{"id":9751,"date":"2025-09-01T19:51:35","date_gmt":"2025-09-01T11:51:35","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/staging.objectifs.com.sg\/?p=9751"},"modified":"2025-09-30T12:56:46","modified_gmt":"2025-09-30T04:56:46","slug":"now-showing-where-theres-water","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/now-showing-where-theres-water\/","title":{"rendered":"Now Showing: Where There’s Water"},"content":{"rendered":"\t\t
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Now Showing: Where there's Water<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Curated by GINZAZA<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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An outdoor film programme highlighting the artistic, playful, and expressive form of short and medium length films.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Now Showing: Where There’s Water Film Screening | 7.30pm – 9pm
Curated by GINZAZA<\/b><\/p>

This year\u2019s Singapore Night Fest theme, Island Nights<\/em>, calls us to explore what it truly means to be islanders. In response, we\u2019ve partnered with the visionary Japanese film collective GINZAZA to present\u00a0Now Showing: Where There\u2019s Water<\/em>\u2014a curated short film programme that wraps up the festival on its final weekend, 5 September, from 7:30pm-9:30pm.<\/p>

Curator\u2019s Notes by GINZAZA<\/strong><\/p>

Ginzaza began when Neo and Aiko realised how few opportunities exist outside of film festivals for people to enjoy quality short films. Our first two editions were in a small white cube space located in Tokyo\u2019s largest underground parking lot, adjacent to Ginza subway station, and connected to a small coffee stand.\u00a0<\/p>

With Ray, our graphic designer, we came up with a system of screening the same 10 short films every day for two weeks. One film screened at the top of every hour during the weekdays, along with Q&As. The schedule shifted by one film every day so that if you swung by at 9am every weekday, you could catch all 10 films by the end. Passersby would grab coffee and watch a short film. It was an experiment that was specific to the location, where we tried to be part of the hustle and bustle of the city underground.\u00a0<\/p>

Kimi joined the team originally as the editor of ZineZaZa (and then as co-programmer)\u2014a zine we handed out to the audience, which included program notes and other fun things, including our recommendations in Ginza. We wanted the films to run into life and life to run into the films.\u00a0<\/p>

So when we received the invitation to program shorts as Ginzaza, we wanted to acknowledge something about the setting of Objectifs. We learned about the history of the location and how the ports and canals have played a role in the area.\u00a0As we thought about what theme to program from across the ocean, in Tokyo, we decided simply on bodies of water. In this selection of shorts, you will find oceans, rivers, baths and pools\u2014natural and constructed bodies of water. Among many other things, bodies of water give life, connect lands and people, pose dangers, heal, and carry history. We hope the water in the films transport you, bring you waves of emotions, and lead you to a new way to connect with the water that surrounds you.\u00a0<\/p>

Of the four films,\u00a0The Unseen River\u00a0<\/i>and\u00a0Buzzkill\u00a0<\/i>are two films that we screened as part of Ginzaza Edition 1.\u00a0Bath House of Whales\u00a0<\/i>explores Japanese bath house culture.\u00a0Star Ferry\u00a0<\/i>is a silent film that closes out the program. We encourage you to listen to the sounds that surround you and take the images with you as you walk out of Objectifs.\u00a0<\/p>

Post-screening Activity: Swirling With Water Marbling<\/strong><\/p>

Following the screening, dive right into the post-screening creative activity and experiment with the art of water marbling \u2013 a tactile craft that echoes the themes of fluidity, reflection, and transformation explored in\u00a0Where There\u2019s Water<\/em>.<\/p>

Using GINZAZA’s iconic artwork, or associating with memories of water, participants can craft patterns on paper using tools like sticks to create a one-of-a-kind artwork, bringing home a physical reminder of the themes from the film programme.<\/p>

Suitable for all ages and skill levels. Materials will be provided.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Objectifs Platform<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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05\/09\/2025, 7.30pm to 9.30pm
Screening Rating: PG13<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Entry by donation at the door.\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Share this!<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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More Information About The Films<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Bath House of Whales by Mizuki Kiyama<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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7 min \/ 2019 \/ Japan<\/strong><\/p>

In this small town somewhere in Japan, the mothers in the neighborhood end their day at the public bath. When a little girl goes along with her mother, she is awed by the sight of a group of bathing women who behave very differently from the others. Within that group is her mother and she blends in perfectly.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The Unseen River by Pham Ngoc Lan<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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23 min \/ 2020 \/ Laos\/Vietnam<\/p>

Stories told along the river: a woman reunites with her old lover at a hydroelectric plant; meanwhile, a young man travels downstream to a temple with his girlfriend in search of a cure for his insomnia.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Buzzkill by Kathy E. Mitrani<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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11 min \/ 2020 \/ USA<\/strong><\/p>

A teenage girl takes her younger sister to a pool party with some older boys. A game of Never Have I Ever takes an unexpected turn.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Star Ferry by Simon Liu<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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8 min \/ 2018 \/ Hong Kong<\/strong><\/p>

Time-condensed 35mm imagery of Hong Kong and Tokyo meld together to form impressions of city life by day and night. As an exploration of the energy found in transient moments between final destinations, Star Ferry attempts to construct a cinematic replica of the circadian rhythms of these two metropolises. Shot entirely with a 35mm still camera, the work is structured between moments of stasis and frenetic movement \u2013 drawing out tensions between abrupt passages forward past neon signs and LED advertisements to quiet observations of personal rituals.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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About The Filmmakers<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A graduate from Kanazawa College of Art, Department of Fine Art, Oil Painting course in 2015,\u00a0Mizuki Kiyama\u00a0<\/strong>subsequently received a master\u2019s degree from the Department of Animation at Tokyo University of the Arts Graduate School of Film and New Media in 2019. Her MFA degree work\u00a0Bath House of Whales<\/em>, was selected for the Lotte Reiniger Promotion Award, from Stuttgart International Festival of Animated Film 2020. Her other film On\u00a0the Way Home\u00a0<\/em>(2018) received the Best Student Animation Film Award from XV International Festival-Workshop of Film Schools Kinoproba (Ekaterinburg, Russia) and has screened domestically and internationally, including at the 64th International Short Film Festival Oberhausen (Oberhausen,Germany)<\/p>

Pham Ngoc Lan<\/strong>\u00a0was born and raised in Hanoi, Vietnam. After completing a degree in urban planning, he became a self-taught filmmaker at the age of 27. He is an alumnus of Berlinale Talents in Berlin (2015 and 2018) and Tokyo (2017). He has also participated in SEAFIC x Produire au Sud (2016), Busan APM (2016) and the Cannes L\u2019Atelier (2017). His first documentary short film,\u00a0The Story of Ones<\/em>\u00a0(2012), was selected for numerous festivals while his subsequent fiction films\u00a0Another City\u00a0<\/em>(2016) and Blessed Land (2019) both premiered in Berlinale Shorts. His debut feature film,\u00a0Cu Li Never Cries<\/em>, celebrated its world premiere in the 2024 Panoramaand received the GWFF Best First Feature Award, among many other accolades.<\/p>

Kathy E. Mitrani<\/strong>\u00a0is a Colombian filmmaker based in New York where she received her MFA from Columbia University. Kathy\u2019s latest short film,\u00a0Sombras Nada M\u00e1s<\/em>\u00a0(2023) premiered at San Sebastian International Film Festival, was awarded Jury Special Mention at Leeds International Film Festival, Best Cinematography at Bogoshorts in Colombia and Best Student Short at Caminhos do Cinema Portugu\u00eas. The short film continues its festival circuit in 2025 garnering festival selections around the world. Her other short films,\u00a0Buzzkill<\/em>\u00a0(2020) and\u00a0Rozada<\/em>\u00a0(2019), screened internationally in festivals such as AFI Fest, Chicago International Film Festival, Curta Cinema in Rio de Janeiro and Palm Springs ShortFest and were both selected as Vimeo Staff Picks. Kathy also taught screenwriting at Columbia University\u2019s undergraduate program and worked as an Assistant Professor in their MFA program mentoring directing and screenwriting students. She is currently developing her debut feature, La Danza de Las Sombras, supported by Ikusmira Berriak de San Sebastian, TFL ScriptLab and Cine Qua Non Storylines Lab.<\/p>

Simon Liu<\/strong>\u00a0(b. Hong Kong, 1987) is an artist filmmaker whose practice centers on the rapidly evolving psychological and sociopolitical landscapes of his homeland of Hong Kong through material abstraction, speculative history, and subversion of documentary cinema practices via short films, multi-channel video installations, mixed media prints, and 16mm projection performances. His work has been exhibited at institutions including the Whitney Biennial 2024, Museum of Modern Art, MOCA Los Angeles, The Shed, PICA, Tai Kwun Contemporary, Museum of the Moving Image, Everson Museum, Moderna Museet, \u201cDreamlands: Expanded\u201d, and the M+ Museum. His films have screened at festivals globally including the Toronto, New York, Berlin, Rotterdam, BFI London, Edinburgh, Jeonju, and Hong Kong International Film Festivals alongside the Sundance Film Festival, New Directors\/New Films, CPH:DOX, Cin\u00e9ma du R\u00e9el, Punto de Vista, Viennale, and the Media City Film Festival. The M+ Museum and MoMA recently acquired Liu\u2019s Quadruple 16mm Projection Highview, along with other recent works, for their Permanent Collections. He is currently editing his first feature film, Staffordshire Hoard.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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About The Curator<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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GINZAZA<\/strong><\/a>\u00a0is a short film playground. Each edition is a unique exploration into the short film format.<\/p>

\u3010The People Behind Ginzaza\u3011<\/p>

Neo Sora\u00a0<\/strong>\u2013 Founder and Programmer of GINZAZA
Film director, translator and artist based in New York and Tokyo. His short film,\u00a0The Chicken<\/em>\u00a0(2020), had its world premiere at the Locarno International Film Festival and his first feature fiction film\u00a0Happyend<\/em>\u00a0(2024) premiered at Venice Film Festival and is opening theatrically around the world.<\/p>

Aiko Masubuchi\u00a0<\/strong>\u2013 Founder and Programmer of GINZAZA
Aiko Masubuchi is a film programmer, producer and translator based inTokyo and New York. She has programmed film series\u2019 and festivals at places such as MoMA, Film Forum, Film at Lincoln Center. She has produced films including Neo\u2019s\u00a0The Chicken<\/em>, and\u00a0Happyend<\/em>.<\/p>

Ray Masaki\u00a0<\/strong>\u2013\u00a0Branding and overall design of GINZAZA, from the website to the magazine.
Japanese-American graphic designer born in New York and living and working in Tokyo since 2017. He studied at Parsons School of Design, The Cooper Union, and the Vermont College of Fine Arts. In 2022, he started Studio RAN.<\/p>

Kimi Idonuma<\/strong>\u00a0\u2013 Editor and Programmer of GINZAZA. Editor of their zine, ZineZaZa
Editor, writer. Born in Fukushima Prefecture, currently living in Tokyo. She organizes Hadakeru K\u014dsen, a project centered on screenings and writings on film.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Now Showing: Where there’s Water Curated by GINZAZA An outdoor film programme highlighting the artistic, playful, and expressive form of 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