{"id":4285,"date":"2025-04-28T21:06:53","date_gmt":"2025-04-28T13:06:53","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/staging.objectifs.com.sg\/?p=4285"},"modified":"2025-09-24T12:20:11","modified_gmt":"2025-09-24T04:20:11","slug":"other-highlights-from-2017","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/other-highlights-from-2017\/","title":{"rendered":"Other Highlights From 2017"},"content":{"rendered":"\t\t
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Archive \u2013 Exhibitions & Screenings<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Other Highlights From 2017<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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AS THEY GROW OLDER AND WISER<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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NOV-DEC 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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As They Grow Older and Wiser<\/em>\u00a0is a photographic series and installation work by Singaporean artist\u00a0Ang Song Nian<\/strong>, presented as part of the artist\u2019s participation in the Bangkok University Gallery\u2019s Artist-in-Residence programme in August 2016. At the heart of the exhibition is\u00a0Everything Can Be Measured<\/em>\u00a0(2016). This site-specific work comprises six installations created as a response to the artist\u2019s observation on the methods of control instrumented in ways which potted plants, as well as trees \u2013 young and old \u2014 are being manipulated to fit into the urban landscape of growing cities. The titular work debuts a series of photographic images in which the artist re-presents the controlled environment of plant nurseries found in the Ongkharak district of Nakhon Nayok in Bangkok.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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SUPERHERO ME: WHO IS COMING TO DINNER?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SEP 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Gatherings are at the heart of this art lab, where plates of art serve up an invitation to create, question and work with others from all walks of life. On our journey towards an inclusive society, we have realised inclusion \u2013 very much like cooking \u2013 has no fixed formula. It is always in-the-works, driven by a persistent courage and effort to reach out to others different from us. Over the past few months, children from the\u00a0Cerebral Palsy Alliance School<\/strong>,\u00a0MINDS Lee Kong Chian Gardens School<\/strong>,\u00a0AWWA Kindle Garden<\/strong>\u00a0and\u00a0neurodiverse multidisciplinary collective,\u00a0Superhero Me<\/strong>\u2019s regular Saturday group have created artworks that will help transform the Chapel Gallery into a dinner party!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Tom White<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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RHETORICAL TERRITORIES & WHO CARES?\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SEP 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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In\u00a0Rhetorical Territories<\/em>,\u00a0Tom White<\/strong>\u00a0visualises the negotiation of space in Waterloo Centre, a public housing in Singapore where residents carry out their daily lives, navigate codes of behaviour, respect each other\u2019s rights and manifest a modern day \u201ckampong spirit\u201d. In\u00a0Who Cares?<\/em>,\u00a0Kelvin Lim<\/strong>\u00a0examines who the real caregivers are for Singapore\u2019s senior citizens. Both photographers produced their work as part of the Exactly Foundation residency.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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HOME IN FOCUS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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AUG-SEP 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Home in Focus<\/i> presents images from the eponymous column of\u00a0The Straits Times<\/a>\u00a0newspaper. Since July 2015, this weekly two-page photo essay by the paper\u2019s Picture Desk has shared different facets of home with its readers, capturing the quirky, compassionate and ever-changing in Singapore.<\/p>

Through still and moving images that range from personal portraits to vistas of little-known corners of the island, the stories of ordinary Singaporeans shine. These heartfelt, eccentric and nostalgic images bring us closer to the happenings in our own backyard, expanding our awareness of the communities and spaces around us. Home in Focus<\/em> is a testament to the importance of photojournalism in adding depth and perspective to the news, and the ability of well-crafted images to bring meaningful stories to our attention.<\/p>

Home In Focus is curated jointly by Objectifs (Emmeline Yong and Chelsea Chua) and The Straits Times (Neo Xiaobin and Stephanie Yeow)<\/b>. Featuring the works of Alicia Chan | Alphonsus Chern | Ariffin Jamar | Azmi Athni | Caroline Chia | Chew Seng Kim | Daniel Neo | Desmond Foo | Desmond Lim | Desmond Wee | Feline Lim | Jamie Koh | Jonathan Choo | Joyce Fang | Kua Chee Siong | Kevin Lim | Koh Kim Chay & Eugene Ong | Lau Fook Kong | Lim Sin Thai | Lim Yaohui | Lin Yangchen | Marcus Tan | Mark Cheong | Neo Xiaobin | Ng Sor Luan | Ong Wee Jin | Seah Kwang Peng | Stephanie Yeow | Tiffany Goh | Wang Hui Fen | Yeo Kai Wen<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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TILL WE MEET AGAIN \u2013 WHAT TO KEEP? & MUTE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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AUG 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Lower Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Lau Eng Seng<\/strong>\u00a0has been documenting Rochor Centre, a nearly 40-years old high-rise mixed-use complex. In 2011, it was announced that Rochor Centre would be demolished to make way for the new North-South Expressway. Here, he shares its \u201cpacking up\u201d, during which residents must decide on what to keep and what to throw out. In\u00a0Mute<\/em>,\u00a0Chia Aik Beng<\/strong>\u00a0shares a personal take on Singapore\u2019s Little Japan (1860s to 1945). With erased buildings and only traces of material evidence, he explores its possible history. Both photographers produced their work as part of the Exactly Foundation residency.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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FUN WITH FOLEY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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AUG 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Courtyard<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Experience the magic of Foley by creating your own sound effects to accompany Singapore short films by\u00a0Kirsten Tan, Jerrold Chong and Michael Kam<\/strong>! Guided by sound designers\u00a0Lim Ting Li<\/strong>\u00a0and\u00a0Filipe Paszkiewicz<\/strong>, you\u2019ll be getting hands-on with some of the tips and tricks that Foley sound artists use to bring a film to life. Part of Singapore Night Festival.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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By Kevin WY Lee<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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NORTHEAST HINTERLAND<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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JUL 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Lower Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Northeast Hinterland<\/em>\u00a0is the Exactly Foundation\u2019s first resident artist\u00a0Kevin WY Lee\u2019s<\/strong>\u00a0visual response to land custodianship in Singapore, using night scenes of Punggol, a northeastern suburb slated to be \u201ca waterfront town of the 21st century\u201d.\u00a0Exactly Foundation<\/strong>\u00a0is a not-for-profit established by Li Li Chung. Photographers are commissioned to create works to stimulate discussion of social concerns in Singapore.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Kray Chen<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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IN THE GARDEN<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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JUN 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Artists\u00a0Kray Chen, Hilmi Johandi, Kirsten Tan, Homa Shojaie, Ian Woo and Gladys Ng<\/strong>\u00a0respond to physical spaces within the home and its perimeters. Through mediums ranging from photography, paintings, film, and installation art, the works will look at ideas of space, time, and memory, challenging conventional notions of the spaces in which we dwell. Curated by Adeline Kueh and Yuni Hadi.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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INTER-MISSION x IAFT 16\/17<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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MAY 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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An interdisciplinary audiovisual event co-presented by art collectives INTER\u2013MISSION<\/strong> (Singapore) and Interdisciplinary Art Festival Tokyo<\/strong> (IAFT). Featuring Marcel Gaspar, Urich Lau, Lim Shengen and Teow Yue Han<\/strong> (INTER-MISSION) and Sung Nam Han, Takahiko Iimura, Shuhei Nishiyama, Kentaro Taki<\/strong> (IAFT), who share key concerns and objectives in building a platform to visualise the state of contemporary and contextual commentaries through technological and audiovisual arts.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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THE GRAD SHOW<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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MAY 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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NAFA\u2019s School of Art and Design will present its combined diploma and degree graduation show at NAFA Campus 1 and the Objectifs gallery. The exhibition will feature over 550 works created by their graduating diploma and degree students from the programmes of 3D Design, Design & Media, Fine Art, and from the Fashion Studies discipline.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Chow and Lin<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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EQUIVALENCE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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APR 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Equivalence \u2013 Cans\u00a0<\/em>series delves into the state of the economy, social inequality and consumption patterns. It confronts us on how we view everyday life, often with our own set of tinted glasses, perhaps obscured by our world view determined by where we stand on the society strata. By artist duo\u00a0Chow and Lin (Stefen Chow and Lin Huiyi)<\/strong>, including a panel discussion with Associate Professor Oh Soon-Hwa (NTU), Professor Mohan Dutta and Associate Professor Irene Y.H. Ng (NUS).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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THE FIRST DRAFT<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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APR 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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First Draft by\u00a0THEBOOKSHOW<\/strong>\u00a0aims to elevate the photo book as an artistic medium. The exhibition features photo books and selected photographic prints by eight nominated Singapore artists \/ photographers.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Paul Yeung's Yes Madam, Sorry Ah Sir<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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HK\/SG PHOTOBOOK EXCHANGE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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APR 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Lower Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A two-day event by\u00a0Invisible Photographer Asia<\/strong>\u00a0&\u00a0Objectifs<\/strong>, showcasing a mini photobook exhibition from Hong Kong, artist talks, slideshow and a forum session with HK photographers\u00a0Chan Dick, Paul Yeung and Doreen Chan<\/strong>, and SG photographers\u00a0Darren Soh and Chua Chye Teck<\/strong>. Also featuring a slideshow with works by\u00a0Alfred Ko, Ducky Tse, Dustin Shum, Johnny Gin, Lam Yik Fei, Lau Chi Chung, Lau Wai, Sheung Yiu, South Ho, Terry Ng, and Wong Kan Tai.<\/strong>\u00a0A partner programme of First Draft by THEBOOKSHOW.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Kae Yuan<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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BETWEEN HOME AND HOME<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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FEB 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A fresh look at Singapore through the eyes of young artists working in photography and film, featuring:\u00a0Adar Ng, Benita Leong, Ang Siew Ching, Christopher Wong, Debbie Yew, Gaby Jeyaseelan, Kae Yuan, Louisa Violet Ong, Lu Yixin, Alexandria Neoh, Carla Gabriela, Donovan Quek, Quince Pan, Valence Sim.<\/strong>\u00a0Curated by Objectifs, the works in this exhibition are an outcome of the Noise Art Mentorship, an initiative of the National Arts Council. Mentors included\u00a0Ang Song Nian, Edwin Koo, Jean Qingwen Loo, Liao Jiekai, and Roy Zhang<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Image by Evelyn Pritt<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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FANTASY ISLANDS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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JAN 2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Talk of islands often conjures different fantasies: the excitement of travel and discovery, pure escapism, solitary confinement. The geographical condition of islands – bodies of land marked by surrounding waters – lend itself to metaphors of closure and openness, interiority and exteriority, where people, objects, ideas and histories move across their borders. Fantasy Islands looks at the manifold relations between Batam and Singapore. Curated by Kin Chui and Mitha Budhyarto, presenting new works by Indonesian and Singaporean artists Stephanie Burt, Fyerool Darma, Ardi Gunawan, Wu Jun Han, Ila, Eldwin Pradipta, and Evelyn Pritt<\/strong>, the exhibition perceives \u201cislandness\u201d as a staged event, framed by the concepts of borders and desires. Part of Singapore Art Week 2017.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Archive \u2013 Exhibitions & Screenings Other Highlights From 2017 AS THEY GROW OLDER AND WISER NOV-DEC 2017 Chapel Gallery As […]<\/p>\n","protected":false},"author":1,"featured_media":4302,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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