{"id":8378,"date":"2025-08-14T20:48:28","date_gmt":"2025-08-14T12:48:28","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/staging.objectifs.com.sg\/?post_type=product&#038;p=8378"},"modified":"2026-01-05T14:47:34","modified_gmt":"2026-01-05T06:47:34","slug":"code-blue-from-shashasha-books","status":"publish","type":"product","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.objectifs.com.sg\/product\/code-blue-from-shashasha-books\/","title":{"rendered":"CODE BLUE from Shashasha books"},"content":{"rendered":"<p>&nbsp;<\/p>\n<table class=\"table table-stripped\" style=\"height: 243px;\" width=\"640\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"middle\"><b>BY<\/b><\/td>\n<td valign=\"middle\">Yoon Seung Joon<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\"><strong>YEAR<\/strong><\/td>\n<td valign=\"middle\">2019<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\"><strong>DETAILS<\/strong><\/td>\n<td valign=\"middle\">Hardcover<br \/>\n27 cm \u00d7 39 cmLimited edition of 1000 copies<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\"><strong>LANGUAGE<\/strong><\/td>\n<td valign=\"middle\">English, Korean, and Japanese<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Korean photographer Yoon Seung Jun photographed half-finished buildings in South Korea \u2013 not ruins, and not buildings in the process of being constructed either, but buildings whose development has stopped (for one reason or another).<\/p>\n<p>In <em>Code Blue<\/em>, Yoon records these buildings in the manner of a status report. The title itself is borrowed from the medical field, where it is used to assemble all available staff in the case of an urgent emergency. As if \u201cYoon wants to gather every one of us reading his photobook\u201d in the (absurd) hope that these buildings can still be rescued.<\/p>\n<p>The book itself \u2013 designed by Yoshihisa Tanaka \u2013 mirrors the state of the buildings: half-finished. The complicated fold-out layout of the pages not quite complete, the book not completely bound, the hardcover glued on but not yet hidden behind cloth \u2013 yet the book itself manages to tell of all the work that went into its creation, and its unfinished state does not detract from its beauty.<\/p>\n<p>Includes an afterword by the artist and an essay by Japanese curator Hiroshi Suganuma in Korean, Japanese and English translation.<\/p>\n","protected":false},"featured_media":8733,"template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[179,267],"product_tag":[215,330,331,332,333,334,335],"class_list":["post-8378","product","type-product","status-publish","has-post-thumbnail","product_cat-books","product_cat-international-titles","product_tag-architecture","product_tag-hiroshi-suganuma","product_tag-korean-photographer","product_tag-landscape","product_tag-shashasha-books","product_tag-yoon-seung-joon","product_tag-yoshihisa-tanaka","desktop-align-left","tablet-align-left","mobile-align-left","ast-product-gallery-layout-horizontal-slider","ast-product-tabs-layout-horizontal","first","instock","shipping-taxable","purchasable","product-type-simple"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>CODE BLUE from Shashasha books - Objectifs<\/title>\n<meta name=\"description\" content=\"\u2018Overflow compels us as viewers to see the interplay of a seemingly random distribution of fragments, surfaces and residues. 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