric of lived experiences and oral literacies, demonstrating the complexities and richness that make up our region, challenging any monolithic or colonial perspectives on \u2018Southeast Asia\u2019.<\/p>

PLEASE NOTE: Flashing lights and other intense lighting will be used during the film screening. It will not be safe for those with epilepsy and other conditions with sensitivity to light.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Theme 1: Re-Mapping the Land<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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This theme explores the relationship between geography and identity, and how landscapes are intertwined with personal and collective histories. The films also consider the politics and imperialism associated with land and land use, and how these govern the ways we extend into the world.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Second Chance by Robert Zhao<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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G \/ 8 mins \/ 2022<\/strong><\/p>

An overlooked feature of Singapore\u2019s landscape, secondary forests are forests that have sprung up over previously disturbed land. They make up the bulk of Singapore\u2019s spontaneous vegetation, which covers more than half of Singapore\u2019s existing greenery. However, they are often undervalued ecologically, although researchers are looking into how secondary forests can help with climate change and biodiversity loss.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Blueprints for Volition City by Toh Hun Ping<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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PG \/ 8 mins \/ 2006<\/strong><\/p>

A dirge for Singapore and a prophecy for its demise. A prevision of its build-up of mouth-gagging noise, cracking facades, exposed flesh and percolating wastes. A visceral assault of distorted guitars and found sounds, juxtaposed with blistering found footage, Blueprints for Volition City was created entirely via stop-motion with hand-manipulated photographic prints. Featuring guitar work by Kelvin Tan of The Oddfellows.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Wormhole by Yeo Siew Hua & Nelson Yeo<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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PG \/ 4 mins \/ 2012<\/strong><\/p>

The earthworm is a tunnel with openings on each end where the Earth is consumed and excreted. Shot in the tunnel of the now defunct KTM railway \u2013 the tracks that once connected Singapore and Malaysia, Wormhole is a penetrating meditation on Man and orifices.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Theme 2: Re-Mapping the State<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Films under this theme investigate the interactions between individuals and state mechanisms, highlighting how political landscapes influence personal lives and community dynamics.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The Parade by Ryan Benjamin Lee Meng Kiat<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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PG \/ 18 mins \/ 2014<\/strong><\/p>

A tale of moral versus legal responsibility, an elderly granny finds an unexpected visitor, a young asylum-seeking girl, in her home during dinner. Inspired by a 2012 incident, where 40 Rohingya refugees arrived by boat into the port of Singapore.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Dahdi by Kirsten Tan<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Staatliche Hochschule f\u00fcr Bildende K\u00fcnste \/ 25 mins \/ 2023<\/strong><\/p>

Chi-Lun, 27 years-old, is on the autistic spectrum. He loves taking and watching trains. Studying maps and watching videos of trains and other modes of transport in operation, he is well-versed in the transport routes around Taiwan. The gradual easing of the epidemic in Taiwan allows him to once again go on a train physically. Unable to express himself as he would like, Chi-Lun has to rely on the guidance of his family to make plans for a train trip.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Wallflowers in the Parade by Tan Jit Jenn<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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M18 (Consumer Advice: Mature Content) \/ 18 mins \/ 2021<\/strong><\/p>

A filmic prayer from a Jehovah\u2019s Witness couple to their only son, about his move into prison in a few day\u2019s time as he defers conscription. The film also touches on photographs and interviews with past Jehovah\u2019s Witness men who were imprisoned.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Theme 3: Re-Mapping the Body<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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This theme focuses on the human body as a site of political, social, and cultural contestation. It explores how bodies are mapped, controlled, and liberated within the larger societal context. Singapore\u2019s socio-political models influence the physical and psychological experiences of individuals within the region, highlighting issues of autonomy and resistance.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Visions From My Scalp by Mark Chua & Lam Li Shuen<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Rating exemptible \/ 5 mins \/ 2023<\/strong><\/p>

Streaks of hair and colours weave together furiously, imploding into a frantic vision drawn between exuberance and anxiety. The filmmakers glued their hair to 16mm and Super 8 film leader loops that were played in overlay and modified with ink during projection in this textural expression of a manic feeling of being.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Hampshire Road by Ting Min-Wei<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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G \/ 8 mins \/ 2019<\/strong><\/p>

With one take, the camera traverses the exterior of a single structure in Singapore, to see how space is constructed and used to monitor and channel migrant workers onto buses back to dormitories.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Jiran Sekampung (Village Neighbours) by Toh Hun Ping<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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PG \/ 6 mins \/ 2020<\/strong><\/p>

Singapore and its evolving village neighbours, in strings of place names spoken or sung on film, spanning seven decades of the 20th century. This found footage film is named after a similarly-titled 1966 Malay-language Cathay-Keris feature movie produced in Singapore and directed by Hussain Haniff.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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About the Programmers<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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About Daryl Cheong<\/strong><\/p>

Daryl Cheong is a third-year student at Nanyang Technological University (NTU) majoring in English Literature and minoring in Entrepreneurship. He is also an inaugural recipient of the NTU Talent Scholarship.<\/p>

He last programmed at the Singapore International Film Festival, where he focused on world premiere feature films and Singaporean short films. He has also programmed for Singapore Film Society, Perspectives Film Festival, National Youth Film Awards, Short Circuit, and Close-Up @ The Coup. He is also the President of the NTU Film Society, and runs the *SCAPE x fff Film Club.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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About Jolie Fan<\/strong><\/p>

Jolie Fan is a writer and researcher working at the intersection of criticism, journalism and image-making. Multitudinal and a lover of the peripheral, her practice investigates Southeast Asian moving images shaped by political, economic and cultural superstructures of production. She was a youth film critic at the Far East Film Festival 2022 and the Singapore International Film Festival 2022. She was the festival director of the Perspectives Film Festival in 2022, programming executive in 2021\u2019s edition and a programmes intern at the Asian Film Archive in 2021. Currently, she is a mentor and editor with *SCAPE Singapore\u2019s Film Critics Lab.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Overall Screening Schedule<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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I. Around the Bend <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Wed 21\/08\/2024, 7.30pm \u2013 8.30pm
Programme rating: NC16 \u2013 Some coarse language<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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II. Familial Grounds<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Thu 22\/08\/2024, 7.30pm \u2013 9pm
Programme rating: NC16 \u2013 Some coarse language)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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III. From Margin to Centre<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Fri 23\/08\/2024, 7.30pm \u2013 9pm
Programme rating: R21 \u2013 Homosexual theme<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Special Programme \u2013 Up\/Down Singapore Hill: Un-Mapping Our Perspectives of the Region on Screen<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sat 24\/08\/2024, 4.30pm \u2013 6.30pm
Programme rating: M18 \u2013 Mature content<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Supported By<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Freshtake! Screening 2024 \u2013 Special Programme A culmination of the 2024 Objectifs x Asian Film Archive Film Programmers’ Lab, programmed […]<\/p>\n","protected":false},"author":1,"featured_media":2491,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[8,24,26],"tags":[76,19,426],"class_list":["post-2510","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filmmaking","category-programmes","category-short-film-incubator","tag-76","tag-film-screening","tag-freshtake"],"acf":[],"yoast_head":"\nFreshtake! 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