{"id":9997,"date":"2025-09-08T18:10:06","date_gmt":"2025-09-08T10:10:06","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/staging.objectifs.com.sg\/?p=9997"},"modified":"2025-09-30T12:04:28","modified_gmt":"2025-09-30T04:04:28","slug":"coastal-proximities","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/coastal-proximities\/","title":{"rendered":"Coastal Proximities"},"content":{"rendered":"\t\t
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Image credits: Marvin Tang & ila<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Coastal Proximities<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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An exhibition by Marvin Tang and ila<\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Coastal Proximities<\/em>\u00a0presents studies of narratives, landscapes and representations of Singapore\u2019s shoreline by artists Marvin Tang and ila. In their explorations, they attempt to grasp how our access to, experience and perceptions of the coast have been shaped, through historical documents, field research and neglected stories and presences.<\/p>

The artists focus on the west coast, offshore islands, and river mouths. Largely terraformed by land reclamation, drainage projects and urbanisation, these sites bear little resemblance to their original geographies, altering our views, the ecology and ways of life. As Singapore continues to expand its coast and the sea recedes from our lives and memories,\u00a0Coastal Proximities<\/em>\u00a0surfaces our relationship to the environment, our cultural connections to water bodies, and how we value land in the past, present and future. It asks what we can glean and what we have lost from these changing contours, and posits gestures for restoration and recovery.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Animacies of Absence (ila, 2025)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Animacies of Absence<\/em>\u00a0traces the flow of water inward and along the coast through stories of embodied knowledges, fractured kinships and impacts of displacement on the spirit and the body. What persists and perseveres in a continuously changing coast and what endures in its absences? Adapted from oral history interviews, newspaper articles and conversations during site visits, these narratives offer alternative pathways to map the coast beyond the geographical.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A View from the Coast (west) (Marvin Tang, 2025)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A\u00a0View from the Coast<\/em>\u00a0draws inspiration from colonial postcards in the artist\u2019s collection. One such postcard bears an annotation: \u201cThe sea is here and lots of ships,\u201d referencing a distant sea view that remains hidden from the postcard\u2019s perspective.<\/p>

In this work, the artist traces the western coast of Singapore, both literally and metaphorically, exploring how coastlines have been reshaped over time. Here, industrialisation projects in the 1960s \u2013 1980s have left little of the seaview, yet seemingly justified by their economic gains.<\/p>

A View from the Coast<\/em>\u00a0serves as an introduction to the edges of a landmass that, despite being an island, is rarely seen from its periphery. With expectations of sandy beaches and seabreeze, we are met instead with fences and the scent of rust \u2013 mirroring the postcard where much of the seaview remains hidden a century later.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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About the artists<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Marvin Tang<\/strong><\/a>\u00a0(b.1989) uses images as a tool of investigation.<\/p>

His research questions the linearity of historical narratives and the notion of collective identities. His works stem from the effects of policy-making to shifting social structures. He is particularly interested in applying this research to Singapore, attempting to investigate its historical account and relationship to its expanded narratives across the globe.<\/p>

Marvin\u2019s works have been presented at the Alliance Fran\u00e7aise de Singapour (Singapore), DECK (Singapore), Mizuma Gallery (Singapore), Thessaloniki PhotoBiennale (Greece), Noorderlicht International Photofestival (Netherlands), Odesa Photo Days (Ukraine), and Dali International Photography Exhibition (China).<\/p>

With a practice that encompasses performance, photography, moving image and sound,\u00a0ila<\/strong><\/a> (b. 1985, Singapore) create alternative entry points for experiencing the peripheries of lived experience and unspoken narratives. She often reconfigures and merges speculative fiction with factual histories to conceive sites for empathy and connectivity in her work. She has participated in group shows in Singapore such as Singapore Biennale 2022 named Natasha, Proposals for Novel Ways of Being, National Gallery Singapore (2020) and in festivals such as ASEAN-EU Cultural Festival (2022).<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Objectifs Chapel Gallery<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Related Events<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Opening | Fri 22 Aug, 6.30pm \u2013 8pm<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Artist tour and sharing | Sat 30 Aug, 7.30pm \u2013 8.30pm<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Objectifs Film Club: A Man Trembles<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Objectifs Workshop Space<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Tue 23 Sep, 7.30pm \u2013 9pm
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Image credits: Marvin Tang & ila Coastal Proximities An exhibition by Marvin Tang and ila Coastal Proximities\u00a0presents studies of narratives, 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