{"id":34170,"date":"2015-10-01T16:16:00","date_gmt":"2015-10-01T08:16:00","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/?p=34170"},"modified":"2021-05-05T16:54:37","modified_gmt":"2021-05-05T08:54:37","slug":"tailor-made-for-success","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/tailor-made-for-success\/","title":{"rendered":"Tailor-Made For Success"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><strong><strong><strong>How did you get involved with&nbsp;<em>The Emperor\u2019s New Clothes<\/em>?<\/strong><\/strong><\/strong><\/h4>\n\n\n\n<p>It was really Pam Oei\u2019s fault. She tricked me into joining the cast, luring me in with different tactics! [laughs] But, seriously, we\u2019ve known each other for a while and I have a lot of respect for her and what she does. Pam brought up the panto and I loved the story. It\u2019s timeless and also timely \u2013 it\u2019s one of those stories that can be applied to any generation, but also makes sense and is so relevant for modern Singapore.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Tell us about Nate No-Surname, the character you play in the show.<\/strong><\/h4>\n\n\n\n<p>Nate is one of two kids who grew up together in an orphanage and eventually become the tailors for the Emperor\u2019s clothes in the biggest New Dress Parade ever. Nate and Khai [played by Sezairi from&nbsp;<em>Singapore Idol<\/em>] are the storytellers who thread the entire story together. And it\u2019s a great story \u2013 hilarious and heartwrenching at the same time. I\u2019m working really hard to do it justice!<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>This show has everyone playing instruments on stage. How have rehearsals been for you?<\/strong><\/h4>\n\n\n\n<p>Playing instruments live on stage is&nbsp;<em>really<\/em>&nbsp;complex and challenging! Musicians for live gigs don\u2019t just play chords \u2013 they have to concentrate on getting their notes right and coming in on time, with the right tonality and rhythm. For this show, we\u2019ll have to do all that while dancing, singing and acting with our instruments! Our instruments are extensions of our stage personas.<\/p>\n\n\n\n<p>As a musician, it\u2019s a dream come true&#8230; and my greatest nightmare as well! When I\u2019m doing my own music, I\u2019m in my element. This is a totally different ball game. I\u2019m scared, but I\u2019m really excited too. There\u2019s an amazing quote that goes: \u2018Sometimes, you have to take the leap and build your wings on the way down.\u2019 It\u2019s true \u2013 we\u2019re all taking that leap right now!<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>How has Julian Wong\u2019s music inspired you?<\/strong><\/h4>\n\n\n\n<p>Julian really is the best at what he does \u2013 there\u2019s no comparison! The music is just mindblowing. You\u2019d think that, for a kids\u2019 musical, there\u2019d be some kind of limitation on what can be done musically. But Julian is tapping on so many different genres, and to such amazing effect. He manages to make you feel sympathy for the Emperor through his music. That\u2019s crazy! While learning the scores, we would stop and go, \u201cThis is&nbsp;<em>so good<\/em>!\u201d. It really makes us want to perfect it, because we really connect with every single song.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/newsletter\/NL29\/01B.jpg\" alt=\"\"\/><figcaption>Working on getting the perfect shot at the&nbsp;<em>Emperor<\/em>&nbsp;photoshoot<br>with art designer C.K. Chia and photographer Mark Law<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>What\u2019s it been like working with Pam as a director?<\/strong><\/h4>\n\n\n\n<p>Pam is so motherly to me! She keeps asking me, \u201cDo you really want to drink that? Are you sleeping enough?\u201d. [laughs] As a director, she makes very sharp choices, and is very good with timing and comedy. She knows how to play with space and silence too. She\u2019s an actor\u2019s director, because she\u2019s a performer herself, but she can also macro-manage the entire production, which is something not all actors can do. She\u2019s very open to collaboration and ideas, which means that everyone in the cast is included in the creative process and it feels like a team effort.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>You and Sezairi are rising stars on the local music scene. What\u2019s it like working together on this show?<\/strong><\/h4>\n\n\n\n<p>I\u2019ve worked with Airi before, but mostly for music. We\u2019ve travelled and toured and jammed a bunch of times. But this is his first time doing a musical, and it\u2019s so fun to see him in this mode \u2013 to watch him get into it and work on understanding a different musical language.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>What are some of the challenges you\u2019ve encountered in rehearsals?<\/strong><\/h4>\n\n\n\n<p>I\u2019ve seen pantos before, so I know the incredible amount of sacrifice and hard work it takes to get one off the ground. Pam talked me through it beforehand. But this is particularly intense! Even though I\u2019ve done musicals before, I still have to code-switch and compartmentalise when working on this. I\u2019m also in rehearsals until 6pm and then have band recordings at night. The Sam Willows will be releasing its first full-length album,&nbsp;<em>Take Heart<\/em>, on 30 October. So I\u2019m tired as hell. But I wouldn\u2019t trade it for the world. I\u2019m enjoying myself so much!<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Audience interaction is a key element of any pantomime. Are you looking forward to that aspect of the show?<\/strong><\/h4>\n\n\n\n<p>From an academic standpoint, I know that people are going to shout things at me and I\u2019ll have to react. So I can see that coming already. But I honestly have no idea what to expect. At the end of the day, I\u2019ll try to ensure that I serve the story when I respond to them! It\u2019s going to be really fun, I\u2019m sure \u2013 I love kids, and I\u2019ve worked with them a few times via ACT 3.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/newsletter\/NL29\/01C.jpg\" alt=\"\"\/><figcaption>Driving us around the Ben!<br><em>Emperor<\/em>\u2019s three Bens (L-R): Benjamin Chow, Benjamin Wong &amp; Benjamin Kheng!<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>As an audience member in the theatre, is there a particular show that was special or memorable for you?<\/strong><\/h4>\n\n\n\n<p>W!LD RICE\u2019s&nbsp;<em>Animal Farm<\/em>. I grew up with theatre \u2013 my parents fed me a steady stream of theatre while I was growing up. But&nbsp;<em>Animal Farm<\/em>&nbsp;is one of the plays that really made me sit up and see how imperative theatre is in society \u2013 how we need it, not necessarily to effect change immediately, but to be that question, to be that voice. I was very, very moved by it.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>How about as a performer?<\/strong><\/h4>\n\n\n\n<p>In 2012, I did this piece called&nbsp;<em>National Broadway Company<\/em>&nbsp;with TheatreWorks. It was really a baptism by fire for me. I\u2019d done fringe work since 2010, but&nbsp;<em>National Broadway Company<\/em>&nbsp;was&nbsp;<em>big<\/em>&nbsp;\u2013 it was the only show I\u2019ve ever done where we did a sitzprobe at the very start. It was the scariest thing ever! I knew the entire cast, obviously, and had looked up to them for ages. But to see all of them in one place at one go, it was just really surreal and scary for me.<\/p>\n\n\n\n<p>But the experience taught me that theatre is a very revered art form. People across the years have bled for this \u2013 they have sacrificed so many hours and so much of their lives just to serve this art form. I learnt that, if I wanted to do the same, I\u2019d have to put in the work too.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>What is it that draws you to acting?<\/strong><\/h4>\n\n\n\n<p>When I was young, I had a bunch of issues, like every neurotic, self-doubting kid. So acting was always a wonderful form of escape for me.<\/p>\n\n\n\n<p>I\u2019m also a person who\u2019s very easily moved. I remember struggling so hard to make my friends feel the same way about things I was passionate about. When I first heard a song that really got to me, I\u2019d be, like, \u2018Did you guys not get it? Why are you not crying? Is it not moving you to the moon and back?\u2019. I\u2019m such a sensitive new-age guy. [laughs] And I figured that I wanted to dedicate the rest of my life to trying to make people feel that same way. Because people can get so uptight, and that form of escapism is so healthy sometimes. It\u2019s about telling stories. I get to do that to a certain extent in my music and, when I\u2019m tired of telling my own story, I get to tell other stories. It\u2019s the best job in the world; I can\u2019t complain.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>What\u2019s your favourite musical?<\/strong><\/h4>\n\n\n\n<p>Right now, it\u2019s&nbsp;<em>The Book of Mormon<\/em>. I watched it in London and I just&nbsp;<em>died<\/em>. I\u2019m a modern-musical kind of guy \u2013 I love&nbsp;<em>Rent, Once, The Bridges of Madison County<\/em>&#8230; for me, it\u2019s very hard to go wrong with Jason Robert Brown. Take&nbsp;<em>The Last Five Years<\/em>&nbsp;\u2013 it\u2019s not afraid to go to very ugly places, and that\u2019s what, I suppose, makes it beautiful. That show is willing to reveal the scariest parts of humanity, which is the most important thing about musicals and theatre. It\u2019s about holding a mirror up to people and getting them to really accept themselves and not try to shun away. So many other forms of media are about perfecting and filtering things, but theatre is this wonderful place where you get to be naked, where you get to perfect yourself. It\u2019s where you challenge people to take a leap, and when they take it, it\u2019s so powerful. You\u2019re affecting lives, you\u2019re changing things.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Is that what keeps you coming back to the theatre?<\/strong><\/h4>\n\n\n\n<p>Absolutely. I love doing commercial music, because you\u2019re casting such a wide net \u2013 I can talk to kids or adults who all listen to our music. That\u2019s great. But musical theatre is so raw and personal, in a different way. It\u2019s such a privilege to be able to do both. It\u2019s every musician\u2019s dream. I keep telling people that I need to do at least one theatre thing a year, because it\u2019s so therapeutic and cathartic. It really centres you again as a performer, and reminds you of why you\u2019re doing all this. You can get very jaded and very tired doing commercial work sometimes, although it does pay the bills. You can forget why you\u2019re doing it in the first place. But, in the theatre, no one gives a crap about how many followers you have or how famous you are. It\u2019s about how well you serve the story and how good a team player you are.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>You may have seen Benjamin Kheng of The Sam Willows sing, act, dance and play an instrument \u2013 but, in The Emperor\u2019s New Clothes, he\u2019ll be doing it all at the same time! In this in-depth interview, he tells us about stitching up his role in this year\u2019s pantomime and explains why, despite his growing success as a musician, he will always return to the theatre.<\/p>\n","protected":false},"author":10,"featured_media":34171,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[8],"tags":[52,359],"acf":[],"_links":{"self":[{"href":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wp-json\/wp\/v2\/posts\/34170"}],"collection":[{"href":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wp-json\/wp\/v2\/comments?post=34170"}],"version-history":[{"count":0,"href":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wp-json\/wp\/v2\/posts\/34170\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wp-json\/wp\/v2\/media\/34171"}],"wp:attachment":[{"href":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wp-json\/wp\/v2\/media?parent=34170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wp-json\/wp\/v2\/categories?post=34170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wp-json\/wp\/v2\/tags?post=34170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}