{"id":7014,"date":"2017-08-04T22:15:44","date_gmt":"2017-08-04T14:15:44","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/staging.objectifs.com.sg\/?p=7014"},"modified":"2025-09-24T12:21:08","modified_gmt":"2025-09-24T04:21:08","slug":"asian-film-focus-2017","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/asian-film-focus-2017\/","title":{"rendered":"Asian Film Focus 2017"},"content":{"rendered":"\t\t
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The Lights Went Out by Adar Ng<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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ASIAN FILM FOCUS 2017<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Time Machine<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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This year\u2019s Asian Film Focus explores notions of archival and found footage in the context of contemporary filmmaking in Asia, highlighting works from Vietnam, India, the Philippines and Singapore. What can we glean from these glimpses into the past, and what does it say about our present and our future?<\/p>

Ever since its advent, film has been used as a means to record significant moments. From personal memories to historical milestones, its particular qualities have helped create time capsules that historians, archivists, artists, and filmmakers have turned to for insight into the past and creative inspiration. As the process of recording and archiving film continues to evolve in our lives, found footage has emerged as an important storytelling device as filmmakers seek to appropriate material to shape different narratives, and capture space and time.<\/p>

This theme will be explored through short films that have been selected by curators from the focus countries. The curators are: Shireen Seno<\/strong>, visual artist and filmmaker (Philippines) \/ Supriya Suri<\/strong>, Artistic Director of Cinedarbaar (India) \/ Truong Que Chi<\/strong>, curator of Nh\u00e0 S\u00e0n Collective (Vietnam) \/ Leong Puiyee<\/strong>, film manager at Objectifs (Singapore)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Objectifs Chapel Gallery <\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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12\/07\/2017 – 15\/07\/2017<\/p>

(Please note that ID may be verified at the door)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Share this!<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Programme Schedule <\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Screening I <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Wed 12 Jul, 7.30pm<\/em>
Programme rating: M18<\/p>

Films include:
1. Eleven Men by Nguyen Trinh Thi \/ 28 min \/ Vietnam
2. Bare by Santana Issar \/ 12 min \/ India
3. ABCD by Roxlee \/ 6 min \/ Philippines
4. Silent Light by Liao Jiekai \/ 12 min \/ Singapore
5. Dispatches by Amshu Chukki (with text by Joshua Muyiwa) \/ 9 min \/ India<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Screening II <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Thu 13 Jul, 8.30pm\u00a0\u00a0<\/em>
Programme rating: NC16<\/p>

Films include:
1. Riddle: The Shout of Man (Bugtong: Ang Sigaw ng Lalake) by RJ Leyran \/ 4 min \/ Philippines
2. These Old Frames by Tahireh Lal \/ 17 min \/ India
3. The Lights Went Out by Adar Ng \/ 4 min \/ Singapore
4. Spring Comes Winter After by Nguyen Trinh Thi \/ 5 min \/ Vietnam
5. Tawidgutom by John Torres \/ 3 min \/ Philippines<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Screening III <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Fri 14 Jul, 7.30pm\u00a0<\/em>
Programme rating: M18<\/p>

Films include:
1. A Very Old Man With Winged Sandals by Yashaswini Raghunandan \/ 18 min \/ India
2. Landscape Series #1 by Nguyen Trinh Thi \/ 5 min \/ Vietnam
3. Darna: A Stone Is a Heart You Cannot Swallow (Nang Gabing Maging Singlaki Ng Puso Ang Bato Ni Darna) by Jon Lazam \/ 6 min \/ Philippines
4. Mama Goes To Swim by Ang Sookoon \/ 5 min \/ Singapore
5. Rust (Kalawang) by Cesar Hernando, Eli Guieb III & Jimbo Albano \/ 7 min \/ Philippines<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Screening IV<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sat 15 Jul, 8.30pm\u00a0<\/em>
Programme rating: PG13<\/p>

Films include:
1. Coming Attractions by Min-Wei Ting \/ 5 min \/ Singapore
2. Song To The Front by Nguyen Trinh Thi \/ 6 min \/ Vietnam
3. White Gorilla by Charles Packer \/ 16 min \/ Singapore
4. Once Upon A Time (Minsan Isang Panahon) by Melchor Bacani III \/ 4 min \/ Philippines
5. Straight 8 \u2013 A Portrait of Tom D\u2019aguiar by Ayisha Abraham \/ 17 min \/ India<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Dialogue Session: Constructing Personal Stories and Memories Through Film<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Thu 13 Jul, 7pm – 8pm\u00a0<\/em><\/p>

Film is an important medium that allows us to record personal stories and experiences. When we hit re-play, we re-experience past times, and past memories. Together, such films preserve and form our collective history. In this dialogue with the programmers and filmmakers of the AFF, understand how filmmakers and artists use film to reconstruct their recollection, and how film can be a time machine that captures the past and the present.<\/p>

Panellists: Shireen Seno, Nguyen Trinh Thi, Liao Jiekai, Amshu Chukki \/\u00a0Moderated by: Thong Kay Wee (Outreach Officer, Asian Film Archive)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Dialogue Session: Shorts are Hot! The Role of Short Films in the Film Landscape<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sat 17 Jul, 7pm\u00a0<\/em><\/p>

Short films are known to be a launch pad for new filmmakers. The short film format not only allows filmmakers to hone their craft but to also experiment with the form without necessarily following a particular structure. The format is currently thriving \u2013 more people are creating short films, and there are more platforms for these works to reach wider audiences. From film festivals to the Internet, how have short films and their role evolved over the years? How important are they in the current film landscape?<\/span><\/p>

Moderated by Leong Puiyee, film manager at Objectifs<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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With support from the Singapore Film Commission.\u00a0<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

ASIAN FILM FOCUS 2017 Time Machine This year\u2019s Asian Film Focus explores notions of archival and found footage in the 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