{"id":6961,"date":"2021-08-04T18:16:29","date_gmt":"2021-08-04T10:16:29","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/staging.objectifs.com.sg\/?p=6961"},"modified":"2025-08-04T19:39:39","modified_gmt":"2025-08-04T11:39:39","slug":"stories-that-matter-2021","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/stories-that-matter-2021\/","title":{"rendered":"Stories That Matter 2021"},"content":{"rendered":"\t\t
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STORIES THAT MATTER 2021<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Examining image-making and systems of care, community and caregiving<\/span><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Objectifs presents Stories That Matter, an annual programme that looks at critical issues and trends in non-fiction visual storytelling. This year, the programme features the theme \u2018Who Cares\u2019.\u00a0<\/p>

WHO CARES reflects on how image-making and the act of looking are implicated in systems of care and responsibility, and how these systems are increasingly complicated by phenomena such as social media, surveillance and big data. It also looks at broader connections to community and caregiving, and how the art of documentary can raise awareness and incite action.<\/p>

WHO CARES is curated by Chelsea Chua and Nurul Huda Rashid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Screening Schedule\n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Presented by Objectifs, in partnership with The Projector
2 to 4 Apr 2021 at The Projector
Admission: $15 per screening, with concessions for students, NSFs, seniors and The Projector\u2019s members
Purchase tickets here<\/a><\/p>

From live streaming to domestic workers, from the devastation of Fukushima to a man\u2019s urge to film his mother relentlessly, these films examine the relationships between subject, documentarian and the audience, while celebrating time-honoured bonds of care and community.\u00a0Each screening will be followed by discussions with members of the cultural and NGO community to further explore the ideas and concepts behind the films.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Present.Perfect (NC16)
Fri 2 Apr, 2pm<\/p>

Weaving together footage sampled from little-known Chinese live-streaming anchors, this cinematic collage explores how these virtual relationships challenge standard definitions of companionship.<\/p>

Post-screening dialogue with Phoebe Pua (film scholar) and Hsu Fang-Tze (Lecturer, Communications and New Media, NUS, and Curator, NUS Museum).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Caring Enough to Remember: Yamagata Documentary Dojo programme (PG)
Sat 3 Apr, 2pm<\/p>

These short films by past participants of the Yamagata Documentary Dojo are personal stories that address ideas of time and care.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The Disappearance of My Mother (PG13)
Sat 3 Apr, 5.30pm<\/p>

A once-iconic fashion model\u2019s son\u2019s determination to make a film about her sparks an unexpected collaboration and confrontation with the camera\u2019s gaze.<\/p>

Post-screening dialogue with Nurul Huda Rashid (visual artist, writer) and Sharmeen\/Sifar (artist, filmmaker, programme coordinator for FreedomFilmFest Singapore).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Overseas (PG13)
Sun 4 Apr, 2pm<\/p>

Set in a training centre in the Philippines,\u00a0Overseas\u00a0<\/em>is a behind-the-scenes look at how thousands of Filipino women prepare themselves to become domestic workers abroad.<\/p>

Post-screening dialogue with Jaya Anil Kumar (Case worker,\u00a0HOME).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Public Talks<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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In line with the theme of Mediation\/Circulation for this year’s Stories That Matter programme, we present a series of public talks with practitioners, researchers and media professionals who will discuss different aspects of the circulation and mediation of the image.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Using the Document in Artistic Practice<\/strong>
Speakers: Shengze Zhu and Robert Zhao Renhui<\/strong>
Moderated by Wei Leng Tay<\/strong>
20 March 11am via Zoom<\/strong><\/p>

What does it mean when filmmakers, photographers and artists employ documentary images, or the language of documentary in their work? This talk will discuss the ways in which documentary images and the documentary lexicon are used in artistic practice, and how our reading of a document evolves with its context. The talk features Singapore artist Robert Zhao Renhui and Chinese filmmaker Shengze Zhu, who will speak about the role of the document in their artistic projects and films.<\/p>

About the speakers<\/p>

Robert Zhao Renhui\u00a0received his Bachelor\u2019s and Master\u2019s degree in Photography from Camberwell College of Arts and London College of Communication respectively. His work has been exhibited in international group shows such as Busan Biennale 2020; Singapore Biennale 2019; Asia Pacific Triennial, Queensland, Australia, 2018; Jiwa: Jakarta Biennale, Indonesia, 2017; 7th Moscow Biennale, Russia, 2017; 20th Sydney Biennale, Australia 2016; Les Recontres d\u2019Arles, France, 2015. Amongst his more recent solo exhibitions in Singapore are The Nature Museum, commissioned by Singapore International Festival of Art (SIFA) and The Bizarre Honour, realized for OH! Open House, both in 2017. Zhao has undertaken residencies at the Mus\u00e9e du Quai Branly, Paris, France, and Kadist Art Foundation, San Francisco, United States, and the Fukuoka Art Museum, Japan. He was awarded Young Artist Award by National Arts Council in 2010 and was a finalist of Hugo Boss Asia Art Award 2017.<\/p>

Shengze Zhu is a filmmaker from China now based in Chicago, USA. She co-founded with Zhengfan Yang a production company BURN THE FILM, that is dedicated to creating and supporting moving-image works with singular voices. Her films include: OUT OF FOCUS (2014, documentary, Cin\u00e9ma du R\u00e9el), ANOTHER YEAR (2016, documentary, Visions du R\u00e9el \u2013 Best Film Award), PRESENT.PERFECT. (2019, documentary, IFFR \u2013 Tiger Award), and A RIVER RUNS, TURNS, ERASES, REPLACES (2021, documentary, Berlinale Forum).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Women in circulation<\/strong>
Speakers: Kelly Leow and Nurul Huda Rashid<\/strong>
Moderated by Chelsea Chua<\/strong>
22 March 8pm via Zoom<\/strong><\/p>

How does the circulation of images of women in popular media and the internet affect gender relations and representations of women, and what are its wider implications? This discussion will look at the instrumentalisation of documentary-style images of women in advertisements and popular media through women’s advocacy group AWARE’s research, and writer\/researcher Nurul Huda Rashid’s work on the circulation of images of Muslim women online.<\/span><\/p>

About the speakers<\/p>

Kelly Leow is communications manager at AWARE, Singapore’s leading gender-equality organisation. She co-wrote and co-produced the limited-series podcast Saga (2020-2021), about the 2009 takeover that came to be known as the AWARE Saga. Born in Singapore, Kelly received a B.A. in English from the University of California, Los Angeles, and worked as deputy editor at MovieMaker Magazine, a L.A.-based print magazine about independent filmmaking. Back in Singapore, she served as an editor for multiple editions of the Singapore International Film Festival, and managed communications and fundraising at transgender organisation The T Project, before her current role at AWARE.<\/p>

Nurul Huda Rashid delves in visual arts and writing, and is currently pursuing her PhD in Cultural Studies in Asia. Her research interests focus on images, visual and sentient bodies, feminisms, and the intersections between them. Her current research project, Women in War, is a survey on images of women in war, critiqued through concepts of gender and violence, politics of the visual, and the role of the algorithm and archive as methods. These have manifested as Phase 1: Textualize<\/i> (2016), and Phase 3: Performative<\/i> (2019), exhibited at The Substation and Objectifs respectively. She has also exhibited previous projects, Hijab\/Her<\/i> (2012), Untitled<\/i> (2011), and Sufi and the Bearded Man<\/i> (2010), and has facilitated in programs with AWARE, Objectifs, and The Substation. In her free time, Nurul loves smelling old books and building on her collection of books and plant babies. She hopes to adopt a kitty someday.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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From icons to memes: The afterlife of an image
<\/b>Speaker: Dr Walter Patrick Wade
24 March 8pm via Zoom<\/strong><\/p>

We often think of images as communicating a message to a particular audience, and judge them based on their ability to accomplish a goal, for example, selling a product, promoting a charity, documenting a social problem, or narrating a news story. However, what happens to such images when they are recirculated, in a world where everyone can become an editor, photographer or filmmaker? This talk by Dr Walter Patrick Wade provides a survey of iconic and viral images and tracks how they have become part of our visual repertoire. It considers the afterlife of the image beyond its original context, focusing not just on what image makers accomplish with pictures but also how audiences adapt them for their own purposes.<\/span><\/p>

About the speaker<\/strong><\/span><\/p>

Patrick Wade<\/strong> is an Assistant Professor of Communication at Georgia State University. His research is grounded in rhetorical studies and oriented toward the study of historical and contemporary visual media, with a special focus on 20th century photojournalism depicting war and conflict. This work aims to understand the role of imagery in civic persuasion during moments of public controversy. His work has appeared in Media, War & Conflict and Rhetoric Society Quarterly. Wade earned both his M.A. and Ph.D. degree from Northwestern University. He earned his B.A. from Emory University.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Please note:
<\/strong>1.\u00a0Objectifs will ‘photograph’ (e.g. screenshots) and audio\/video record this online discussion for the purposes of documentation. We require participants to enter the Zoom call using the same name they have registered with so we may check against the registration list. You may subsequently change your username and switch off your device’s camera if you would prefer not to be photographed or recorded. We will make an announcement about this before we start any documentation.
2. Objectifs is committed to maintaining a safe and inclusive space for this online discussion. By registering for this session, participants agree to abide by the following guidelines:<\/p>

  • Treat all people with courtesy and respect.<\/li>
  • Harassment\/discrimination of sexual, physical, vocal, emotional or any other nature based on gender, gender identity and expression, age, sexual orientation, ability, physical appearance, race, ethnicity, or religion are not appropriate.<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

    STORIES THAT MATTER 2021 Examining image-making and systems of care, community and caregiving Objectifs presents Stories That Matter, an annual 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