{"id":6128,"date":"2025-07-07T16:05:39","date_gmt":"2025-07-07T08:05:39","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/staging.objectifs.com.sg\/?p=6128"},"modified":"2025-09-17T19:43:17","modified_gmt":"2025-09-17T11:43:17","slug":"freshtake-screening-2025-special-programme","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/freshtake-screening-2025-special-programme\/","title":{"rendered":"Freshtake! Screening 2025 \u2013 Special Programme"},"content":{"rendered":"\t\t
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Freshtake! Screening 2025 \u2013 Special Programme<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A culmination of the 2025 Objectifs x Asian Film Archive Film Programmers' Lab, programmed by Pan Jia Qi and EXYL<\/span><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Held in conjunction with the Objectifs x Momo Film Co Short Film Incubator and FreshTake! 2025 Main Programme<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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This year, FreshTake! will include a Special Programme \u2013 Kopi O Kosong. This screening is one of the culminating outcomes of the 2025 Objectifs x Asian Film Archive Film Programmers\u2019 Lab, and was programmed by Pan Jia Qi and EXYL.<\/p>

Find out more information about\u00a0FreshTake!\u00a02025 \u2013 Main Programme<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Objectifs Chapel Gallery<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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19\/7\/2025
General ticket \u2013 $8
Concession ticket (student) \u2013 $5
(please note that ID may be verified at the door)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Share this!<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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More Information About Special Programme<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SPECIAL PROGRAMME \u2013 KOPI O KOSONG | 19 JUL 2025, 5PM to 6.30PM | PG13<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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This theme explores the relationship between geography and identity, and how landscapes are intertwined with personal and collective histories. The films also consider the politics and imperialism associated with land and land use, and how these govern the ways we extend into the world.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Your hands are shaking. You\u2019re sweating. Your breath is sour. Your guts churn.
But your headache is gone.
You\u2019re awake again.<\/p>

Coffee is a ritual of survival; it is a daily fix that keeps our overworked bodies whirring just long enough to clock in again. In a system that treats bodies as batteries, coffee becomes fuel and fog. It keeps us awake \u2013 but at what a cost?<\/p>

Kopi O Kosong<\/i> is a film programme about caffeinate survival under Southeast Asia\u2019s many machines of exhaustion. The films examine our relationship to work and coffee as we trudge through 45-hour work weeks. In Singapore, where ambition feels automated, we encounter surreal portraits of self-alienation. In Thailand, political despair unravels through absurdist hymns and symbolic collages. In the Philippines, the frustrations of minimum-wage works explode in bursts of punk anarchy and rage.<\/p>

Together, these works form a visceral map of survival. Bodies pushed to their limits. Nations kept upright by stimulants and sacrifice. Coffee becomes an essential stimulant that puts us back in action, even when our bodies want to rest.<\/p>

Structured like a caffeine high, Kopi O Kosong<\/i> follows the arc from 8AM alertness to 3AM hallucinations and then to 11PM shutdowns. Amidst the bleary swirl of burnt beans and bitter aftertastes, we think about coffee, work, and the mundane violence that binds them all. We are awake \u2013 but when will we be awakened?<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The Cup by Mark Chua & Lam Li Shuen<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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PG \/ 17 mins \/ 2020<\/strong><\/p>

In a surreal tableau, a man with a brewing machine for a head, discontent with the bland taste of the brew from his own body, attempts to do what he can to improve its flavour.\u00a0<\/p>

Shot during the circuit breaker period in Singapore, <\/span>The Cup <\/i><\/span>is a meditation on being in the world, against the flattening out of life as we know and image it.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Break by Ryan Benjamin Lee<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Rating TBC \/ 5 mins \/ 2021<\/strong><\/p>

A \u2018break\u2019 can be a moment of rest, a violent act or a deviation from routine. This film attempts to encapsulate the sights, sounds and smells of the local Kopitiam in Singapore. It\u2019s a space for togetherness, conversation or maybe just lunch. Images of consumption and decay flicker against arrhythmic, chattering texture.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The Growth by Sarah Cheok<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Rating exemptible \/ 8 mins \/ 2019<\/strong><\/p>

An ambitious young boy is eager to grow up so he can experience the world outside of his kelong house in the middle of the ocean. Eventually he musters up courage to persude the old man, but was faced with disapproval. Being young and ambitious, the boy decides to go anyway.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Jodilerks Dela Cruz, Employee of the Month by Carlo Francisco Manatad<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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PG13 \/ 20 mins \/ 2017<\/strong><\/p>

Jodilerks, a gas station attendant is on her last day of duty. (The Night Is Young, Just So You Know).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Karaoke: Think Kindly by Chulayarnnon Siriphol<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Rating TBC \/ 5 mins \/ 2009<\/strong><\/p>

Blessing for people who are suffering from political problems in Thailand.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Hock Hiap Leong by Royston Tan<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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PG \/ 8 mins \/ 2001<\/strong><\/p>

Hock Hiap Leong<\/em> pays tribute to this a 55-year old coffee shop on Armenian Street that has been an incessant inspiration to many people. The urban re-development board\u2019s demolishing plans in 2001 inspired the filmmaker to capture this epitaph of history.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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About the Programmers<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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About Pan Jia Qi\u00a0<\/strong><\/p>

Pan Jia Qi is an aspiring writer and curator in Singapore. He graduated from Yale-NUS College in 2023, with a major in Literature and a minor in Philosophy. His research interests are literary modernisms, love, and a\ufb00ect theory. Currently, he is working as a curatorial project o\ufb03cer with the Asian Civilisations Museum.<\/p>

Admittedly, while he wasn\u2019t the largest film-consumer as a child, watching only whatever was on television, it all changed when he saw In the Mood for Love\u2013the film that got him into film\u2013and he was instantly in love with the yearning and the transience and Tony Leung and Maggie Cheung. Since then he has been transfixed with the whole medium, voraciously consuming yet forever hungry.<\/p>

Other than films, he loves reading and playing jazz. He is also a big consumer of video essays.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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About EXYL<\/b><\/p>

Exyl is a filmmaker and educator working under the umbrella of experimental animation. Their films have screened at Slamdance, SGIFF, Singapore Shorts, Encounters, Eyeworks, Fantoche, London Short FF and more. They were awarded the Terri Schwartz Asian Film Award at Ann Arbor Film Festival in 2023, Best Animation at Mammoth Lakes FF in 2024, Best Animation at NYFA in 2022 and Director\u2019s Special Mention at NYFA in 2023. They were also awarded the Singapore Gold Award at the 25th DigiCon ASIA Awards.<\/span><\/p>

They were awarded residencies and fellowships with Ox-Bow School of Art, I-Park Connecticut, Dirt Palace, and the Film Studies Center Harvard. They were a programmer for the Slamdance animation block in 2024 and a co-conspirator with Jonni Peppers in organising Transfiguration International Film Festival. They have also collaborated with Dirt Palace (Providence, RI) to put on themed screenings of independent animation.<\/span><\/p>

After a 6 year jaunt in Providence, they are back in Singapore for good. These days they\u2019re interested in hanging out, and they\u2019re trying to be easily pleased.\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Overall Screening Schedule<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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I. Beneath the Noise<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Wed 16 Jul, 7.30pm \u2013 9pm
Programme rating: TBC<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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II. Myth & Mayhem <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Thu 17 Jul, 7.30pm \u2013 8.30pm
Programme rating: TBC<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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III. Love in Frame<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Fri 18 Jul, 7.30pm \u2013 9pm
Programme rating: TBC<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Special Programme \u2013 Kopi O Kosong <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sat 19 Jul, 5pm \u2013 6.30pm
Programme rating: TBC<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Freshtake! Screening 2025 \u2013 Special Programme A culmination of the 2025 Objectifs x Asian Film Archive Film Programmers’ Lab, programmed […]<\/p>\n","protected":false},"author":3,"featured_media":6112,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[8,24,26],"tags":[111,19,426],"class_list":["post-6128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filmmaking","category-programmes","category-short-film-incubator","tag-111","tag-film-screening","tag-freshtake"],"acf":[],"yoast_head":"\nFreshtake! Screening 2025 \u2013 Special Programme - Objectifs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/freshtake-screening-2025-special-programme\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Freshtake! Screening 2025 \u2013 Special Programme - Objectifs\" \/>\n<meta property=\"og:description\" content=\"Freshtake! 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