{"id":7030,"date":"2025-08-14T20:35:14","date_gmt":"2025-08-14T12:35:14","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/staging.objectifs.com.sg\/?post_type=product&#038;p=7030"},"modified":"2026-05-06T16:26:41","modified_gmt":"2026-05-06T08:26:41","slug":"cinema-in-transition-3-act-cinema-magazine-issue-6","status":"publish","type":"product","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/product\/cinema-in-transition-3-act-cinema-magazine-issue-6\/","title":{"rendered":"CINEMA IN TRANSITION &#8212; 3-ACT Cinema Magazine Issue 6"},"content":{"rendered":"<table class=\"table table-stripped\" style=\"height: 243px;\" width=\"640\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"middle\"><strong>BY<\/strong><\/td>\n<td valign=\"middle\">3-Act Film<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\"><strong>COUNTRY<\/strong><\/td>\n<td valign=\"middle\">Myanmar<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\"><strong>YEAR<\/strong><\/td>\n<td valign=\"middle\">2023<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\"><strong>DETAILS<\/strong><\/td>\n<td valign=\"middle\">172 x 239 mm, 186 pp<br \/>\nSoftcover<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\"><strong>LANGUAGE<\/strong><\/td>\n<td valign=\"middle\">Burmese and English<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Issue 6 of 3-ACT Cinema in Transition presents 12 bilingual (English &amp; Burmese) essays on Post-Covid Cinema Landscape in Myanmar, Gender, Identities &amp; Films, and the New DIY Avant Garde Spirit of Burmese Cinema. It also features two additional parts; Loss of Innocence on Silver Screen and New &amp; Old Trajectories in Global Cinema. 3-ACT is a non-profit film community organisation in Myanmar that initiates projects to support new forms of storytelling.<\/p>\n<p>Articles from Cinema in Transition are contributed by Aung Kyaw, Griffin, Linn Lae Shwe Yee Soe, Phoo Myet Che, Carlos Moore, Kyaw Linn Aung, Yee Mon Aung, Moe Myat May Zarchi, Han Sann, Thara T Yorke, Jael Mendoza<br \/>\nPoem contributed by Sai Naung Naung<\/p>\n","protected":false},"featured_media":7071,"template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[179,188,267],"product_tag":[189,190,191,192],"class_list":["post-7030","product","type-product","status-publish","has-post-thumbnail","product_cat-books","product_cat-film-publications","product_cat-international-titles","product_tag-3-act-film","product_tag-cinema","product_tag-cinema-in-transition","product_tag-myanmar","desktop-align-left","tablet-align-left","mobile-align-left","ast-product-gallery-layout-horizontal-slider","ast-product-tabs-layout-horizontal","first","instock","shipping-taxable","purchasable","product-type-simple"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>CINEMA IN TRANSITION - 3-ACT Cinema Magazine Issue 6 - Objectifs<\/title>\n<meta name=\"description\" content=\"Issue 6 of 3-ACT Cinema in Transition presents 12 bilingual (English &amp; 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