{"id":688,"date":"2018-07-05T09:06:59","date_gmt":"2018-07-05T01:06:59","guid":{"rendered":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wr\/wr\/?p=688"},"modified":"2020-02-22T20:59:22","modified_gmt":"2020-02-22T12:59:22","slug":"all-the-worlds-a-stage-siti-khalijah-zainal","status":"publish","type":"post","link":"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/all-the-worlds-a-stage-siti-khalijah-zainal\/","title":{"rendered":"All the World&#8217;s A Stage: Siti Khalijah Zainal"},"content":{"rendered":"\n<p><strong>I first realised I wanted to be an actor<\/strong>&nbsp;while performing in a school show. I was in ITE (Institute of Technical Education) at the time, and we were putting on a musical version of William Shakespeare\u2019s&nbsp;<em>A Midsummer Night\u2019s Dream<\/em>&nbsp;at the Kallang Theatre. That was my first time performing on such a large stage. I played Hermia, and I had to act, sing and dance all at once. It was really quite exciting. And when it ended, I wanted more! That\u2019s when I thought: is there a possibility of me doing this full-time?<\/p>\n\n\n\n<p><strong>I\u2019ve been working in the theatre industry&nbsp;<\/strong>since 2004\u2026 but not as a full-time actor right away. For the first three years or so, I was learning the ropes. I had a few acting jobs, but I also did production work behind the scenes. In the day, I would perform in school shows. And then, at night, I would be a dresser or a member of the backstage crew for a professional show.<\/p>\n\n\n\n<p><strong>I may not have formal training as an actor<\/strong>, but I try never to resort to excuses like: \u2018I can\u2019t read&nbsp;<em>towgay<\/em>&nbsp;[musical notation]!\u2019 In fact, I work doubly hard in areas where I know I\u2019m weaker, like in singing and dancing. I\u2019m just glad that there are people who still want to work with me even though I\u2019m not professionally trained.<\/p>\n\n\n\n<p><strong>Acting has taught me&nbsp;<\/strong>to be adaptable and open to learning new things. I\u2019m always learning something new. For example, I recently performed in a monologue called&nbsp;<em>How Did The Cat Get So Fat?<\/em>, which involved a lot of complicated puppetry work. It was my first time working with Tan Beng Tian, who is a co-founder of The Finger Players. She\u2019s one of Singapore\u2019s master puppeteers, so being able to learn new skills from her was a privilege. I hope I remain open to challenging myself to learn new things, even in my 40s and beyond.<\/p>\n\n\n\n<p><strong>I\u2019ve grown to appreciate&nbsp;<\/strong>how everything in theatre is, in a sense, temporary. It\u2019s, oddly, part of the joy of what we do as actors. All shows must come to an end. That reminds me to always live in the moment. Why be sad that a show is going to end? Enjoy the moment while you have it\u2026&nbsp;<em>now<\/em>, today! That applies, of course, to bad shows too. You can endure it because you know you won\u2019t be stuck with it forever!<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wr\/wp-content\/uploads\/2019\/04\/Siti-2-1024x683.jpg\" alt=\"\" class=\"wp-image-694\" srcset=\"https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wr\/wp-content\/uploads\/2019\/04\/Siti-2-1024x683.jpg 1024w, https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wr\/wp-content\/uploads\/2019\/04\/Siti-2-600x400.jpg 600w, https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wr\/wp-content\/uploads\/2019\/04\/Siti-2-768x512.jpg 768w, https:\/\/glutenfreepleasure.com\/__proxy_domain\/www.wildrice.com.sg\/wr\/wp-content\/uploads\/2019\/04\/Siti-2.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Rehearsing for&nbsp;<em>An Actress Prepares<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>As an actor, I always try my best not to&nbsp;<\/strong>let my own personal judgements get in the way of the work. My responsibility as an actor is to play the role I\u2019ve been given. If I form my own negative personal opinions about a show or a script or a character, that already indicates I\u2019m not committed to my role. And that\u2019s not good. Audiences can tell when an actor isn\u2019t fully enjoying herself on stage. And here\u2019s the thing: you can think something isn\u2019t good, but other people might really enjoy it. I\u2019ve had friends come up to me after a show and tell me they loved a scene that I had trouble with.<\/p>\n\n\n\n<p><strong>I prepare for every new role by<\/strong>&nbsp;making sure I am physically capable of playing the part. That could mean not eating durian, which I&nbsp;<em>love<\/em>, for a few months beforehand to preserve my singing voice. I also always ask if there are any special skills or technical abilities I need to practise before rehearsals start. We decided to go with the darbuka (goblet drum) in the end, but I actually took accordion classes for a while for&nbsp;<em>The Emperor\u2019s New Clothes<\/em>&nbsp;when Pam Oei, my director, wanted me to play a musical instrument on stage!<\/p>\n\n\n\n<p><strong>I\u2019m blessed to be the kind of actor<\/strong>&nbsp;who can let go of a character when the performance is over. I\u2019m method when I\u2019m on stage \u2013 I become the character and leave Siti behind. But I leave the character in the theatre. Why bring her with me and affect other people when I\u2019m off-stage?<\/p>\n\n\n\n<p><strong>Performing in&nbsp;<em>An Actress Prepares&nbsp;<\/em><\/strong>is difficult for me because I have to be myself on stage. When Alfian Sa\u2019at first approached me to do this piece for the 2016 Singapore Writers Festival, I remember protesting: \u2018You want me to talk about myself? I\u2019m not interesting!\u2019 The characters I play are interesting. What do people want to know about Siti? What does Siti have to say? But, while working with Alfian, I realised that I do have a different perspective to offer. I\u2019m a girl who used to live in a three-room flat in Boon Lay, who went from normal neighbourhood schools to ITE. That\u2019s not a route you normally associate with a career in the arts. I have a different family background from a lot of the friends I\u2019ve made in the theatre industry.<\/p>\n\n\n\n<p><strong>Theatre has taught me that everyone<\/strong>&nbsp;has a voice. When I started out, I did occasionally think: \u2018I\u2019m an ITE student. All my friends graduated from NUS or LASALLE. How am I useful to this community?\u2019 But, when I started doing devised works \u2013 which rely heavily on improvisations by the actors involved \u2013 I realised that I could contribute my own experiences, ones that my fellow actors might not have. I\u2019ve done a lot of work like that for The Necessary Stage, as well as WILD RICE\u2019s&nbsp;<em>HOTEL<\/em>. Not every idea we come up with ends up in the final script, but it\u2019s still rewarding to have been a part of that kind of creative process from the very beginning. It\u2019s tiring, but also very fulfilling.<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Siti Khalijah Zainal is one of the most gifted actresses of her generation. As she gets ready to take the stage in An Actress Prepares, we find out what acting has taught her and what it\u2019s like to play herself on stage.<\/p>\n","protected":false},"author":1,"featured_media":693,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"Siti Khalijah Zainal is one of the most gifted actresses of her generation. 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