{"id":4364,"date":"2025-04-29T18:46:47","date_gmt":"2025-04-29T10:46:47","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/staging.objectifs.com.sg\/?p=4364"},"modified":"2025-09-17T13:06:57","modified_gmt":"2025-09-17T05:06:57","slug":"other-highlights-from-2021","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/other-highlights-from-2021\/","title":{"rendered":"Other Highlights From 2021"},"content":{"rendered":"\t\t
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Archive \u2013 Exhibitions & Screenings<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Other Highlights From 2021<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Still from Sidelined\/Sightlines by Gladys Ng<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SIDELINED\/SIGHTLINES<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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NOV 2021-FEB 2022<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Objectifs Store<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sidelined\/Sightlines<\/i>\u00a0by filmmaker Gladys Ng<\/b> begins with a shot of a plain white wall, and the slow movement from its surroundings \u2014 the shadow of leaves, passing traffic outside the building \u2014 leaves its mark of existence on it. Like the wall, Objectifs is a canvas (physically and metaphorically) that houses art and its makers.\u00a0In this site-specific short film, she hopes to have a meditative effect that reminds us to be more conscious of the minute everyday moments, and for fans, friends and newcomers of Objectifs to be charmed by the magic that happens here.\u00a0<\/p>

This work is a site-specific installation at the Objectifs store, as a part of Site Unseen \u2014 an adapted studio residency programme by Objectifs that invites artists and image makers to create site-specific image-based works for spaces outside of a conventional gallery. Through this, it proposes new ways of encountering everyday spaces that have been overlooked.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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OBJECTIFS FILM CLUB: RED ANINSRI; OR, TIPTOEING ON THE STILL TREMBLING BERLIN WALL <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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DEC 2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Online<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A discussion about the historical aspects of the film, camp and Cold War aesthetics and the intersection between postcolonialism and the notion of queer filmmaking – Objectifs Film Club presents Red Aninsri; Or, Tiptoeing on the Still Trembling Berlin Wall by Ratchapoom Boonbunchachoke<\/b>, queer espionage film made in the tradition of Cold-War-era Thai dubbed films. In collaboration with Sarnt Utamachote<\/b>, from\u00a0un.thai.tled Film Festival Berlin<\/a>.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Alessandra Nardin<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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VISUAL STORIES: STORIES OF A NEIGHBOURHOOD<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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DEC 2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Online Exhibition<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Explore the visual diaries of residents aged 14 to 70 as they find joy and beauty in daily rhythms, buildings, animals, and people that shape their neighbourhoods. Featuring works by\u00a0Antonius Cong, Medha Nogaja, Jenny Ho, Alessandra Nardin, Koay Saw Lan & Students of Paya Lebar Methodist Girls\u2019 School<\/strong>\u00a0\u2013 mentored by\u00a0Deanna Ng<\/strong>\u00a0and\u00a0Marc Nair<\/strong>.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 De Domingo Christian Ureta<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SURVIVING IN THE CONCRETE JUNGLE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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OCT 2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Lower Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Presenting works by Singapore based artists\u00a0Antonius Cong, Cynthie Renata, Ernest Seah, Gareth Phua, and Grace Angel<\/strong>, with their aspirations and mediums interpreting this worldwide pandemic. This exhibition features relevant social issues, such as work-from-home, interaction within public spaces, changing function of living spaces, dis-course of working space and dynamic shift of emotions. Supported by the NAFA Collaborative Lab.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2nd MIGRANT WORKERS PHOTOGRAPHY FESTIVAL<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SEP 2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Lower Gallery & Courtyard<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A biennial festival co-organised by both locals and migrants from many different countries that\u00a0 showcases the creative talents of migrant workers in Singapore through photography, to amplify perspectives of the migrant community and to bridge the current social divide between the migrant and local community. Indoors, we present shortlisted works by Cruz Jhon Carlo Manayao, de Domingo Christian Ureta, Genelyn Joson, Liberato Esplana Penascosas, Rachelle R Julian, Ruby Velasco<\/strong>\u00a0( (Philippines) \/\u00a0George Ronnit, Rajendran Vijaykanth<\/strong>\u00a0(India) \/\u00a0Khin Cherry Htwe, Nay Zaw Lat, Thu Zar Myint<\/strong>\u00a0(Myanmar) \/\u00a0Rini Nurhayati<\/strong>\u00a0(Indonesia). Also presenting also presents the works of\u00a0Ana Rohana, Aminiyati (Amy) Marthyn, Erma Stefhany, Istriyanti, Natasia,<\/strong>\u00a0and\u00a0Ruby Velasco<\/strong>\u00a0on the theme \u201cWays of Seeing.\u201d<\/p>

Press Coverage:
\u2013 Rice Media:\u00a0These migrant worker-shot photographs were inspired by movement and freedom<\/a>
\u2013 Female:\u00a0Things To Do In Singapore: Migrant Workers Photography Festival Opens & More<\/a>
\u2013 The Straits Times:\u00a0Arts Picks<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Re-THINGING \u2013 MATERIALITY IN SCULPTURE AND PHOTOGRAPHIC IMAGE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SEP 2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sculpture Society Singapore\u2019s (SSS)<\/strong>\u00a020th Anniversary Show, focuses on artworks that investigates the status of the art object, sculptural materiality, relation of sculpture and photography, or the physicality of photography, etc, within the seemingly ephemeral, digitized world. It will include art forms that are sculptural, 3 dimensional, or is a photographic, video, or digital work that addresses the theme. Also important for SSS is that Objectifs is formerly the Sculpture Square where SSS was founded.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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THERE SHE GOES<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SEP 2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Lower Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A visual dialogue between lens-based artists\u00a0Kerryn \u2018Kiki\u2019 Salter<\/strong>\u00a0and\u00a0Beatrice Morel<\/strong>, which explores the constant movement and fluidity in female expressions. Beyond showing how photography can help to convey emotions without words, process complex feelings, and deliver a visible sense of relief, the exhibition seeks to subvert the systemic dismissal of female emotions.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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WE WERE FARMERS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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JUL-AUG 2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ore Huiying<\/strong>‘s family have been farmers for generations, from the 1960s till 2020.\u00a0We Were Farmers<\/em>\u00a0is the culmination of her 12-year personal project documenting their experience and resilience, and a commentary on changing agricultural practices and urban development in Singapore, through photography.\u00a0<\/span><\/p>

The multimedia exhibition and photobook of the same title both comprise archival photos from family albums, text and video, in addition to Ore’s images, which reflect her position as a participant-observer: both as a documentary photographer, and as a member of the family. We Were Farmers<\/em>\u00a0depicts the hopes, dreams and memories that tie Ore and her family together. It is a poignant tribute to not only the family farm, but also where her understanding of community and tradition, and sense of self, come from. Curated by Zhuang Wubin.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Still from \u201cShotgun Tuding\u201d by Shireen Seno<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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OBJECTIFS FILM CLUB: SHIREEN SENO & YOSEP ANGGI NOEN<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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JUL 2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Online<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Featuring a conversation between filmmakers and mentors for this year\u2019s Objectifs Short Film Incubator \u2014 Shireen Seno (Philippines) and Yosep Anggi Noen (Indonesia). They discuss themes of religious beliefs and myths in\u00a0Ballad of Blood and Two White Buckets by Yosep Anggi Noen<\/a>\u00a0and the notion of what a Pancit Western is in\u00a0Shotgun Tuding by Shireen Seno<\/a>. They will also converse about what they both wanted to explore when they were working on these films, how they straddled between the short film and feature film formats, and the stories they would like to continue to tell as filmmakers.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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10 DAUGHTERS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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JUL 2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cYou have to help me do chores because I have no daughter,\u201d says the artist\u2019s mother, the ninth of 10 daughters. An interdisciplinary presentation under O, initiated by artist\u00a0Jereh Leung<\/strong>, weaving installation, sound, lighting and live performance,10 Daughters<\/em>\u00a0is a journey of liberation, care and self-actualisation vis-\u00e0-vis the context of domestic space. The presentation temporarily transforms Objectifs\u2019 Chapel Gallery \u2013 the site of a former church and an all-girls school \u2014 into a vessel holding generations of stories passed down to the artist. Contemplative yet playful,\u00a010 Daughters<\/em>\u00a0brings together personal narratives, fiction and impressions from the artist\u2019s memories of growing up in the 80s and 90s. The work invites you to encounter the artist over two days from morning to night; to recollect, repose and revel in a shared space. In collaboration with\u00a0Alfonse Chiu, Fellow, Liu Yong Huay, Jing Ng and Tay Ining<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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THE MIGRANT<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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APR-MAY 2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Chapel Gallery<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Migrant<\/i> is a fable-like narrative grounded in facts, told through the character of Mynah and following his journey from his introduction into Singapore as a highly prized songbird, to his ultimate persecution when his voice changed.<\/p>

Through audio, video, text and photography, visual artist and storyteller Ana\u00efs L\u00f3pez<\/strong> explores not only the history of the Javan mynah in Southeast Asia and how it acquired its reputation as a pest with a loud, raucous call, but also depicts the complex relationships between humans and animals, the consequences of rapid urbanisation, and the position of the unwanted outsider.\u00a0In collaboration with\u00a0Eefje Blankevoort<\/strong> and Sonny Liew.\u00a0<\/strong><\/span><\/p>

Press Coverage:
ArtsEquator: Cakap-Cakap: Interview with Ana\u00efs L\u00f3pez for The Migrant<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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OBJECTIFS FILM CLUB: THE SHADES OF LOVE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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APR 2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Shades of Love<\/em>, a documentary by Singaporean director Jessica Lee<\/b>, is an intimate journey into the loves, lives and losses of three sex workers in Singapore working in an industry that occupies a legal grey area and often operates underground in this squeaky clean nation. As an ordinary day in this city unfolds, the voices of these women take us into the lived experiences they inhabit, and move us beyond one-dimensional perceptions of sex workers: they are also lovers, daughters, therapists, entrepreneurs, and educators. By shedding light on the humanity, dignity and power of a marginalised and underserved community in Singapore, their stories teach us that love and life come in various shades.<\/span><\/p>\n

This session will feature Selena<\/b>, a transgender sex worker and a peer educator with Project X<\/a> since 2014, Jessica Lee, and film scholar Phoebe Pua <\/b>in conversation. In collaboration with FreedomFilmFest Singapore<\/a>. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Dan N. Tran<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SHOOTING HOME YOUTH AWARDS CLASS OF 2020 EXHIBITION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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MAR 2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Lower Gallery & Courtyard<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Featuring works by the 12 photographers from Objectifs\u2019 young photographers developmental programme. Includes Lim Yi Ann, Pek Yan Lin, Evan Lim, Dan N. Tran, Lisa Peh, Pauline Wong, Watanabe Shiya, Alexandra Chin, Goh Jing Wen, Syahrul Anuar, Cheryl Yip and Gianna Chun<\/b>. Mentored by Grace Baey, Joseph Nair, Marvin Tang and Nurul Huda Rashid.<\/b><\/p>

Press Coverage:
\u2013 The Straits Times:\u00a0Shooting home<\/a>
\u2013 The New Paper:\u00a0Young photographers showcase projects on the idea of home<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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OBJECTIFS FILM CLUB: THE DRAWING ROOM & EPISODES FROM ART ART STUDIO BY LIAO JIEKAI <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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JAN 2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Online<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Drawing Room & Episodes from Art Studio<\/i> is a filmic exploration of the text, characters and narratives from the late Singaporean author Yeng Pway Ngon\u2019s novel Art Studio. The film meditates on the practice of life drawing, and moves from the snug art studio to the wide corridors of the National Gallery Singapore. Chapters of Singapore Modern Art adorn the freshly painted walls of the gallery, and conjure stories of the passing generation portrayed in Yeng\u2019s Art Studio. In conversation with artist Yanyun Chen<\/b>, filmmaker Liao Jiekai<\/b> discusses the making of the film and notions of the gaze and layers of \u2018looking\u2019 within the film. They will also talk about \u201cresurgence of the figurative\u201d in recent Singapore art history, and the ways in which this is consistent with, and is at odds with, with wider cultural shifts regarding visibility, agency and representation of the body<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Archive \u2013 Exhibitions & Screenings Other Highlights From 2021 Still from Sidelined\/Sightlines by Gladys Ng SIDELINED\/SIGHTLINES NOV 2021-FEB 2022 Objectifs […]<\/p>\n","protected":false},"author":1,"featured_media":4381,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[38,125,36],"tags":[64],"class_list":["post-4364","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions","category-other-highlights","category-past-events","tag-64"],"acf":[],"yoast_head":"\nOther Highlights From 2021 - Objectifs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/other-highlights-from-2021\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Other Highlights From 2021 - Objectifs\" \/>\n<meta property=\"og:description\" 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