{"id":4725,"date":"2025-05-29T11:24:10","date_gmt":"2025-05-29T03:24:10","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/staging.objectifs.com.sg\/?p=4725"},"modified":"2025-06-04T14:57:33","modified_gmt":"2025-06-04T06:57:33","slug":"artists-in-residence-2019","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/artists-in-residence-2019\/","title":{"rendered":"Artists-In-Residence 2019"},"content":{"rendered":"\t\t
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Artists-In-Residence 2019<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Artists-in-Residence: Kris Ong and Rei Hayama (Reciprocal Residency with Documentary Dream Center<\/a>), See Kian Wee and Thao Hoang (Lac Hoang) (Reciprocal Residency with Matca<\/a>), SINdie, Mark Chua and Lam Li Shuen\u00a0 \u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Reciprocal Film Residency<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0<\/strong>Objectifs and our International Partner\u00a0Documentary Dream Center<\/a>\u00a0(Yamagata, Japan) for the Objectifs Artist Residency 2019 co-hosted Singapore- and Japan-based visual artists. This reciprocal residency is dedicated to providing artists working in the medium of film with valuable space, resources and networks to help them develop their visual arts projects. The residency programme aims to facilitate the research and creation of films and regional networking between artists.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Kris Ong<\/b>\u00a0<\/a>is the Singaporean writer\/director of several short films and music videos that have collectively screened at international film festivals and platforms such as MTV Asia. Her latest short film \u2018Sunday<\/a>\u2018, had its world premiere at the Palm Springs International ShortFest 2019.\u00a0<\/span>She is the co-writer of the feature film\u00a0Ajoomma<\/em>, to be directed by He Shuming (SEAFIC Award Winner 2018.) Kris was the youngest participant at the Singapore International Film Festival\u2019s Southeast Asian Film Lab in 2014, and has written script coverage for an international variety of scripts, short stories and novels since 2016. In 2019 she joined HBO Asia as a script consultant.\u00a0<\/span><\/p>

As part of Kris\u2019 Reciprocal Residency, she spent her time with the Yamagata Documentary Dojo 2019 (presented by the Documentary Dream Centre), developing her personal project and networking with filmmakers from the region.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\tRei Hayama<\/a>\u00a0<\/strong>is a Japanese artist who works mainly with moving image. After many thoughtful experiences amongst wildlife in the unique environment of her youth, she studied at the Department of Moving Images and Performing Arts, Tama Art University, and has been making films since 2008 in her own way. Rei\u2019s films revolve around nature and all other living things that have been lost or neglected from an anthropocentric point of view.\n\nShe gently seeks connection between nature and human beings, bringing forward the invisible layers of our natural reality into the human imagination. Her works have exhibited and screened internationally, at Tokyo Metropolitan Museum of Photography, New York\u2019s Museum of the Moving Image, Bergen Kunsthall, Thai Film Archives, Anthology Film Archives, Sheffield International Documentary Festival and EMPTY GALLERY, amongst others.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Reciprocal Residency <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Objectifs and our International Partner Matca<\/a> (Hanoi, Vietnam) for the Objectifs Artist Residency 2019 co-hosted\u00a0Singapore- and Vietnam-based visual artists. This reciprocal residency is dedicated to providing artists working in the medium of film and\/or photography with valuable space, resources and networks to help them develop their visual arts projects. The residency programme aims to facilitate the research and creation of visual art works and regional networking between artists.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\"Kian
Kian Wee presenting his residency work at Matca.<\/figcaption><\/figure><\/div>
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See Kian Wee <\/b><\/a><\/span> (b.1989) uses art making as a method of investigation of the world around him. Fascinated by humanity\u2019s need for storytelling, Kian Wee\u2019s current art practice explores the relationship between the society, its myth-making mechanisms, and the narratives brought about by it. Working primarily with photography, he looks into its efficacy as a form of myth-making tool, often bridging into other visual and sensory media as well.\u00a0<\/p>

Kian Wee spent 4 weeks in June 2019, in Hanoi, Vietnam, hosted by Matca, working on a short film Finding C\u1ee5 R\u00f9a. Through an imagined perspective of the iconic turtle, the artwork reflects his views on the relationship between the now deceased turtle, and Hanoians.\u00a0<\/p>

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\"Postcards
Postcards from Singapore by Lac Hong<\/figcaption><\/figure><\/div>
\"Postcards
Postcards from Singapore by Lac Hong<\/figcaption><\/figure><\/div>
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Postcards from Singapore by Lac Hong<\/figcaption><\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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Thao Hoang (Lac Hoang)<\/a> (b.1995) is a visual artist from Hanoi, Viet Nam.\u00a0 Her work consists of photography, video and drawings that often depart from found footage, elaborating on the elusive nature of memory and photographic records. She\u2019s also interested in domestic space and its significance in the modern age, as the boundary between the private and the public is blurring virtually and physically. Deploying the language of intimate storytelling, Lac has used past work to reconstruct memory from images, investigate Internet voyeurism and social performance for the camera.\u00a0She has exhibited at Mint Collective (Columbus, Ohio), Wedeman Gallery (Newton, Massachusetts), Penland School of Crafts (North Carolina), Six Space (Hanoi, Viet Nam) among others.<\/p>

Lac spent Mar 2019 in Singapore for her residency and worked on\u00a0Postcards from Singapore<\/em><\/a>, a project about foreign domestic workers in Singapore and their relationship with public spaces.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Mark Chua & Lam Li Shuen \u2013 Feb-Mar 2019<\/span>
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Filmmakers and musicians Mark Chua and Lam Li Shuen’s<\/a> work explores the possibilities of resistance in the presentation and production of narrativity. Their directorial work with\u00a0Emoumie\u00a0includes independent narrative and documentary films, shot in Asia, Australasia and Europe. As part of their work with the moving image and sonic art, the duo has also presented works and performances in sound and film in Iceland, Japan, Australia and Singapore. In 2018, their experimental feature\u00a0Cannonball\u00a0(2018) was an Official Selection of the Singapore International Film Festival. It was also awarded Honorable Mention at the LA Underground Film Forum 2018.<\/p>

During their studio residency at Objectifs, Mark and Li Shuen explored ways to construct an alternative practice in filmmaking as a mode of creation.\u00a0Streams was one of the moving images broadcast live that they worked on, in a series that\u00a0considers the directness of recording technology today and inventing interruption as a reflection on agency, historicity, filmmaking and their sequences.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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SINdie \u2013 Aug-Sep 2019 <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\"Alfonse
Alfonse Chiu presenting at the Singapore International Film Festival Lounge at Objectifs in Dec 2019. Image courtesy of SINdie<\/figcaption><\/figure><\/div>
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Audiences with Alfonse Chiu presenting at the Singapore International Film Festival Lounge at Objectifs in Dec 2019. Image courtesy of SINdie<\/figcaption><\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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Founded in 2008 by filmmaker and writer Jeremy Sing as a blog documenting the film community from the grassroots level, SINdie is an editorial platform and collective for both Singaporean and Southeast Asian cinema. They were part of Objectifs’ Creatives Residency that aims to give artist collectives or organisations working in film and \/ or photography space and opportunity to work outside their usual environment, to research or produce work.\u00a0<\/p>

During their residency led by SINdie\u2019s creative director and editor-at-large Alfonse Chiu, SINdie launched\u00a0their first ever durational research project investigating the histories and operation of independent film theatres, micro-cinemas, and independent screening programmes in Southeast Asia.<\/p>

Originating from SINdie\u2019s dedication to providing quality journalistic coverage and critical reviews of both independent and commercial Southeast Asian cinema, this project is an extension of this approach into examining film distribution and exhibition, and how independent film theatres and programmes act as important repositories of film knowledge and literacy in their localities, and a form of cultural heritage and sites of social memories.\u00a0The work-in-progress was shared at\u00a0Zine Launch: \u2018Cinemapura 01\u2019\u00a0during the 2019 Singapore International Film Festival.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Artists-In-Residence 2019 Artists-in-Residence: Kris Ong and Rei Hayama (Reciprocal Residency with Documentary Dream Center), See Kian Wee and Thao Hoang 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