{"id":4261,"date":"2025-04-28T20:25:35","date_gmt":"2025-04-28T12:25:35","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/staging.objectifs.com.sg\/?p=4261"},"modified":"2025-09-24T11:59:04","modified_gmt":"2025-09-24T03:59:04","slug":"other-highlights-from-2016","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/other-highlights-from-2016\/","title":{"rendered":"Other Highlights From 2016"},"content":{"rendered":"\t\t
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Archive \u2013 Exhibitions & Screenings<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Other Highlights From 2016<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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THE SURROUNDING CITY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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DEC 2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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By bilingual theatre company, Toy Factory Productions:<\/strong>. A heritage city awaiting demolition within PRISM<\/em>, a play by award winning playwright, Goh Boon Teck. The exhibition serves as a pre-show exploration before the staging of the play, and seeks to begin conversations about the relationship between spaces, things and how we are eroding our culture, heritage and memories for the future\u2019s dream.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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A North Korean traffic police woman performs her duties, Monday, May 4, 2015 in Pyongyang, North Korea. (AP Photo\/Wong Maye-E)<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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NORTH OF THE DMZ<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SEP 2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Wong Maye\u2013E<\/b> has built a career as a photojournalist by covering some of the region\u2019s most tumultuous events, from political protests in Thailand to the devastation wrought by Typhoon Haiyan in the Philippines. And yet her most challenging assignment might also be her longest to date: she has been The Associated Press\u2019 lead photographer in North Korea since 2014.<\/p>

Through her lens, the world\u2019s most reclusive state reveals itself. This exhibition showcases picture perfect state parades alongside quieter moments of citizens going about their daily business, giving dimension to a carefully cultivated national image through photographs from an extensive body of work built over two years.<\/p>

Maye\u2013E is committed to documenting her surroundings as accurately as possible while working in unusual circumstances. Nonetheless, the images that she has produced are scrutinised within and outside of North Korea, bringing to mind questions about subjectivity and access, propaganda and reportage, perception and reality. Her work reflects the deep complexities of the identity and image of North Korea and its people, and in a broader context, the inherent issues faced by photojournalists in their work.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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THE WEIGHT OF AIR<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SEP 2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Lower Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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In the midst of Iceland\u2019s geologically active landscape, photographer Ng Hui Hsien<\/strong> was led to contemplate her personal relationships and her connection to the environment. The result is an exhibition and a photo book that documents a search for stillness and a particular mode of engagement with a place.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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GHOST ON THE WIRE 2<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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AUG-SEP 2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The title, Ghost On the Wire,<\/em> is a borrowing from how the philosopher Gilbert Ryle described the mind as \u2018the Ghost in the Machine.’, with a theme of mediated communication. The \u2018wire\u2019 can be seen as our channel for communication \u2013 the human voice, the gaze, language, books, a telephone cable, satellite signal, Skype, the computer screen, CCTV, recorded forest sounds, text, email. The \u2018ghost\u2019 might take many forms: the misunderstanding of a word or a look, an error in translation, a technical glitch, interference in transmission, or the barriers created by time and loss. The ways in which communication can successfully be accomplished, or can falter and fail, are both the same and different according to the means by which they take place. Participating artists: Emma Charles, Sarah Choo, Debbie Ding, Suzanne de Emmony, Camilla Greenwell, Daniel Kok, Andy Lacey, Joo Choon Lin, Lynn Lu, Manu Luksch, Gavin Maughfling, Mukul Patel, Shubigi Rao, Anne Robinson, Tania De Rozario, Emma Talbot, Min-Wei Ting, Zai Tang<\/strong>. Cuated by Gavin Maughfling<\/b> and Suzanne de Emmony <\/b>(DEM Projects).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Sherman Tham<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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THE YOUTH OF SHOOTING HOME<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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AUG 2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Library@Orchard<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Youth of Shooting Home celebrates the works of 10 young photographers who are alumni of the Shooting Home Youth Awards, a platform for students to develop their photographic skills and ambitions. Featuring Aidan Mock, Joel Lim, Tan Wei, Donn Tan, Jamie Chan, Kimverlyn Lim, Sherman Tham, Lim Chien Her, Beaunice Toh <\/strong>and Dara Ong<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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FILM\/MUSIC\/BARTER MARKET<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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AUG 2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Courtyard<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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While the evening away this Singapore Night Festival to the ambient tunes of sound artist Wu Jun Han<\/strong> as he creates an aural response to super8 short films by G\u00f6zde and Russel Zehnder<\/strong>. Film x Music aims to blur the lines between both mediums, drawing them together in a relaxed synergy for a unique visual and musical experience. You can also engage in some old fashioned bartering with some friendly vendors at the Barter Market, organised by Indigoism<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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TWO WAY MIRROR<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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JUL 2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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This exhibition presents and delves deeper into the frequent custom among performance artists to take photographs of fellow performance artists whilst the latter are performing. Two-way Mirror<\/em> is not merely an occasion to present striking images from performance art, but is an encouragement directed to each artist to reflect on the diverse approaches they have towards photography, and an offering to the public to engage in the discussion. Led by Daniela Beltrani.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Logue<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SUPERHERO ME: PLANET OF POSSIBILITY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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JUN-JUL 2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Superhero Me: The Special Edition<\/em> presents Planet of Possibility<\/em>, an experiential art show for children and the young-at-heart to make a stand for a more inclusive Singapore through socially engaged art. Superhero Me<\/em> is a values-based community arts movement that empowers children to develop a stronger sense of self and discover creative confidence.<\/p>

The art show involves more than 60 children and youths aged 4 \u2013 21 years old. They include the first batch of graduates from Lien Foundation\u2019s Circle of Care Programme<\/strong>, students from Pathlight School\u2019s Artist Development Programme<\/strong>, preschoolers from AWWA Kindle Garden<\/strong> (Singapore\u2019s first inclusive preschool), Cerebral Palsy Alliance Singapore School<\/strong> and MINDS Lee Kong Chian Gardens School<\/strong>. During the period of the exhibition, there will be a series of crafting workshops, puppetry sessions, and storytelling sessions for all children to enjoy.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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FOODCINE.MA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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APR-MAY 2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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From the creators of A Design Film Festival, FoodCine.ma<\/em> features a curated selection of films on food and its subcultures, satellite screenings with a film-inspired menu, a special presentation examining the relationship of food, film and design, and two exhibitions on food culture by Atelier HOKO<\/strong> (A Dozen Eggs<\/em>) and In Plain Words<\/strong> (Eating Together: The Design of Sharing Food<\/em>).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Christophe Jacrot<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SINGAPORE AND WATER<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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MAY 2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Lower Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Le Petit Journal.com presents an exhibition featuring the finalists of “Singapore and Water”, a photography contest themed around Singapore and its relationship with water. This exhibition will also showcase the works of the contest jury members, \u00a0Christophe Jacrot, Edwin Koo, Gilles Massot<\/strong> and Imran Ahmad<\/strong>. Organised as part of\u00a0the Voilah festival.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9Alecia Neo<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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UNSEEN: CONSTELLATIONS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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MAR 2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A two-year long project initiated by artist Alecia Neo,<\/strong> Unseen: Constellations provides a platform for seven youths from Ahmad Ibrahim Secondary School \u2013 Dallon Au, John Danesh, Goh Wei Bin, Adelyn Koh, Nurul Natasya, Neo Kah Wee and Claire Teo<\/strong> \u2013 who live with visual-impairment to explore their self-identities and dreams through art. Through a creative process led by the artist, students and collaborators, the project will be presented as a large-scale multi-sensory installation ranging from music to film to audio story.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Marina Zuccarelli<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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DOUBLE VISION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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MAR 2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Lower Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Playing on the definition of \u2018double vision\u2019 as \u201cthe simultaneous perception of two images, usually overlapping, of a single scene or object”, Marina Zuccarelli and Junie Tang<\/strong>, present two distinct bodies of work connected by, and embodying, this very definition. Zuccarelli explores the theme of memories by using technology to juxtapose current day images with superimposed images from the past; whereas Tang\u2019s vision is to blur the boundaries of art and design through images produced with the effect of double exposures with the use of a basic analogue tool (Holga camera).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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EVEREST<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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JAN-FEB 2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Everest\u00a0<\/i>is an exploration of the monumental. Titled after the highest peak on earth, the exhibition showcases recent artworks by multidisciplinary artist Ang Sookoon<\/b> that reflect\u00a0upon the subject of greatness and its exception in form, scale, feeling and desire. Everest will also feature a collaboration with British designer Sorcha O’Raghallaigh<\/b>, whose creations have been worn by Kate Moss, Beyonce, M.I.A, and Lady Gaga. Curated by June Yap<\/b>, part of Singapore Art Week.\u00a0<\/p>

Accompanying the installation are series of smaller sculptures of bronze and wax, videos, and drawings, which work together to create an experience that transports the visitor away from everyday life into the fantastic. In conceptualising the work, Sookoon was particularly influenced by the work of writers such as the Bronte sisters, Gabriel Garc\u00eda M\u00e1rquez and Isabel Allende, where the magical and reality collide.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Boedi Widjaja<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Imaginary Homeland: \u6211\u662f\u4e0d\u662f\u8a72\u5b89\u9759\u5730\u8d70\u958b<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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JAN 2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Lower Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The exhibition looks at photographic imagery, and its impact in our remembering and re-forming of personal narratives. The process started with the artist drawing negative images of reportage photographs of Indonesian politics across a 30-year period, from its independence in 1945 through a period of transition of Soekarno\u2019s National Independence to Soeharto\u2019s New Order. The viewer is invited to use his\/her mobile device, with invert settings turned on, to see the positive image. Shifting between the modality of drawing and photography, Boedi Widjaja<\/strong> reflects viscerally upon the imagery of his personal history, seeking agency. Part of Singapore Art Week 2016.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Archive \u2013 Exhibitions & Screenings Other Highlights From 2016 THE SURROUNDING CITY DEC 2016 Lower Gallery By bilingual theatre company, […]<\/p>\n","protected":false},"author":1,"featured_media":4273,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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